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We promised change last week and here we have it: the end of Hergé’s pre-war period and the end of political satire. In The Crab with the Golden Claws the political gives way to the personal and the fantastical as Hergé fights to create in occupied Brussels. Most importantly: Haddock!
By Ian Boothby and David Dedrick4.9
4444 ratings
We promised change last week and here we have it: the end of Hergé’s pre-war period and the end of political satire. In The Crab with the Golden Claws the political gives way to the personal and the fantastical as Hergé fights to create in occupied Brussels. Most importantly: Haddock!

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