The Disco Hicks Show

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AI music is either the end of “real art” or the start of a new creative era, depending on who you ask. We sit down with our day-one friend Ed “Bujay” Young (also known as Bling Young) to get past the hot takes and into the actual process of making songs with generative AI tools like Suno, plus the real reasons people are so split on it.

Bujay is a songwriter and jewelry maker from Inkster, Michigan, and he breaks down how AI went from a quick experiment to a serious creative outlet. We talk about what’s actually human in an AI-assisted track: the lyrics, the musical direction, the ear for arrangement, and the discipline to revise instead of flooding the world with half-baked uploads. We also get into the “AI slop” problem, why some tracks feel too polished, and how listening habits from years of crate digging still matter when the “band” is a machine.

Then the conversation turns personal and heavy in the best way. Bujay shares the story behind “Crossover,” a memorial song and video made for a family after a devastating loss, and why emotion and sincerity don’t disappear just because AI is part of the workflow. We also talk AI video generation, bias and stereotypes in outputs, labeling requirements, and why fears about job loss and superintelligence get tangled up with debates about music and entertainment.

Tap in, listen through to the end, and tell us where you land. Subscribe for more culture-forward conversations, share this with a friend who argues about AI, and leave a rating or review so more people can find the show.

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1990 hits different when you line the records up back-to-back and actually listen, as we did back then. We go deep on the New Edition solo universe and the three projects that defined a whole season of R&B and New Jack Swing: Bell Biv DeVoe’s Poison, Johnny Gill’s self-titled classic, and Ralph Tresvant’s debut with Sensitivity if you’ve ever wondered why “Poison” still jumps out of the speakers or why “My, My My" feels like a grown-up masterpiece, we’re putting names, dates, producers, and memories on it.

We talk about what made BBD so surprising, how the “background guys” became trendsetters, and why some remixes feel like they mess with perfection while others the WBBD-Bootcity! album ends up becoming the version you play the most. Then we switch gears to Johnny Gill’s run: the vocals, the tracklist, the Jimmy Jam and Terry Lewis stamp, Babyface’s writing, and how a song an artist doesn’t even love at first can turn into his signature.

Ralph’s album brings up a different kind of conversation: the pressure of going last, the reality of waiting on busy producers, and why certain singles got overshadowed even when the work was strong. We also get real about how music carries grief, how it can pull you right back to a relationship or a loss, and why we think soul-forward 90s R&B still resonates more than a lot of today’s synthetic sound. If you’re rocking with this kind of deep-dive nostalgia and music history, subscribe, share the episode with a friend, and leave us a rating and a comment so we can keep the conversation going.

Music used "Toe Clam".

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Bobby Brown used to be treated like a punchline or a headline, but we’re not doing that here. We’re giving him his full respect as an R&B icon and a central architect of the New Jack Swing era, while still telling the truth about the pain, the mistakes, and the resilience that shaped his life!

We start with the roots: Roxbury, Boston, and the kind of early trauma that can push a kid toward either destruction or purpose. From there, we walk through the New Edition machine, the choreography grind, and the music industry contracts that left young superstars fighting for fair royalties. That business context matters, because it explains why success can still feel like a trap, and why Bobby’s solo leap wasn’t just ego, it was survival and ambition colliding.

Then we hit the run that changed everything. We break down what New Jack Swing really is, why Teddy Riley’s sound became the blueprint, and how Don’t Be Cruel turned Bobby into a once-in-a-generation crossover star. We talk through the singles that owned radio and dance floors, the stage persona that sparked controversy, and the way those records still hold up when you care about groove, vocals, and craft.

We also get real about the Whitney Houston chapter, addiction, jail time, grief, and why Bobby’s role as a father doesn’t get enough attention. We end with the comeback years, Alicia Etheredge-Brown’s steady presence, and the life Bobby has fought to keep. If this conversation adds value, subscribe, share it with a fellow R&B head, and leave a review with your favorite Bobby Brown song and why it still hits.

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A movie reboot, a league on the rise, and a championship that hit people right in the chest, all in one ride. We start by warming up with sports habits and nostalgia, from the World Cup chatter to childhood soccer stories that explain why certain games grab us and others do not. Then we jump straight into a detailed Masters of the Universe (2026) review, using the infamous 1987 version as the measuring stick and asking the only question that matters: did the new one actually earn the hype?

We get into performances and choices that work, like Jared Leto’s scene stealing Skeletor and Idris Elba bringing real weight to Man At Arms, plus the action and fight scenes that keep the movie moving. We also keep it honest about what missed, including the script, the forced dirty jokes, and the classic reboot problem of dragging a fantasy world back to Earth. From there, the conversation turns serious with the casting backlash, how racism shows up in fandom, and the history behind Sun Man, the Black superhero line created to fill a representation gap in action figures.

On the sports side, we lock in on the WNBA with Commissioner’s Cup talk, big game reactions, All Star voting, and why the league’s fundamentals and position basketball make it such a great watch right now. We also tackle the constant Caitlin Clark versus Angel Reese narrative, the hate that comes with it, and why fans should focus on teams and matchups instead. Finally, we hit NBA and Detroit Pistons offseason questions, from Jalen Duren money to trade rumors, draft realities, and what a Knicks championship means for New York and for basketball culture.

Subscribe for more, share this with a friend who loves sports and pop culture, and leave a review with your take: what was the strongest part of the conversation?

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Inkster comes up and we don’t treat it like a random hometown shoutout, because a small city can hold a huge story. We talk about the neighborhood names we grew up with, the places that are gone now, and the family history that makes Inkster feel personal and political at the same time. That includes the uncomfortable but necessary context: segregation-era housing, how “Henry Ford city” roots shaped who lived where, and what it’s like watching boundaries and school districts change over the years. 

Then we pivot to the fun stuff we actually live with day to day: what we’re listening to and what we’re watching. We break down Mya’s latest album through a real listener’s lens (phone, car, headphones) and get into why the production lands with that Prince and Morris Day flavor when it hits right. On the movie side, we run through upcoming summer blockbusters, give our honest Star Wars takes, and laugh at the trend of turning childhood characters into horror villains once “Popeye” and “Bambi” enter the chat. 

Sports closes it out with substance. We talk WNBA standouts, why the league still needs better marketing and storytelling, and how online noise around Caitlin Clark and Angel Reese can bring new attention while also exposing ugly agendas. We also get into the NBA playoffs, the Knicks’ energy, and why running offense through a skilled big can change a series. If you enjoy culture, history, and straight-shooting sports talk, hit subscribe, share the show with a friend, and leave us a review so more people can find it.

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One year can change a whole genre, and we think 1988 did exactly that. Shaun P joins me to debate one of hip hop’s biggest arguments: what is the best year in hip hop, and does 1996 really beat 1988 when you measure impact, innovation, and replay value?

We use 1996 in hip hop as context, running through a stack of classics and the complicated cultural backdrop of that era. Then we go all in on 1988: the debuts, the breakthroughs, and the albums that still teach lessons on flow, storytelling, politics, and pure fun. We talk Public Enemy’s “It Takes a Nation of Millions to Hold Us Back,” N.W.A.’s “Straight Outta Compton,” Eric B. & Rakim, EPMD, Big Daddy Kane, Slick Rick, MC Lyte, Boogie Down Productions, and more, plus how the business side and production choices shaped what the world heard.

But this is bigger than a list of records. We connect the music to the full 1988 cultural moment, including the fashion and the feeling, then pivot to how hip hop pushes into the mainstream through Yo! MTV Raps, Fab Five Freddy’s influence, and the hard truth about what it took for MTV to embrace Black artists. If you love rap history, golden age hip hop, and the stories behind why these classics still hit, you’ll leave with a sharper playlist and a stronger argument.

Subscribe for more deep dives, share this with a friend who still argues about 88 vs 96, and leave a rating or review with your pick: which year really wins, and what album makes your case?

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I talk through what Inkster means to me, and share a little local history that shaped my ear, my taste, and the way I tell stories on The Disco Hicks Show.

Then I  bounce through a few culture stops: quick props for Detroit hoops and NBA recognition, my late arrival to The Boondocks, and why I’m careful about language on mic, plus birthdays for Andre 3000 and Jadakiss. I also get into the Michael Jackson media wave, from the success of the MJ movie to Netflix announcing “Michael Jackson: The Verdict.” I’m honest about how past docs affected me and why I’m choosing what I give my attention to, while still leaving room for you to decide for yourself.

The main course is my deep dive Mya Retrospect album review, using my three-step sound test (phone, car, then earbuds or a real system). The earbuds listen changed everything, especially the bass and the feel. I go track by track, call out the 80s and 90s R&B and new jack swing energy, the Prince-inspired funk, and the features with Snoop Dogg, Too Short, and 21 Savage. We talk standouts like “ASAP,” “Saturday Night,” “Games With My Love,” and why “Face To Face” and “Anytime” hit like summer staples.

Tap play, then subscribe, share the episode with a friend, and leave a rating and review so more listeners can find the show.

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I bounce from breaking music culture news to a full-hearted Pistons season review, with Shaun P keeping it real about fandom, legacy, and what we choose to support. Detroit’s 60-win jump sparks a deep player-by-player grading session and a clear look at what the roster needs next. 
• Chili tour backlash and how fans respond with their wallets 
• New Edition winning the fan vote and still missing the Rock and Roll Hall of Fame cut 
• Maxwell birthday shoutout and the Michael Jackson movie resurgence 
• Mya “Retrospective” and Chris Brown album reactions 
• Food safety worries and simple fruit washing habits 
• Pistons' turnaround from 14 wins to 60 wins and what it means for younger fans 
• Cade Cunningham’s leadership and how injuries shape playoff outcomes 
• Trajan Langdon’s plan including a secondary ball handler and Ausar Thompson development 
• Player grades and rotation debates from bench energy to playoff readiness 
• Jaden Ivey questions including injuries professionalism and locker room fit 
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I'm back from a long hiatus with a turning-the-page moment: this is the final release under MuzicBook, and I'm officially shifting into the Disco Hicks Show era so I can go wider than music while still keeping nostalgia and sound at the center. To close the chapter the right way, the show goes straight to what y’all keep asking for: Michael Jackson.

Spoiler warning up front, because I get specific about the new “Michael” movie, including why it hits differently on a second watch. We talk about what the film captures beautifully, what feels rushed or missing, and why omissions like key Jackson family members change the emotional truth of the story. We also get into performances, makeup choices, standout scenes, and the real challenge of making a biopic about an artist this massive without turning it into either a fairy tale or a takedown.

Then we zoom out into the bigger MJ conversation: Motown 25 memories, favorite live moments, album rankings from Off the Wall through HIStory, and the strange afterlife of posthumous releases. We break down the 2010 “Michael” album controversy, the Cascio tracks debate, and why integrity matters when fans can hear the difference.

Tap in, subscribe for what comes next under Disco Hicks, and if you’ve seen the film, tell us this: what moment worked for you, and what did you wish they kept in?

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Urgency has a sound, and Tupac Shakur made it impossible to ignore. Disco Hicks and brother of the show Shaun Whittaker open with the restless kid who studied acting and ballet at Baltimore School for the Arts, raised on Afeni’s Panther principles, then follow him through Digital Underground’s tutelage into a voice that could move streets and stadiums. The story bends through trauma and triumph: on-tour losses that hardened him, the Juice audition that stunned casting directors, and the moment his acting revealed a talent too big for one lane.

They dig into the records that defined eras. 2Pacalypse Now planted empathy and protest in the mainstream. Strictly 4 My N.I.G.G.A.Z. bottled 1992’s tension and hope. Me Against the World turned legal peril into poetry and precision, a no-skip classic of pain and perspective. Then the air shifts: All Eyez On Me, tracked at breakneck speed yet mixed with pristine clarity, sounds like freedom—California Love, How Do You Want It, Picture Me Rollin’—and the sobering counterpoints of Life Goes On and Only God Can Judge Me. Alongside the music, they look at how Pac built songs quickly, layered ad-libs like instruments, and clashed with perfectionists who moved slower than his fears allowed.

The conversation widens to power and consequence: Death Row’s control, Suge Knight’s shadow, and a sobering trip to Milan that showed Pac how little he truly owned. Disco and Shaun unpack the Vegas brawl with Orlando Anderson, the street calculus that followed, and the chain of violence that reshaped hip-hop. The Don Killuminati: The 7 Day Theory brings him back to laser focus—leaner, harder, fearless. On screen, Poetic Justice, Above the Rim, and Gridlock’d show range and timing that hinted at a career that might have rivaled Hollywood’s greats.

Three decades on, the influence is everywhere: cadence, candor, and the courage to be complicated. We talk craft, context, and the choices that still spark debate, then honor the honors—Rock and Roll Hall of Fame, Library of Congress—and the people who kept the flame. Press play to revisit the music and moments that made the man, and share this with a friend who needs the reminder. If this conversation moves you, follow the show, rate us, and tell us your one Pac song that never leaves your rotation.