The Bulwark: Across the Movie Aisle

Before we get to the episode, a quick note: we are spinning off Across the Movie Aisle into its own separate thing; it will no longer be part of the Bulwark network of shows, but it will still exist on Substack at movieaisle.substack.com. If you listen via Apple, nothing much will change for the moment; if you listen via Substack there may be a few changes for you. But we’ll cover that next week in our first episode at the new spot. —SB

On this week’s episode, Sonny, Peter, and Alyssa look at the perilous state of film and television production in Los Angeles. Is Hollywood’s time as the undisputed king of film production at an end? What does that mean for the people who make a living out there? And what does it mean for the idea of an American film industry? Then they review The Smashing Machine, Dwayne Johnson and Benny Safdie’s award season play. Is this the movie The Rock needs to regain some credibility as an actor? Or does it miss the mark?

On this week’s special bonus episode, we look at the work of Paul Thomas Anderson as a filmmaker whose work spans much of the 20th century, particularly 20th-century America on the West Coast.

On this week’s episode, Sonny, Peter, and Alyssa discussed Apple’s move to shelve the TV show The Savant in the wake of multiple bouts of politically inspired violence. Then they reviewed One Battle After Another, the latest movie from Paul Thomas Anderson starring Leonardo DiCaprio. (Here’s a link to the New York Times profile of PTA mentioned briefly in the podcast this week.) Make sure to swing by Bulwark+ on Friday for a bonus episode about PTA. And if you enjoyed this episode, share it with a friend!

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On this week’s episode, delayed slightly due to technical difficulties, Sonny, Peter, and Alyssa broke down the struggle between Jimmy Kimmel, Disney, Nexstar/Sinclair, and Brendan Carr at the FCC. Is this just business as usual at the FCC, or has the regulatory administration overstepped its bounds here. Then we said goodbye to Robert Redford, looking at some of his 1970s classics like All the President’s Men, Three Days of the Condor, and The Sting, among other titles. If you enjoyed the episode, share it with a friend!

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On this week’s bonus episode of Across the Movie Aisle, we chose some of our favorite Stephen King adaptations in snake-draft format. There’s approximately seventeen million of them, so no risk of running out of good options here.

On this week’s episode, Sonny Bunch, Alyssa Rosenberg, and Peter Suderman discuss Comedy Central’s decision to pull a recent South Park from the rerun rotation after the assassination of Charlie Kirk. Then they review The Long Walk, a movie that is either appropriately brutal or exploitatively violent. Which? Hard to say, but the end result is pretty depressing, regardless. Make sure to swing by Bulwark+ on Thursday for a bonus Stephen King adaptation draft. And if you enjoyed this episode, share it with a friend.

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On Monday, Peter, Alyssa and I taped a Spike Lee draft. It’s a fun episode, I hope you enjoy, and hopefully it makes your day a little brighter.

On this week’s episode, Sonny, Alyssa, and Peter asked why Activision would turn down a chance to have Steven Spielberg direct a Call of Duty movie. Then they reviewed Highest 2 Lowest, the latest collaboration between Spike Lee and Denzel Washington. Spoiler: We all loved the score, which is apparently a controversial opinion in some quarters! (Also the rest of the movie is pretty good too.) Make sure to swing by Thursday for a bonus Spike Lee draft. And if you enjoyed this episode, share it with a friend!

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On this week’s episode, Alyssa has read King’s Ransom and Peter and Sonny have watched Akira Kurasawa’s High and Low, the two works Spike Lee’s new movie, Highest 2 Lowest, is based on. It’s hitting AppleTV+ this week, and we’re discussing it on the pod next week, so we thought we might take a gander at its source mater…

On this week’s episode, Sonny, Alyssa, and Peter discuss the widening gap between the haves and the have-nots at Disney World, as chronicled in this New York Times piece. Then they review Caught Stealing, the new Darren Aronofsky film that’s being marketed like a Guy Ritchie caper but is something else entirely. Some spoilers over the last 15 minutes or so of this pod, so just keep an ear out if you’re worried about that sort of thing. Swing by the Bulwark on Thursday for a bonus episode on High and Low and King’s Ransom, the movie and book, respectively, on which Spike Lee’s new film, Highest 2 Lowest is based. And if you enjoyed this episode, share it with a friend!

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