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The Clamps Music
By The ClampsMusic
The Clamps Music episodes
- The Clamps - I Feel [Trendkill Records] OUT NOWBuy on Beatport:https://www.beatport.com/release/i-feel/2539485French drum & bass producer The Clamps has become more and more of an identifiable force, with his forthcoming EP on veteran Prolix’s Trendkill Records quickening his pace to the top echelons. The Clamps production has often been an enviable trait, something which the artist has been refining over the past few years; this hasn’t gone unnoticed by the heaviest hitters within drum & bass, which is why he came under the radar of Prolix. And The Clamps fits well within Prolix’s growing arsenal of producers, something which the head honcho has also spent years refining. When it comes to the genre’s darker sounds, Trendkill is a go-to imprint, dominating both charts and DJ sets during its expansion. With a host of main-stay labels already ticked off by Prolix himself, it made sense for him to build a musical hub which highlighted the sounds influencing his own output.Since the late 90s, The Clamps has spent his time pouring over the intricacies of everything from hard techno to drum & bass. After initially making a name for himself on homegrown label Kosen Production, he’s become more and more of a pivotal figure throughout the wider music circuit. Now having released on imprints such as Invisible, Titan, Eatbrain and Impact Music, his forthcoming ‘I Feel’ EP is a return to form, following the explosion of his ‘The Odyssey’ LP in 2018.First track ‘No Reality’ creates an intro which is instantly encapsulating with its steppy instrumentals and patches of waif-like samples. Once it drops, through its pounding drum stabs, you’re taken directly into the belly of the best. Title-track ‘I Feel’ is just as chaotic, tearing through with robotic vocal interludes. ‘Mind Exploration’ runs through next, with an old-school reminiscing as you’re yet again released against its manic mechanics. ‘Interaction’ is the final track, foreboding as it begins to wheel you towards its first climatic breakdown. Each punching horn takes you in deeper before its sci-fi atmospherics leave you to its driving ferociousness.Trendkill Records are back, with help from The Clamps - proving that the next year is titled to be one of their biggest yet.Follow The Clamps:https://soundcloud.com/the-clampshttps://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Trendkill Records:http://trendkillrecords.com/https://soundcloud.com/trendkillrecordshttps://www.facebook.com/TrendkillRecords/https://www.instagram.com/trendkillrecords/https://twitter.com/TrendkillRecs2 min
- The Clamps & Opsen - Interaction (BBC Radio 1 Premiere) [Trendkill Records] Out March 29French drum & bass producer The Clamps has become more and more of an identifiable force, with his forthcoming EP on veteran Prolix’s Trendkill Records quickening his pace to the top echelons. The Clamps production has often been an enviable trait, something which the artist has been refining over the past few years; this hasn’t gone unnoticed by the heaviest hitters within drum & bass, which is why he came under the radar of Prolix. And The Clamps fits well within Prolix’s growing arsenal of producers, something which the head honcho has also spent years refining. When it comes to the genre’s darker sounds, Trendkill is a go-to imprint, dominating both charts and DJ sets during its expansion. With a host of main-stay labels already ticked off by Prolix himself, it made sense for him to build a musical hub which highlighted the sounds influencing his own output.Since the late 90s, The Clamps has spent his time pouring over the intricacies of everything from hard techno to drum & bass. After initially making a name for himself on homegrown label Kosen Production, he’s become more and more of a pivotal figure throughout the wider music circuit. Now having released on imprints such as Invisible, Titan, Eatbrain and Impact Music, his forthcoming ‘I Feel’ EP is a return to form, following the explosion of his ‘The Odyssey’ LP in 2018.First track ‘No Reality’ creates an intro which is instantly encapsulating with its steppy instrumentals and patches of waif-like samples. Once it drops, through its pounding drum stabs, you’re taken directly into the belly of the best. Title-track ‘I Feel’ is just as chaotic, tearing through with robotic vocal interludes. ‘Mind Exploration’ runs through next, with an old-school reminiscing as you’re yet again released against its manic mechanics. ‘Interaction’ is the final track, foreboding as it begins to wheel you towards its first climatic breakdown. Each punching horn takes you in deeper before its sci-fi atmospherics leave you to its driving ferociousness.Trendkill Records are back, with help from The Clamps - proving that the next year is titled to be one of their biggest yet.Follow The Clamps:https://soundcloud.com/the-clampshttps://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Opsen:https://soundcloud.com/opsenmusichttps://www.facebook.com/OpsenMusicFollow Trendkill Records:http://trendkillrecords.com/https://soundcloud.com/trendkillrecordshttps://www.facebook.com/TrendkillRecords/https://www.instagram.com/trendkillrecords/https://twitter.com/TrendkillRecs2 min
- The Clamps - Day One (20 Years Of Karnage Anthem)I was honored to do that track to celebrate the 20 years of my hardcore family and friends, Karnage Records.Buy & Stream:http://smarturl.it/karnagedigi12https://www.hardtunes.com/tunes/the-clamps-day-one-20-years-of-karnage-records-anthem/42159Follow The Clamps :https://www.facebook.com/theclampsmusic/https://soundcloud.com/the-clampshttps://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Karnage Records:http://soundcloud.com/karnage-recordshttp://www.facebook.com/KARNAGE.REChttp://www.youtube.com/user/Karnagerecordshttps://www.instagram.com/karnagerecords/4 min
- The Clamps - The First And The Last [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod6 min
- The Clamps & Snotrocket - Friends In The Hood [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Snotrocket:https://soundcloud.com/snotrockethttps://www.facebook.com/snotrocket.kosenprodFollow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod5 min
- The Clamps - The Sky Darkens [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod5 min
- The Clamps - Cattle Mutilation Syndrome [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod6 min
- The Clamps & Merikan - Fast Way [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Merikan:https://soundcloud.com/merikanhttps://www.facebook.com/merikanofficial/https://www.instagram.com/merikan_dnb/Follow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod5 min
- The Clamps & Mizo - Time Pressure [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Mizo:https://soundcloud.com/mizodnbhttps://www.facebook.com/mizodnb/https://www.instagram.com/alex_mizo/Follow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod6 min
- The Clamps - 30a #3a - 23 Happiness [Kosenprod] OUT ON SEPT 24Buy & Stream:http://smarturl.it/kosen38Artwork by https://soundcloud.com/jondeerhillThe forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record.After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’.The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.Follow The Clamps:https://www.facebook.com/theclampsmusic/https://www.instagram.com/theclamps_music/https://twitter.com/wayofcrabFollow Kosenprod:https://www.kosenprod.comhttps://soundcloud.com/kosenprodhttps://www.facebook.com/KOSEN.PRODUCTIONhttps://www.instagram.com/kosenprod/https://twitter.com/kosenprod5 min
About The Clamps Music
From the publisher's feed
About Music...
Booking & General Enquiries:
Merch:
https://theclamps.myspreadshop.fr/
Music Producer and Co-owner at:
▶https://soundcloud.com/burroakmusic
▶https://soundcloud.com/thirdcolonymusic (Downtempo)
▶https://soundcloud.com/forum_music
▶https://soundcloud.com/all_for_us (Techno)
The Clamps, born Julien Carbou, is a French Drum & Bass producer and DJ established in Toulouse. Since starting his music career through several musical projects in the late 90s, he has become known for his unique and heavy sound that blends elements of Drum & Bass, Techno, and Industrial Music.
With a string of releases on respected labels such as Trendkill Records, Kosen Production and Eatbrain, The Clamps has established himself as a prominent figure in the Drum & Bass scene. His music is characterized by its intricate sound design, intense energy, and expertly crafted basslines that have earned him a dedicated following.
With a discography spanning over a decade, The Clamps continues to push the D&B boundaries and remains a significant force in the genre. His music is celebrated for its raw energy, technical precision, and forward-thinking approach, making him a must-see act for fans of the genre.
Aside from his solo work, he has set up different musical projects such as Burr Oak (with Opsen), Forum (with Opsen & SKS) and Third Colony (with Deerhill) to express himself in different musical journeys.
In addition to his production work, The Clamps is also known for his high-energy DJ sets, which have taken him to clubs and festivals all across the world.
Over the years, he has established himself as one of the leading figures in the Drum & Bass scene, and his music continues to be highly regarded by fans and critics alike. With his dedication to his craft and his relentless work ethic, he is sure to remain a major force in the world of drum and bass for years to come.