The Complete Podcast

On the sixth episode of the Complete Varda, Matt and Travis discuss the most obscure film in Varda’s filmography, the 1970 made-for-television film Nausicaa. Censored at the time and surviving only in a work print sent to Belgium (with all other materials destroyed and the film never finished), Nausicaa is the story of Varda’s search for meaning in her own history and the contemporary political crisis in Greece. We discuss the film’s fragmented and experimental structure, its political history, and the ways in which Varda uses film as a search for meaning and connection.

On the fifth episode of the Complete Varda, Matt and Travis discuss another of Varda’s unique explorations, 1969’s Lions Love (…and Lies was added at some point after the initial release). Filmed during Varda’s first stint in Los Angeles, the movie is largely formless and flirts with the line between documentary and fiction in a way that would define much of Varda’s later work. We discuss these fascinating new areas of exploration, and also cover the two shorts Varda made during this time in northern California, Uncle Yanco and The Black Panthers.

On the fourth episode of the fifth season, Matt and Travis welcome their first guest of the season, the eternally wise and effortlessly cool David Blakeslee of Criterion Reflections, to discuss one of Agnès Varda’s most unusual and idiosyncratic films, 1966’s Les Creatures. We discuss the unusual status of the film as Varda’s most commercial and most experimental movie, along with the film’s context within the larger FNW sci-fi adventures of the mid to late 60s.

On the third episode of the fifth season, Matt and Travis discuss one of Varda’s most insidious works of cinematic irony, Le Bonheur. Created in the wake of her international success with Cleo, Varda’s third feature is a joyful evocation of man’s ability to find happiness under any condition.. or a viciously funny and damning critique of the patriarchy, wrapped up in a bright and shiny little package. We discuss the gap between what the film seems to be and what it really is, along with its impressive technique and visual sumptuousness in the director’s first fictional work fully in color.

On the second episode of the fifth season, Matt and Travis quickly encounter Varda’s most famous and praised film, the New Wave masterpiece Cléo from 5 to 7. Made seven years after her debut, Cléo from 5 to 7 is a portrait of a young woman waiting for medical test results and wandering through contemporary Paris in real time. We discuss Varda’s role in the FNW movement, her use of narrative and technical devices to present her feminist themes, and the film’s enduring legacy and new appearance on the 2022 Sight and Sound list of the best films ever made.

On the first episode of the fifth season, Matt and Travis begin their discussion of the films of Agnès Varda with her debut feature, La Pointe Courte. Barely screened upon completion but seen by a handful of hugely influential filmmakers and cinephiles, the film is now regarded as the first film of the French New Wave and a pioneering work in all of French cinema. We also discuss Varda’s three shorts she made in the interim between her debut and her second film: L’opéra-mouffe, Ô saisons, ô châteaux, and Du côté de la côte.

For the final episode of the season, Matt and Travis are joined by Andrew Osmond, a writer and journalist who specializes in film and animation and the author of Satoshi Kon: The Illusionist, the only book in English that focuses entirely on Kon. We discuss his interest in animation and anime in particular, along with … Continue reading The Complete Kon 6 – Wrap Up with Andrew Osmond →

Satoshi Kon’s final film is the culmination of his career up to this point: an amalgamation of his most ambitious technical experimentation and the meta and philosophical themes deeply infused into all of his films, here made literal in a story that provides an opportunity for Kon’s vision to play out in a free-flowing manner. … Continue reading The Complete Kon 5 – Paprika →

For the fourth episode, Matt and Travis cover the epic and extraordinary Paranoia Agent, Kon’s 13-episode television series. The first and only thing Kon did for TV began as a combination of many of his smaller ideas and story concepts that didn’t have a home but eventually morphed into something more ambitious and far-reaching. We … Continue reading The Complete Kon 4 – Paranoia Agent →

For the third episode, Travis and Matt discuss the magical comedy adventure Tokyo Godfathers, Kon’s third feature. We discuss the vividly rendered central characters, the small details and recurring motifs that Kon layers into his work, and the departure from the reality/fantasy merging of his two previous films. We wanted to get this out for … Continue reading The Complete Kon 3 – Tokyo Godfathers →