Matt and Marisa record live and in-person mere minutes after this year's SAG Awards to talk high, lows and Anne Hathaway crying during Barbra Streisand's speech.

Matt and Marisa give their initial reactions to this year's Oscar nominations, the surprises, the snubs and all the rest. In the episode, they lament the few nominees they still have to watch, celebrate the love for Maestro and note that there's still a way for an ex-Riverdale actor to win an Oscar this year.

Matt and Marisa finally kick off Awards Season with an in-depth analysis of the SAG Nominations for the film categories. In the episode, they defend Maestro, begin to analyze the cultural touchstone that was Barbenheimer and wonder what the hell happened with Ferrari.

Matt and Marisa are joined by winner of ThePopBreak.com's Oscar pool aka the site's Editor in Chief, Bill Bodkin, to break down the highs and lows of last night's Academy Awards.

Matt and Marisa return to talk about the boys. In Lead, they worry about the Brendan Fraser situation to the point that Marisa does a heel turn on Austin Butler. In Supporting, they surprise each other with their takes on the boys from The Banshees of Inisherin and wonder if anyone could possibly beat Ke Huy Quan.

Matt and Marisa return to talk about their favorite categories of every year: the actresses. In the Supporting category, they discuss the rapidly changing narrative for predicting who will win and list some of their favorite performances of the year in their alternates. In the Lead category, they break down the Andrea Riseborough controversy and pray for a Michelle Yeoh win.

Matt and Marisa tackle their last set of the non-major categories: Best Original and Adapted Screenplays. In the Adapted category, they relish the chance to praise Glass Onion: A Knives Out Mystery, hype up Top Gun: Maverick once again and put their weight behind Sarah Polley's work with Women Talking. In the Original category, they use The Fabelmans to once again worship last year's West Side Story, Marisa argues Tár's epilogue ruins the whole movie and Matt suggests The Banshees of Inisherin is Martin McDonagh's best work.

Our breakdowns of this year's categories continue with a double feature of some of our most unhinged categories: Score and Song. We complain (again) about All Quiet on the Western Front's many nominations, dissect the Diane Warren of it all and Marisa teases the dark evil that is her Spotify Wrapped.