Post The Office, actor-writer-director John Krasinski has led a wildly unexpected path, here both he and his wife (an excellent Emily Blunt) helm one of new-horror's high points and an entry into the human sense genre.

There seems to be a raft of new American war films that don't seem to realise the moral landscape post the invasion of Iraq is very different and trying to portray American military involvement overseas in a golden light is jaw-dropping. This spoils an amazing true-war story here with some great battle sequences.

Luc Besson's multi-million dollar, neon schlock disasterpiece is a film I have a lot of love for and one that is fatally hamstrung by the insufferable lead pairing of Cara Delevingne and Dane DeHaan, the worst and most damaging casting blunder this century.

I would definitely down-vote this Oscar hoover now, as everything falls apart in an often silly second half.

Just when the Marvel universe was entering the home stretch and tiring, with some dodgy entries, along came Kiwi Taika Waititi to unexpectedly deliver a third Thor film that was as fresh and funny as Guardians of the Galaxy.

All the talk is of Koreans but no one dominated cinema last decade like Mexicans, taking an incredible five out of ten best director Oscars. Like many before him, auteur Guillermo del Toro took home the gong for a far lesser and surprisingly slight work in comparison to a masterpiece like Pans Labyrinth.

I've said before, no director as talented as Steven Spielberg has ever ruined so many films. This century the cupboard is especially bare and he brings his trade mark morally black and white, simplistic, heavy-handed approach to hammer home this flat modern history drama.

A cynically timed and utterly pathetic accusation against director star, James Franco, was all it took to derail Oscar contention for his perfect recreation of the weird world of Tommy Wiseau and his infamous bad movie, The Room.

Ric Roman Waugh directs and Nikolaj Coster-Waldau stars in this very underseen, brutal and gritty prison drama, that follows a DUI stockbrokers decent into hell.

The uncommonly intelligent, thoughful, superb sci-fi trilogy ends in fitting style, making it four awards worthy performances (including King Kong) for CGI king, Andy Serkis as an ape.