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Comus and The Lady by John Milton is an allegory pitting virtue (especially chastity and temperance) against vice. A virtuous young woman (called simply “the Lady”) becomes separated from her two brothers in a dark wood while traveling. Comus, disguised as a friendly villager, deceives her into following him to his “pleasure palace.” There, he immobilizes her with a spell (gluing her to an enchanted chair) and tries to seduce her into drinking his potion, delivering eloquent arguments for enjoying life’s pleasures without restraint — essentially advocating hedonism and excess over moral self-control.
The Lady firmly rejects him in a famous debate, defending chastity, reason, and temperance as invincible virtues upheld by divine grace. She remains spiritually free despite her physical bondage.
Milton’s Comus (first performed in 1634, published 1637) is one of his earliest major works, blending classical mythology with Christian morality in a lyrical, philosophical drama. If you’re reading it, the Lady’s speeches and Comus’s temptations are highlights for their poetic intensity.
Read it here: https://docs.google.com/document/d/1E4usjA9y8l-vs7_RNhWS6j2TgDAUkUOa20mi0FVu73w/edit?usp=sharing
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