After taking ‘Baling’ to South Korea, India, Japan and the United Arab Emirates, the director gives a report on how to take a national event overseas, and then points to what needs to change for it to take the show to Europe and again to Kyoto.
But before the European and Japanese excursions, Baling will be played to a local audience. How differently does the director and creative producer need to think to make the work resonate universally.

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