The Choral Commons

In January, The Choral Commons hosted a round table discussion on justice-centered choral advocacy, accountability, and strategic planning for the new year with  panelists: Catherine Dehoney, President & CEO, Chorus America; Maria Guinand, Vice President, IFCM; Mackie Spradley, President, NAfME; Elizabeth Swanson, Vice President, NCCO; and Andre Thomas, Vice-President, ACDA.

André de Quadros facilitates a roundtable with guests from the Here, There, and Everywhere series: Emilie Amrein, Dzaya Castillo, Con Fullam, Erin Guinup, Maurice Lekea, Thierry Ruboneka, & Elise Witt

The Tacoma Refugee Choir began as a pilot project in August 2016 in partnership with Tacoma Community House with a group of 22 refugees and community members.  The program was well received and quickly grew to create a welcoming and affirmative learning experience for over 600 participants from 52 nations along with diverse members from the U.S. The group's primary objective is to create space where meaningful relationships can develop and members can uplift one another, using music as a tool to engage members and open the door for authentic expression, interconnection, and healing. 

Erin Guinup is the founding Executive and Artistic Director of the Tacoma Refugee Choir. A passionate advocate of community singing and the power of music to heal and unite communities, she has led community singing events and spoken at national conferences for Chorus America, National Association of Teachers of Singing, American Choral Director’s Association, and the International Congress of Voice Teachers in Stockholm, Sweden, and TEDxSeattle. As a solo artist, Erin frequently performs as a guest soloist with ensembles including Symphony Tacoma, Ensign Symphony, Northwest Repertory Singers and Tacoma Concert Band. Specializing in both classical and contemporary technique, she is a sought-after clinician and voice teacher with students on Broadway, regional theatre and operatic stages, and television’s American Idol, The Voice, and America’s Got Talent. She is a composer and author, contributing to the books So You Want to Sing Music by Women and My Body Was Left on the Street: Music Education and Displacement. Most recently, Erin was named one of five Women to Watch by South Sound Magazine.

Thierry Ruboneka is a peace advocate, entrepreneur and has a great passion for music. He moved to United States in 2016 with his family as refugees after spending so many years away from their home country DRC which was torn apart with war. He studied Multimedia while in his refugee in Uganda and went ahead to manage one of the most successful digital music startups in Africa. He has over Seven years’ experience in administration, business development and management. After arriving in United States he has worked with organizations for Refugee Services and resettlement, he is an exceptional event organizer with hands on experience very detail-oriented, with a reputation for thorough process documentation creation, review, and training. His ability to speak fluently 5 different languages gained two years’ experience working with immigrants and refugees from different countries and nationalities. in the same year of his arrival he worked with Uganda North America Association to bring the first beauty pageant of Miss Uganda North America to Washington and has started his own start up to promote African Culture and life style. 

Maurice Lekea, born in the Democratic Republic of Congo (DRC), arrived in the US in 2000. After 19 years of living in Washington, his Asylum case finally got approved in July 2019. While raising 5 children (3 sons and 2 daughters) as a single dad, Maurice went to school in North Seattle College and worked a full time job. He then continued his education at Edmond Community College. Despite speaking no english when he first arrived in America, Maurice eventually became a certified French - English Interpreter/Translator in 2008 . He worked for Rosetta Stone coaching French. He also provided translation services for hospitals, social services, courts, and immigration. Maurice has enjoyed his volunteer work with the Shoreline YMCA after school program “Hangtime”. In August 2019, Maurice joined the choir: “it was an outstanding experience to meet people from different backgrounds, ethnics, cultures etc...developing friendship.” 

Common Ground Voices / La Frontera brings together a diverse group of artists in community music and peace-building projects situated at the border of Mexico and the United States. Through its signature programs, weeklong residencies and two-day encuentros, Common Ground Voices / La Frontera considers forced migration, identity, place, belonging, and shared humanity in this politically charged and historically contested region.

CGV La Frontera aims to generate meaningful collaboration through music, explore and create music of shared human values and aspirations, contribute to community music as an exercise of non-violence, and utilize music as a springboard for a meaningful discussion about social and political change within the group as well as with the society in general. We believe in transcending political and demographic borders through art-, theatre-, and music-making; in the transformative potential of immersive and experiential encounters with difference; in the power of proximity to expand perspectives and open hearts; and in the role that culture-bearers play in building community.

Emilie Amrein (she/they) is a cultural strategist, a community music practitioner, and an advocate for justice-centered choral practice. She is executive producer of The Choral Commons, and co-artistic director of Common Ground Voices / La Frontera, a bi-national community music project that aims to build relationships and understanding across political, demographic, and perceptual borders as an exercise of non-violence. She is also founder of Peregrine Music, an arts and education organization committed to engaging communities in meaningful dialogue about the most pressing social issues facing the world with creative, youth-driven performance projects. Emilie has presented her work for several distinguished professional organizations, including Chorus America, the American Choral Directors Association, the College Music Society, and the National Youth Leadership Council. Emilie is Associate Professor of Music and Chair of the Music Department at the University of San Diego where she teaches courses on the intersection of music and social justice movements, community music, and changemaking.

Soprano and Choral Conductor, Dzaya Castillo Jiménez studied music at the Instituto Nacional de Bellas Artes and has diplomas in Choral Conducting and Mexican Ethnomusicology. Since 2001, she has served as Academic Coordinator and Teacher Trainer in the community choral program, RedeseArte Cultura de Paz and SALUDARTE de CONARTE in various border cities of Mexico such as Tapachula, Nogales, Ciudad Juárez and also Mexico City. Beginning in 2014, she has served as coordinator of choirs for the Redes 2025 program at Tijuana’s Centro de Artes Musicales, a program that promotes individual, community and social transformation through art. This program currently serves 300 choristers who sing in Community Choirs and 110 youth in Selection Choirs from various neighborhoods and communities in Baja California. She has conducted choirs in renowned spaces as the Weill Recital Hall of Carnegie Hall and at the International Choir Festival "Tlaxcala Canta," and Youth Creating Harmony Festival in Encinitas, CA, among others. In 2018, she founded and directed the International Festival “Coralifornia,” an annual choral festival bringing choirs together from across the continent in song.

Today on The Choral Commons, we take a  deep dive into place-based practice, eco-justice, and our relationship with the land in a conversation with Kyle Lemle. 

Kyle Lemle works to catalyze the impact of organizations that work at the intersection of environmental justice, forest restoration, and spiritual ecology. Kyle is a climate organizer, a lover and protector of forests, a spiritual practitioner, and a choral activist with the Thrive Choir. 

Based in Oakland, California, the Thrive choir is a diverse group of vocalists, artists, activists, educators, healers, and community organizers who join together in, what they call, big harmony to celebrate the confluence of their many cultures & identities. Their music illuminates the joy, pain, and beauty of what it means to be human in this time of systemic transformation. 

As a climate organizer, Kyle has mobilized thousands of people in the streets of San Francisco as a leader of RISE for Climate. Kyle has worked in international and grassroots community forestry projects from the pine forests of the Himalayas to the mangroves of Southeast Asia to the urban forest in San Francisco. Kyle plants trees at sites impacted by violence across the US with shovels made from guns, through his work as co-founder of Lead to Life, an arts collective dedicated to creative interventions bridging racial and environmental justice through ceremony and art practice.

You can learn more about Kyle at www.kylelemle.com.

Welcoming immigrant children from around the globe, The Pihcintu Multicultural Chorus helps restart young lives. War-torn villages, bloodshed, refugee camps, famine, and political turmoil were devastating realities for many of these young singers before being embraced by the warmth, companionship and harmony that Pihcintu provides.

Con Fullam is an award-winning producer, musician, and songwriter, who combined his passion for music with a deep concern for the effect of world issues on children in founding The Pihcintu Chorus. This unique chorus of young women from Cambodia, China, Congo, El Salvador, Egypt, Kazakhstan, Kenya, Lebanon, Saudi Arabia, Somalia, Sudan, Uganda, Viet Nam, British West Indies, and Zambia, along with children whose families have been here for generations, have formed a powerful and permanent bond. 

Elise Witt is Artist-in-Residence at Global Village Project (GVP), a school for teenage refugee girls in Decatur, GA. GVP is a special purpose middle school for teenage refugee girls from Afghanistan, Burma, Congo, Ethiopia, Eritrea, Iraq, Liberia, Somalia, Sudan, and Central African Republic. GVP serves girls whose formal education has been interrupted by war and refugee camp experiences. 

Rukhsana Nezam is the founder and director of Justice & Joy, a consulting practice that focuses on the intersection of community development, socially-engaged art and urban planning. She works with governments, artists and grassroots cultural organizations to bring creativity and imagination into community planning and to de-silo the way we run cities. 

Rukhsana currently collaborates on creative placemaking projects throughout the country, including the ambitious Chouteau Greenway in St. Louis, a project designed to connect 17 city neighborhoods linking parks, business and arts districts, transit corridors, and cultural/educational institutions in a rich and inclusive celebration of art, commerce, culture and history. 

In this example and throughout her art practice, Rukhsana strives to disarm and disrupt public space norms using play and participatory performance. She urges us to consider how imagination and cultural knowledge can guide urban design, planning and policy and how artists and cultural practitioners can help us re-imagine a better public realm, and civic systems that work for all.

We were delighted to talk to Rukhsana Nezam in March. You can learn more about her work with Justice & Joy at the website: www.mallorynezam.com

Nicky Manlove and Bradford Dumont facilitate a roundtable with guests from the Engender series: Abdullah Hall, Erik Peregrine, Jace Kaholokula Saplan, Lindsey Deaton, Logan Bradford, Mari Esabel Valverde, and Michael Bussewitz-Quarm.