Art in public space has long been subject to hot debate. It was back in the 1970s that James Wines referred to Modernist sculptures as "turds in the plaza" and "Plop Art". The removal of sculptures associated with slavery as part of the Black Lives Matter are proof positive that public art matters deeply to people and places. So when seeking to commission public art, is community involvement the answer to question of relevance, appropriateness and permanence? Shiro Muchiri, founder of SoShiro art gallery and Hanna Afolabi, founder of Mood and Space, have teamed up to create Art in Architecture, a consultancy that believes public art can deliver social value – if you get the community involved from the very beginning. We discuss the opportunities and challenges of commissioning art for urban public spaces.

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Street art has a lot to do with play, says Dr Lee Bofkin, co-founder of Global Street Art, who points to the evolving role of streets as a backdrop for content creation and personal digital expression. Global Street Art has connected street artists with sites to paint 3,000 murals in the UK since 2012, including pieces created under the Art for Estates programme and launching the London Mural Festival. In this podcast, the co-founder of Global Street Art discusses the expansive role of public art and why we should all live in painted cities.

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In this special 100th episode of The Developer Podcast, author Carolyn Steel hosts Stephen Witherford, co-founder of Witherford Watson Mann architects and Sophia Craxton, food anthropologist and manager of the community kitchen at almshouse Appleby Blue. What emerges is passionate and emotive discussion about how we design spaces for dignity, and the building as the beginning of a conversation about how we live and what we value. In a city where loneliness is one of the biggest killers, the question was how to create an architecture that promotes the good life: The answer was the use of food as an instrument for creating community. "Eating on your own and cooking for yourself can be one of the most soulless things, when you've lost people you spent time cooking and eating with," says Witherford. "We wanted to a place where people cook together and they eat together and share their experiences. Ultimately this is all about how to get residents to speak to one another."

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The construction industry is struggling to attract young people with an acute shortage of skilled workers hampering innovation and quality. Architecture and engineering need more diversity. At the same time, developers are creating playgrounds and spaces for teenagers to attract families and create community. What if we could solve all these needs with a single intervention? The adventure playground is not a new concept – the first one opened in Camberwell in 1948. But their longstanding tradition of giving children the tools, skills and materials to build their own play structures under supervision of trained playworkers has fresh resonance. "These places have been doing co-design from the beginning," shares Nitasha Kapoor, anthropologist and trustee of SWAPA in Hackney. In this interview, Kapoor talks about the potential for adventure playgrounds and their skilled staff to transform places and lives with one caveat – they need our help, skills, materials and financial support.

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The regeneration playbook is to takeover industrial spaces in favour of housing and mixed-use development, displacing the garages, workshops and sheds and pushing them to the margins of the city. But an increase in industrial rents and a shortage of industrial spaces has led to a radical rethink, with councils seeking industrial intensification instead, funding the creation of multi-storey light industrial spaces. In this interview, Regeneration Officer Francis Moss from London Borough of Ealing and Holly Lewis, Co-founding Director of We Made That explain the radical shift taking place and why industrial uses are essential to local economies and communities, making the case for keeping, and increasing, the sheds on our doorstep

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The popularity of New York's Highline saw other cities scouring maps for disused infrastructure – and Camden was no exception. The discovery of a disused viaduct running between King's Cross and Camden Road sparked the campaign for a Highline. Fast-forward and the design has planning permission and is now fundraising towards the build. We speak to Simon Pitkeathley, CEO of Camden Town Unlimited and CEO of Camden Highline about the journey so far, Georgie Street, Head of Projects at Camden Town Unlimited on the future green loop strategy and Tatiana von Preussen, architect and co-founder of vPPR on how to make the park, which runs along a live set of tracks, accessible and magical.

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Back in 2018, one of The Developer’s first podcasts was an interview with Linda Thiel, director of White Arkitekter’s London studio. The Scandinavian practice had been hired for the second phase of the regeneration of the Gascoigne estate in east London, replacing 1960s high rise blocks while adopting what the practice calls a “Scandinavian approach” with an emphasis on public space. More than four years on, Thiel got in touch to say that there had been a change in the practice’s thinking and, for the final stages of the project, they were now proposing that rather than demolish the original buildings, they should consider retrofitting them. Such an approach could also break a cycle of demolish and rebuild that began in the 1950s when the Edwardian terraced housing that originally sat on the site was razed, having been condemned as slums, only to be repeated as, in turn, those towers fell out of favour, creating a level of intergenerational trauma as communities were once again uprooted. Speaking in a new podcast, Thiel tells the story of White Arkitekter and Civic Engineers’ investigation into the feasibility of retrofit and raises fresh questions of equity and inclusion

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The Key Cities report, Culture and Place in Britain, identified access to culture as a driver of wellbeing in areas of socioeconomic deprivation. But how can we seek stable and sustainable funding for grassroots culture in our places? Alan Waters, Culture Lead for Key Cities and previous leader of Norwich City Council and Sarie Mairs Slee, who previously led the Salford Culture and Place Partnership, discuss how the Cultural Compact, which partners institutions with artists and grassroots initiatives, can help unlock investment

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Horatio’s Garden Chelsea, designed by Harris and Bugg with McMullan Studio, has been awarded the coveted Best in Show title at the RHS Chelsea Flower Show. In this podcast, we sit down with Charlotte Harris and Andrew McMullan to discuss the process of designing a fully accessible garden for this UK-based charity that nurtures patients after spinal injury in NHS spinal centres.

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Paul Monaghan, architect and co-founder of Allford Hall Monaghan Morris, talks about his role on the advisory board for The Office for Place, a government body helping to shape design codes and neighbourhood plans in England. Announced in July 2021, having emerged out of the Building Better Building Beautiful Commission, the purpose of the Office for Place is “to make it easier for all neighbourhood communities, wherever they might be, to require what they find beautiful and refuse what they find ugly.” Monaghan explains why he's pleased the government is passionate about design quality, even if he's not entirely comfortable with its new favourite buzzword: ‘beauty’

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