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Author Lynn C. Miller (THE SURROGATE) talks writing for visual presentation, how setting makes everything come alive, drawing from the family dynamic, and getting yourself unstuck
http://lynncmiller.com
Author Melanie Hill (JETT COOPER) talks writing action scenes before the emotional story, changing a passive protagonist into an active one, creating internal and external conflict, and the pros and cons of cringey teenage poetry
http://melaniehill.au
Author/poet Soon Jones (THESE AREN’T MY WOODS ANYMORE) discusses writing to deal w/personal demons, the effect of the woods on creativity, searching for the perfect word, and the value of studying hip hop and slant rhymes.
http://soonjones.com
Author Zeeva Bukai (THE WORLD BETWEEN) talks about the intimacy of a first person narrative, discovering the character’s objective, writing as an actor, and the relevance of the 100-page mark.
http://zeevabukai.com
Author Maureen Devlin (LET’S GO BACKER AND BACKER!) talks the challenge of writing for kids, opening eyes and ears, instilling a love of learning, and embracing your creative impulses.
http://maureendevlinauthor.com
Comedian Jackie Kashian (ALTER-KASHIAN) talks writing what you’re thinking about, adjusting expectations with audience reactions, getting words on the page, self-editing, and the jokes-as-pasta metaphor
http://jackiekashian.com
http://familypetancestry.com
Author Sarit Zadok (THE CORRECTION, VOL 1) talks about writing philosophical sci-fi, layering on top of layering, applying a Canterbury Tales-esque structure, and seeking A-ha! moments
http://thecorrection.xyz
Author Wolfgard Braun (FALLOUT FROM THE SINGULARITY) talks AI as a tool, not a replacement, and how it can help with writer’s block, but falls flat in terms of storytelling and originality.
http://wolfgardbraunbooks.wordpress.com
Author Andrea J. Stein (DEAR ELIZA) talks the value of writing groups, impacting the feel of emotions in your story, writing unpredictable characters, and how grief never really goes away.
Author Brian Gallagher (BASEBALL FIGURES) talks about the multiple aspects of a cross-country journey, the value of details, being open with yourself for a memoir, and the importance of planning (to a certain extent).
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