the Curb

We Are Still Here is a First Nations anthology film featuring the directing and writing work from Chantelle Burgoyne, Dena Curtis, Richard Curtis, Mario Gaoa, Danielle MacLean, Miki Magasiva, Renae Maihi, Tracey Rigney, Tim Worrall, Samuel Paynter, Tiraroa Reweti, and supervising director Beck Cole. It is a film that spans from the past, to the present, and into the future, and is a response to 250 years of colonisation after the arrival of Captain Cook to Australia, New Zealand, and the Pacific island nations.

In this interview, Andrew talked with Dena Curtis about her entry in the anthology, Woke, featuring co-lead performances from Sean Mununggurr and Robert Taylor. It's a powerful short that pulls back in time and presents colonial Central Australia and the fractious relationship between Taylor's coloniser who is lost, and Mununggurr's Kngwarraye who guides him back home to a truth he doesn't want to hear. Dena also talks about her career, and what has changed in the twenty years since she started working on film and now, as well as about the upcoming Australian International Documentary Conference, and what to expect from the panel she is part of: First and Foremost: First Nations Knowledge Through Documentary.

We Are Still Here launches in Australian cinemas on February 16, with Q&A sessions around the nation. Visit the We Are Still Here Facebook page for further details.

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Allegra Teo launched an impressive career in 2022 with two films: The Curious Case of Dolphin Bay and the AACTA award nominated and WA Screen Culture Award winning Pieces. With sell-out screenings and national support, Pieces is heading to the upcoming WA Made Film Festival on February 18 2023. Tickets are moving out the door, so pick up yours before they sell out.

In this interview, Allegra talks about the difference of working on both productions, what her dream roles are and the actors who have inspired her, and what working alongside Martin Wilson to tell a story of mental illness was like.

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Still Standing is an Aussie made doco about the golden era of arcade and pinball machines. It's a nostalgic trip down memory lane, where director Brad Gilbertson heads into the legendary arcades around the nation and chats with the people who helped form many childhood memories. Brad is based in Adelaide, and as such frequented local arcades like Downtown and Magic Mountain, and chatted with the godfather of amusement venues, Frank Sebastyan, for the documentary, alongside many other folks.

Independently produced and made by BGVC Films, Still Standing is releasing around the globe on February 22. In this interview, Andrew chats with Brad about how he made the film, what his favourite arcade game was, and some of the uniquely Australian stories about Australian arcades that he discovered during filming.

To find out more, heading over to the Still Standing Facebook page and check out the trailer below.

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Perth based filmmaker Hassib Kushkaki's feature film Rampage Electra will have its world premiere at the upcoming WA Made Film Festival, which screens at Palace Cinemas Raine Square, Perth, between February 17 to 26. This is a Perth shot action film that features Mikayla Levy as Hannah Electra, a young girl who has a shadowy past that is revealed to her by her father, throwing her into a harsh world of gangsters and guns. Featuring a huge cast and shot in iconic Perth locations like Fremantle Prison and Lancelin, Rampage Electra shows creative ingenuity on a micro-budget.

Hassib caught up with me to talk about the film ahead of its world premiere on February 24 at the WA Made Film Festival. Hassib is also taking part in the free Indie Filmmaker Panel on February 19 at The Globe, alongside producer Stephanie Davis who produced the web series Love Me Lex, filmmaker Aaron Kamp who recently made Thorns & Thistles at the End of the World, Arnold Carter, who made Sun Moon & Thalia, Sarah Legg who made Cherubhead, and has a new short film Impression, and producer Ruby Schmidt, who helped bring General Hercules to life. All of these films, and many more are at the WA Made Film Festival.

Check out the WA Made Film Festival here, and purchase tickets to Rampage Electra here.

https://www.youtube.com/watch?v=PivgAC7I-oM

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The story of Julie Peters is explored in the documentary The Accidental Archivist, which is screening at the upcoming Queer Screen Mardi Gras Film Festival in Sydney on Monday February 20th alongside the great short Trans Glamoré, about DJ Victoria Anthony. In The Accidental Archivist, Julie tells her story of how her extensive collection of trans-related media came into existence prior to her story of transitioning while working at the ABC in the 1990s. In the following interview, Julie talks about the years of working at the ABC, the way that change takes place in workplaces, as well as about her live show at the Midsumma Festival, Mutton is the New Lamb, between the 3rd of February and the 12th of February.

In this interview, Julie also talks about her PhD, A feminist post-transsexual autoethnography on challenging normative gender coercion, which is available to read via Deakin University or can be purchased in book format via Routledge.com here.

The Queer Screen Mardi Gras Film Festival runs from February 15 through to March 2 2023 with both in person and online screenings. To purchase tickets and to view the rest of the festival, head over to the website here: https://queerscreen.org.au/.

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Filmmaker Phoebe Wolfe's short film The Overthrow tells the story of two friends, Cleo (Annabel Wolfe) and Iris (Miah Madden), who head out in the heat of summer to rollerskate from Sydney to Parliament House in Canberra to protest for more action on climate change. The two set off with the best of intentions, spreading awareness via social media with #Skate4Climate, but as the journey carries on, tensions erupt between the two, with Cleo questioning Iris' dedication to action on climate change.

The Overthrow is a superb short film that is screening at Flickerfest 2023. In this interview, Phoebe talks about where the idea for the short came from, how working with her sister Annabel went, and the casting of Miah Madden, while also touching on how they managed to film outside Parliament House.

Head over to Flickerfest.com.au to purchase tickets and follow where the national tour will take place.

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Flickerfest is one of the leading Academy Award accredited and BAFTA recognised competitive short film festivals in the world. The 2023 festival takes place from January 20-29 in Bondi Beach, Sydney before heading out on a national tour.

Festival director Bronwyn Kidd joins Andrew on this podcast to discuss the 2023 festival, looking back at 25 years of working with Flickerfest, and providing some 2023 festival highlights. The 2023 festival embraces the spirit of the Aussie classic, The Castle, and Bronwyn talks about what "it's Bondi, it's the vibe" means for the festival.

Head over to Flickerfest.com.au to purchase tickets and follow where the national tour will take place.

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On this episode, I'm joined by emerging Noongar Wongi rapper Ethan Eggington, also known as Inkabee, who recently released his debut single and music video Beat the Odds, and his father Joshua Egginton, aka award-winning Noongar Wongi rapper Flewnt MC. The two talk about the relationship they have working with each other, how Inkabee was inspired by Flewnt growing up, and the work of Kwinana Beats, a youth music program facilitated by hip hop artist Rush Wepiha.

Beat the Odds is out on all streaming platforms now and was recorded at The Kwinana Beats studio. Make sure to check it out and follow Inkabee and Flewnt on Spotify, Apple Music, iTunes and other music platforms.

Head over to TheCurb.com.au for previous podcast episodes, interviews and reviews.

Check out the music video for Beat the Odds here:

https://www.youtube.com/watch?v=P830e214Ois 

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ACMI (the Australian Centre for the Moving Image) is one of the finest cultural institutions in the nation, sitting in the heart of Melbourne's Federation Square. Over the summer months, ACMI is screening two curated film selections that celebrate some of the best films of 2022 and a series of films that represent and celebrate the season of summer.

Joining Andrew to discuss this catalogue of films is ACMI film curator Reece Godwin who talks about his personal favourite pick of the line-up of 22 films in the Best 22 of 2022 line-up, how the films were selected, and what the importance of experiencing films in a cinema is.

More about the curated film selections here:

Best 22 of 2022 (1 Dec - 29 Jan)

Spanning filmmaking, documentary and animation from Australia and around the world, this program celebrates the best cinema of 2022 - a great opportunity to dive in and catch the new films set to be awards-season favourites in 2023. Highlights include a preview screening of Ruben Östlund latest social satire Triangle of Sadness ahead of its official release.

Days of Summer (17 Dec - 14 Feb)

From sun-dappled picnics to summer solstices to surf; cool off in our cinema with a selection of classic and contemporary films that capture the best of summer. Every day at 7pm, audiences can catch cult classics like Puberty Blues and Sexy Beast.

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, Spotify, iHeart Radio or Google Podcasts. 

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Kaya, welcome to The Curb podcast. My name is Andrew Peirce and this podcast is recorded in Boorloo, Western Australia.

It’s been a while between drinks for this audio podcast, and I’m proud to jump back in with a fascinating discussion with composer and filmmaker Ashley Davies in relation to his new film, album, and art exhibition entitled Gold. Gold is an album that is inspired by Ashley’s uncle, Len Davies, an artist who upon his death left a legacy of over 500 paintings to be distributed amongst his family. Ashley chose ‘The Lasseter series’, a group of paintings that told the tale of Lasseter’s Reef, the tale of Harold Bell Lasseter as he headed into Central Australia to search for a 15 k gold reef. The series of paintings, and Ashley’s score itself, reflect Lasseter’s fateful journey that resulted with his reputation tarnished and his death.

Len Davies paintings work as a counterpoint to those legends, presenting Lasseter’s journey and death as a radiant, beautiful one.

In the following interview, Ashley talks about Len’s time during the war, which is further detailed in an impressive article by Claire Hunter on the Australian War Memorial website. Ashley also talks about the presentation of Gold at the Sun Theatre in Victoria, on November 30, and what audiences will encounter when they watch the half hour film and witness the paintings after the screening.

Tickets are available on the Sun Theatre website. The link will be available in the show notes.

For previous episodes of The Curb podcast, head over to TheCurb.com.au. While you’re there, pick up a copy of The Australian Film Yearbook – 2021 Edition, which details Australian feature films, documentaries and short films released during 2021.

Here’s a snippet of Birth on the album Gold by Ashley Davies.

Purchase Gold by Ashley Davies on Bandcamp here.

Read about Len Davies time in the war here.

Purchase tickets to see Gold at the Sun Theatre in Victoria here.

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