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In 2012, only four months after release, publisher Thomas Nelson removed David Barton's book The Jefferson Lies from publication.  Many people blamed or credited a book by Warren Throckmorton and Michael Coulter titled Getting Jefferson Right for moving the publisher in that direction. What happened?

Building on the foundation of the first two episodes, this installment in the Telling Jefferson Lies series provides the backstory to what was an unprecedented event for one of the largest Christian publishers in the nation. Warren Throckmorton interviews many of the people who were involved and supplies his perspective on what happened and why it happened.

Interviews with historians Greg Forster, Glenn Sunshine, Gregg Frazer, Glenn Moots, Troy Jackson, David Austin Walsh, journalist Bob Smietana and Getting Jefferson Right co-author Michael Coulter pull back the curtain on an event that exposed the deficits in Christian nationalist story telling.

Show Notes:

For more information about Getting Jefferson Right, go to gettingjeffersonright.com.

Telling Jefferson Lies is written and produced by Warren Throckmorton. Today’s installment was hosted by Warren Throckmorton and Michael Coulter. The podcast is brought to you by the second edition of Getting Jefferson Right: Fact Checking Claims About Thomas Jefferson by Throckmorton and Coulter and available at Amazon, Barnes and Noble, Bookshop.org or just about anywhere books are sold.

For more information, go to gettingjeffersonright.com.

Today’s closing song is Sparkle by Dustin Blatnik. Telling Jefferson Lies Theme song is The World Awaits Us All by Roman Candle. Background music was provided by Jonathan Swaim, Dustin Blatnik, Larry Norman and Warren Throckmorton.

For more information about Dustin Blatnik, go to www.DustinBlatnik.com

For more music from Roman Candle, go to Spotify: https://open.spotify.com/artist/3V65gQpFTfYzIOqjOf18eS

At the end of the series, watch for a playlist of as many songs from the series as I can compile on Spotify and Amazon. 

Dreams on a Grey Afternoon appears courtesy of Charles Norman and the Larry Norman estate. 

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