We’ll focus on Beethoven’s Symphony No. 7 in A Major, Op. 92, completed in 1812.

We’ll focus on the “Serioso” String Quartet, No. 11 in F Minor. Op. 95 (1810-1811), and the “Archduke” Piano Trio, B-flat Major, Op. 97 (1815).

We’ll focus on the overture and a varied selection of movements from Beethoven’s incidental music for Goethe’s Egmont, Op. 84, completed in 1810.

We’ll focus on piano sonatas No. 26 in E-flat Major, Op. 81a, completed in 1810, and No. 27 in E Minor, Op. 90, completed in 1814.

We’ll focus on the final version of the opera from 1814.

We’ll look at three of the four overtures Beethoven composed for Fidelio.

We’re going to focus on Piano Sonata No. 24 in F-sharp Major, Op. 78, and Piano Sonata No. 25 in G Major, Op. 79, but we’ll also take a quick look at the two piano sonatinas of Op. 49.

We’ll look at Beethoven’s String Quartet No. 10 in E-flat Major, Op. 74, completed in 1809 and nicknamed the “Harp” quartet.

We’ll look at Beethoven’s fifth and final piano concerto, the so-called “Emperor” Concerto in E-flat Major, Op. 73.

We’ll look at the two piano trios of Op. 70: No. 1, the famous “Ghost” Trio in D Major, and No. 2, the less famous but still interesting Trio in E-flat Major.