In this episode of Piano Tech Radio Hour, host Eathan Jenney welcomes conductor, pianist, and music director Mila Henry for a wide-ranging conversation about collaborative musicianship, contemporary opera, and tech-forward keyboards. She traces her journey from a Kawai studio upright in a music-soaked Philly childhood to New York’s stages, pits, and podiums; she digs into the temperament and skills of a great collaborator; she explores hybrid acoustic-digital pianos for small apartments; and she unpacks the practicalities of conducting with click tracks for multimedia opera. She also spotlights her genre-bending band Opera Cowgirls, recent work in LA at REDCAT on Magdalene, and the Wayne Shorter/Esperanza Spalding project Iphigenia. She closes with career-building blocks, networking, learning how to say yes (and when to say no), and mentoring the next generation.

About:

Mila Henry is a New York–based conductor, pianist, and music director working across folk operas, rock musicals, and reimagined classics. She leads and coaches for organizations including American Opera Projects, Beth Morrison Projects, and Prototype; she serves as Head of Music for AOP’s Composers & the Voice program; and she develops new works as répétiteur and rehearsal pianist. Recent season highlights include conducting The Old Man and the Sea, The Merry Widow, and Magdalene, music-directing The Hunt, and performing with Brooklyn Art Song Society and counter) induction. She holds degrees from Elizabethtown College and Manhattan School of Music and performs multi-instrumentally with Opera Cowgirls.

 🔗 Connect With Mila For More Info

Website: milahenry.com

Instagram:   @myohmilahenry

Opera Cowgirls: operacowgirls.com

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