This episode of Bevo Beats features Mariachi Paredes de la Universidad de Texas. The group is increasing awareness of cultural music scenes on campus and connecting students with a long tradition of Mariachi music. 

Created by Marissa Greene

As DJ-ing rises in popularity in West Campus, student DJs at UT share their thoughts on the community, mix-making process and efforts to gain more of the spotlight.

Music: "West Bad" by Jeremy Black and "Straight Fuse" by French Fuse

Created by Ryan Borrego, Sofia Vargas Karam and Hannah Ortega

Hear the sounds behind Sarai Cantu's reporting on the commitment of some UT students to reviving UT's Folklorico student group after multiple online semesters.

Texan Overtime sits down with UT basketball super fans, nicknamed Incredibly Loud Guy and Hawaiian Shirt Guy. The pair have been recognized by head coach Chris Beard and are widely known among game attendees.

The Heman Sweatt Center for Black Males received a $750,000 donation that will go toward the center's goal of promoting success for Black, male students at UT. Read the in story in the paper by Joelle DiPaolo here: thedailytexan.com/2022/02/18/dt-02-18-22/#2

Daily Texan reporter Sheryl Lawrence breaks down her coverage of employee protests at Via 313.

After the Texas' first home loss, The Daily Texan's audio and sports reporters sit down to talk all things men's basketball.

Edited by Leni Steinhardt

Music by BlueDot Sessions

Reported by Amsal Madhani, Ethan Ferguson and Manny Ramirez

Audio producer Mikayla Mondragon explores the importance of proper pronunciation of UT student's names.

Music by Blue Dot Sessions

Listen to a day in the life of a student worker and learn the effects working outside of a college course load can have on student's college experiences.

Art by Julius Shieh

Reporting by Elisabeth Jimenez

Music by Blue Dot Session

Molly Jo Tilton speaks with a weight lifter, a pickup basketball player and a dance group leader about their battle for room in UT recreational facilities. 

Cover photo by Assad Malik