Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. How does Werner craft the structure, how do they decide what the V/O should be, and more importantly, the prickly topic of the implications of the Voice of God style documentaries?

Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillions, a series that explores the fraud in the 1990's McDonald's Monopoly game. We discuss editing the series and the scenes that got cut.

Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!

Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix documentary Circus of Books.

Gordon sits down to talk to Emmy Nominated editors Kate Sanford and Tim Streeto to discuss their work on the Marvelous Mrs. Maisel.

Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazon Prime's hit show The Boys.

Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.

Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Cheer. They discuss the detective work required to structure a doc and the character they didn't want to cut but had to.

Gordon sits down with German Cinematographer Sebastian Thaler to discuss his work on the Joseph Gordon-Levitt vehicle 7500. Sebastian talks about tackling shooting in tight spaces and lighting in a small cabin for a jet.

Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own adventure," and its final cut is over three-hours long! Using custom made technology, Kyle worked with the producers to find the story and bring together the multiple strands for comedic timing.