On this episode I am joined by Robert Platt, a painter from London, England, who’s practice expands far beyond the confines of canvas into scenic design, costuming, optics, and architectural installations and film.
His lush oil paintings span subjects from hermits and seekers, to neurons and tree branches and are often created using pigments that Robert has mined or grown himself.
Philisophicaly, his work deals with the role of contemporary landscape, human perception, surface and materiality in the age of increasing virtuality.
Robert engages deeply with these subject matters through exploring caves, making mountain pilgrimages, and even sailing to the polar north as part of The Arctic Circle residency which saw him and an interdisciplinary crew of artists and scientists sailing around in a traditionally rigged Tall Ship around the mountainous Arctic archipelago of Svarlbard, 10 degrees from the North Pole.
A film Robert made while there featuring his iconic Dazzle costuming which is making the rounds at film festivals called “Becoming Arctic”
When I was a student I was fortunate to spend a month caving, and creating work with Robert and Culdesac alumni Riley Hanson during a study abroad trip to the Burren College of Art, in Ireland.
It was here that I really learned the extent of Robert’s exploring practice, descending into some of the most incredible cave systems on the planet. This was not like walking into mammoth caves, or something, there were no guard rails, we were squeezing, crawling, worming our way through the crust of the earth. The experience remains one of my favorite.
Currently, Robert is a professor at the University of Michigan’s stamps school of art and design. He holds a PhD in painting from the Kyoto City University of Arts, An MA from the Royal College of Art, where he brushed shoulders with the likes of Charles Satchii and drove around the paintings of Peter Doig.
It was a true honor to get to re-connect and catch up. The conversation is presented here un-edited. Hope you enjoy it!