In this episode, Jonah Babins is joined by rising UK magic star Luke Oseland to explore a journey that spans from toy magic sets and teenage tinkering to Fringe Festival sellouts and cruise ship stints. From co-creating Insane Magic to redefining how young magicians build their brands, Luke shares the behind-the-scenes of developing shows, finding your performance voice, and building a magic career from scratch. You’ll learn how to structure a magic show, when to take creative risks, and why sometimes the best marketing strategy is just putting on a killer show.

Luke’s magic journey began like many—with a gift from his grandparents. But instead of fading interest, his obsession grew. He found early inspiration in televised magic like Penn & Teller: Fool Us and Dynamo, and later deepened his craft through the Young Magicians Club in London, a standout space for aspiring performers under 18. After aging out, he transitioned directly into the Magic Circle and began exploring his path as a creator, consultant, and eventually a performer.

Luke initially leaned into the behind-the-scenes world of magic—creating, consulting, and selling effects—before realizing, at around age 19, that performing could be just as fulfilling. His move to Edinburgh was pivotal: by immersing himself in the city’s vibrant arts scene, he began gigging in clubs and bars, testing material at stand-up nights, and ultimately launching full productions at the Edinburgh Fringe.

Luke breaks down the process of creating shows like Drunk Magic, The Magic Hangover, and the crowd-favorite Insane Magic (with Cameron Gibson and Elliot Bibby). His philosophy is simple: start with great magic and let the narrative emerge naturally. While some magicians obsess over crafting a poetic through-line, Luke suggests focusing on structure, pacing, and audience experience—advice rooted in trial, error, and over 80 shows per month during the Fringe.

Collaborating on a show with two other magicians might sound like a nightmare, but Luke offers insights on how Insane Magic became a creative success. With clear roles, shared strengths (and occasional arguments), the team managed to build one of the most entertaining magic experiences on the Fringe circuit. From using Google Docs to obsessively fine-tuning one joke for 40 minutes, the process is messy—but worth it.

Unlike many North American magic clubs (which Luke and Jonah agree are often outdated), Luke shares how the Edinburgh Magic Circle is building a model for what community magic clubs should look like: young, vibrant, collaborative, and egoless. With guest lecturers like Michael Ammar and a casual pub-based meetup format, the club plays a crucial role in fostering a healthier, more progressive magic community.

Luke pulls back the curtain on what it really takes to succeed at the Edinburgh Fringe—from how much money you can make (or lose) to what types of performers benefit most. Whether you’re refining material, building a brand, or chasing cruise contracts, Luke makes a compelling case for why Fringe festivals—when approached strategically—are still one of the best opportunities in magic.

Luke shares strong views on creativity in magic, including his frustration with magicians lifting material from Instagram clips or assuming every trick should be for sale. While he’s realistic about commercial magic’s role, he calls for more originality, especially among pros, and offers a passionate defense of creating magic that truly belongs to you.

At the end of the episode, Luke recommends magician and consultant Harry De Cruz as a future guest. Known for his work with Dynamo and his role in revitalizing the Young Magicians Club, Harry brings a modern voice to the evolving magic landscape.

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