The intersection of art and education is well established, but its application in oncology remains limited.
Last week’s issue of The Cancer Letter featured two stories about the role of art in cancer outreach and education—one about a comic book designed to increase cervical cancer screening and HPV vaccination in Nigeria, the other about a film festival comprised of films directed by cancer survivors.
On this week’s episode of In the Headlines, Paul Goldberg, editor and publisher of The Cancer Letter, and Jacquelyn Cobb, associate editor, discuss their approach to reporting on art in the world of oncology.
“The cool thing about this job, which is why it's great to be a journalist here, is that you're doing a police beat, you're doing investigative, you're doing lifestyles, you're doing just pretty much everything. And that's during just any week. Oh, regulatory beat. Just name it all. It's all there,” Paul said. “And art is a big part of our lives, and a big part of how we communicate. And so, whenever somebody gives me an art story, I go nuts.”
Dr. Obi Cancer Chronicles, Vol. 1: Cervical Cancer and the HPV Vaccine,” is the first iteration of a series of comic books developed by a nonprofit called Global Oncology that is focused on equitable cancer care in resource-constrained areas. The comic book was disseminated in Nigeria, where cervical cancer is a major public health crisis, and the response has been very positive.
Nearly all of the 350,000 cervical cancer deaths in 2022—94%—occured in low- and middle-income countries.
“This story in particular was interesting because we had been covering these recent advances in the cervical cancer screening and HPV screening space,” said Jacquelyn. “This is a preventable cancer, like 99% preventable with screening, vaccination, and follow up, and yet people are dying every hour in Nigeria.”
Cervical cancer experts insist that outreach and accessibility strategies are the most important lever to improve outcomes. In theory, cervical cancer could be almost entirely eliminated with prevention and screening efforts, thanks to a quirk of the disease’s histology: Virtually all cases are caused by high-risk human papillomavirus, for which there is both a vaccine and an effective screening test.
“What I loved about that story was, first of all, there was no way it wasn't going to get done because the art was amazing,” Paul said. “Because comic book art is always amazing. Comic book art and a comic book that is really calibrated to address, to communicate with people in Nigeria is incredible.”
According to the book’s afterward, Dr. Obi is modeled on Olufunmilayo I. Olopade, a native of Nigeria and a leader in the global oncology space. Olopade is the Walter L. Palmer Distinguished Service Professor of Medicine and director of the Center for Clinical Cancer Genetics and Global Health at the University of Chicago. She is also a past winner of Global Oncology’s Visionary award.
“So, it was just really fun to see that also, the role model of Funmi Olopade. My God, she's awesome,” Paul said. “The really cool thing about this is that we're not bored. I hope our readers aren't bored.”
“How can you be bored with Dr. Olopade in comic form?” Jacquelyn said.
Stories mentioned in this podcast include:
The Directors: UPMC’s Byrd and Jefferson’s Chapman speak about avoiding catastrophism and using bridge funding to keep labs open
At AACR, Letai announces prevention and screening project for southern Appalachia, describes a future without paylines
Problem: Misinformation and stigma prevent uptake of HPV vaccines and screening. Solution: A comic book
Directing the narrative of your survival: How The Remission Film Festival centers survivorship stories
Forty years after Chernobyl: Little evidence to show that radiation released from the accident increased cancers globally
A transcript of this podcast is available: https://cancerletter.com/podcastc/20260429-art/