This episode is on Jaws (1975), Spielberg’s career-defining masterpiece that pitched man against beast in a thrilling adventure out on the ocean. Roy Scheider’s reluctant Chief Brody and his motley crew of Robert Shaw’s old salt Quint and Richard Dreyfuss’s young and cocky Hooper will face the terrifying jaws (sorry) of a massive great white shark that is terrorising a small seaside town.

This first part of the episode will include segments on the making of the film: the story, cast and crew, pre-production, a whole bunch of shark stuff, and the land based portion of the shoot. All that and more on this episode of The Cinephiles.

Making the Movie Source Book, Articles and Documentary

The Jaws Log, by Carl Gottlieb.

“Jaws Became a Living Nightmare”: Steven Spielberg’s Ultimate Tell-All Interview, by Anthony Breznican, Vanity Fair, 2023.

https://www.vanityfair.com/hollywood/2023/07/jaws-making-of-spielberg-interview

AC Gallery: Jaws, by David E. Williams, American Cinematographer, March 1975.

https://theasc.com/articles/ac-gallery-jaws

On Location with Jaws, by Mik Cribben, American Cinematographer, March, 1975.

https://theasc.com/articles/on-location-with-jaws

Carl Gottlieb took a bit out of ‘Jaws’ script and created a monster hit, by Susan King, Los Angeles Times, 2015.

https://www.latimes.com/entertainment/movies/la-et-mn-gottlieb-jaws-20150326-story.html

‘Jaws’ and the Internal Debate Over Who Wrote the Iconic USS Indianapolis Speech, by Ryan Parker, The Hollywood Reporter, 2022.

https://www.hollywoodreporter.com/movies/movie-features/jaws-debate-over-who-wrote-uss-indianapolis-speech-1235168476/

USS Indianapolis: Survivor Accounts From the Worst Sea Disaster in US Naval History, by Lynn Vincent & Sara Vladic, History.com, 2018.

https://www.history.com/articles/uss-indianapolis-sinking-survivor-stories-sharks

The Making of Jaws, Director Laurent Bouzereau.

The Shark is Still Working, Director Erik Hollander.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the seventh and final part of the Blade Runner episode. It is on the remainder of the film, concluding favourite scenes and sequences. The episode closes out with a look at 1982 in film. All that and more on this episode of The Cinephiles.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the penultimate part of the Blade Runner (1982) episode. Part VI is on the film itself, getting into favourite scenes and sequences, with more behind the scenes stories.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the continuation of the Blade Runner (1982) episode. Part V will include segments on the multiple versions of the film - beyond the original - that were eventually released on home video and back in theatres: the international cut, the workprint, and director’s cuts – both pseudo and actual; retrospective final thoughts and some replicant discussion. All that and more on this episode of The Cinephiles.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the continuation of the Blade Runner (1982) episode. Part IV will include segments on post-production through to release and reception: editing, sneak previews, the voiceover and happy ending; the score, more sneaks and screenings; and the release, reception, legacy and reflection of and on the film. All that and more on this episode of The Cinephiles.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the continuation of the Blade Runner (1982) episode. Part III is on the special effects of the film and will include segments on the effects generally, scene specifics and reflections on the work. All that and more on this episode of The Cinephiles.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This is the continuation of the Blade Runner (1982) episode. Part II will include segments on the making of the film from the remainder of pre-production, through to the end of shooting principal photography: a fresh voice to the story, financial drama, Philip K Dick voicing his opinion, building the sets and the vehicles, then trouble on the shoot with – time and money, the actors, the crew, and a t shirt war, closing with the final days of the shoot and firings. All that and more on this episode of The Cinephiles.

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This episode is on Blade Runner (1982). The future sci-fi neo noir starred Harrison Ford as a detective – or Blade Runner – charged with hunting and ‘retiring’ rogue slave labour synthetic humanoids known as replicants, who have dared to return to an Earth which has banished them, in search of answers. Led by Rutger Hauer’s Roy Batty, these replicants will not go quietly into that good night.

This first part of the episode will include segments on the film’s preproduction: story, finance, directors, deals, design and casting. All that and more on this episode of The Cinephiles.

Making the Movie Source Books, Articles and Documentary

Future Noir (Revised & Updated Edition): The Making of Blade Runner, by Paul M. Sammon

All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners, by Rutger Hauer, with Patrick Quinlan

From the Blade Runner Special in the American Society of Cinematographers, July 1982 edition

Production Design and Photography, by Herb A. Lightman and Richard Patterson

https://theasc.com/articles/blade-runner-set-design

Special Photographic Effects, Excerpts from an Interview with David Dryer

https://theasc.com/articles/blade-runner-photographic-effects

Also from the American Society of Cinematographers, Beyond the Frame: Blade Runner, by David E. Williams,

https://theasc.com/articles/beyond-the-frame-blade-runner-1982

Ridley Scott Will Never Stop Directing: “Shut Up and Go Make Another Movie”

https://www.hollywoodreporter.com/movies/movie-features/ridley-scott-interview-gladiator-2-alien-blade-runner-1236049190/

Dangerous Days: Making Blade Runner, Director Charles de Lauzirika

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This episode is on Dirty Harry (1971). A cop and killer thriller, which saw Clint Eastwood’s obsessively determined title character go up against Andy Robinson’s psychotic Scorpio – even while a bureaucratic system does its best to hold him back.

The episode will include segments on the making of the film: story, casting, production to release and reception. Further making of stories will be included along with narratives of specific scenes and sequences. All of that and more on this episode of The Cinephiles.

Making the Movie Source Books and Articles

Clint Eastwood: A Biography, by Richard Schickel

Eastwood, Directing is Knowing the Concept you Want and Getting It.’ Kodak Professional Forum, 1982

An Interview with John Milius, by Ken Plume, IGN, 2003

An Interview with John Milius - IGN

Siegel at 59: Director, Rebel, ‘Star’, by Paul Gardner, New York Times, 1972

Siegel at 59: Director, Rebel, ‘Star’ - The New York Times

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com

This episode is on The Terminator (1984). An action-thriller-horror-sci-fi-chase extravaganza that solidified star status for lead Arnold Schwarzenegger and put writer/director James Cameron definitively on the map.

The episode will include segments on the making of the film: story, casting, production, release and reception. Further making of stories will be included along with narratives of favourite scenes and sequences. All of that and more on this episode of The Cinephiles.

Making the Movie Source Books and Articles

BFI Film Classics, The Terminator, by Sean French

https://shop.bfi.org.uk/the-terminator-bfi-film-classics-paperback.html

Total Recall, My Unbelievably True Life Story, by Arnold Schwarzenegger

https://www.schwarzenegger.com/totalrecall

James Cameron Interview, Film Comment, Jan-Feb. 1985

https://www.filmcomment.com/issue/january-february-1985/

Terminator Feature, Cinefantastique, Oct. 1985

James Cameron, Films and Filming, Aug. 1986

The Low-Budget Hit that Made a Name for James Cameron, Martin Perlman

Creator James Cameron on Terminator’s Origins, Arnold as Robot, Machine Wars, Wired.com

https://www.wired.com/2009/03/ff-cameron/

The Terminator at 30: An Oral History, Entertainment Weekly

https://ew.com/article/2014/07/17/the-terminator-oral-history/  

The Terminator Came to me in a Dream: A New Interview with James Cameron, British Film Institute

https://www.bfi.org.uk/interviews/terminator-james-cameron

Adam Greenberg on The Terminator, American Society of Cinematographers.

https://theasc.com/articles/the-terminator

Big Effects from Small Packages, The L.A. Times

https://www.latimes.com/archives/la-xpm-2001-jun-17-ca-11310-story.html

State of the Art of F/X, MovieMaker

https://www.moviemaker.com/state-of-the-art-of-fx-3271/

The Making of The Terminator’s Laser-Sighted .45 Pistol, Ars Technica

https://arstechnica.com/gadgets/2010/03/just-what-you-see-the-story-behind-the-45-long-slide-laser-siting/

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thecinephiles.substack.com