The Discover India Podcast by Professor Pankaj Jain: Bhārat Darśan

The Discover India Podcast by Professor Pankaj Jain: Bhārat Darśan

By Prof Pankaj JainSociety & Culture
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The Discover India Podcast by Professor Pankaj Jain: Bhārat Darśan episodes

  • Hindusim & Ethics of Creation Care: A Webinar by Prof. Pankaj Jain with Southern Methodist University, Dallas, Texas

    Hinduism and Ethics of Creation Care  

    Speaker: Professor Pankaj Jain 

    Respondent: Professor Cybelle Shattuck 

    Moderator: Dr. Robert A. Hunt  

    Partners: 

    The Interfaith Council of Thanks-Giving Square 

    Dallas Holocaust and Human Rights Museum  

    SMU Perkins School of Theology.  

    Co-Sponsors:

    The SMU Office of the Chaplain and Religious Life 

    The Dallas Institute of Humanities and Cultures

    The Interfaith Council of Thanks-Giving Square and its partners and co-sponsors listed below are pleased to present the 2022-23 Faiths In Conversation Series titled, ‘Religion & Ethics of Creation Care’.  This is a 6 part monthly series featuring scholars representing Judaism, Buddhism, Native Americans, Islam, Christianity & Hindusim. Speakers from different religious traditions will explain how their religious tradition understands the ethics of creation care. In addition to addressing the value of creation in itself,  of particular concern will be the relationship of creation care to human dignity, economic justice, and migration stimulated by changes in the climate. Participants will learn how each religion understands what it means to be human in relation to the rest of the natural world, and the particular responsibilities of humans toward the natural world and their fellow humans. Each presentation will be followed by a brief response and the opportunity to ask questions of the speaker.

    1 hr 16 min
  • Rasa in Moral Journey: Aesthetic Dimensions of Ethical Action in Gandhi

    Gandhi’s thoughts on non-violent political action and his programs for social reconstruction have been subjects of scholarly debates, often sharp, for a long. More recently, visual and literary representations of Gandhi that remind people of the meanings of an extraordinarily complex life have also received attention (Ramaswamy 2021). However, little consideration has been given to Gandhi’s aesthetic sensibility that informed his moral journey. The general perception of Gandhi is as a man of action with a utilitarian approach even to art and literature. Yet as he expresses at the end of his “autobiography,” he saw his “Experiments with Truth” as a source of rasa (aesthetic delight). His writings reference ethical actions as things of beauty and avenues to reach perfect harmony. His almost obsessive stress on simplicity also had an aesthetic dimension. Art historian Stephanie Chadwick compares Gandhian simplicity-based aesthetics with the minimalist art of American painter Barnett Newman in the early to mid-twentieth century. Chadwick suggests that even though the two men never met in their aesthetics, they share a concern for inclusiveness and equality (Chadwick, 2014). The fascination with Gandhi as a public figure may see ebb and tide in the coming times. What exploration of his writings and exchanges give us a glimpse into is something personal and deeper – an understanding of a moral journey intricately tied to an aesthetic journey. In my presentation, I will discuss how Gandhi’s writings reflect a search for the unity of truth, goodness, and beauty. They suggest that moral action was a path to realize that unity in his journey. In Gandhi’s view, moral action was in service of the goal of experiencing rasa. 

    Bio

    Neelima Shukla-Bhatt is a professor of Religion and South Asia Studies at Wellesley College,

    Wellesley, MA, USA. She obtained her Ph.D. in the Study of Religion from Harvard University in 2003.
    She is the author of Narasinha Mehta of Gujarat: A Legacy of Bhakti in Songs and Stories (2015) and
    co-author with Surendra Bhana of A Fire that Blazed in the Ocean: Gandhi and Poems of Satyagraha
    in South Africa, 1909-1911 (2011). She has published numerous articles in peer-reviewed books
    and journals focusing mainly on the devotional poetry of medieval India and women’s religious
    expressions.

    54 min
  • 4th song in #AnandBakshi Lyrics Series, reminding us of motherland

    4th song in #AnandBakshi Lyrics Series, reminding us of the motherland (in Raag Kedar)

    yun nind se woh jan e chaman jag uthi hai

    pardes mein phir yad e watan jag uthi hai
    pardes mein phir yad e watan jag uthi hai
    yun nind se woh jan e chaman jag uthi hai

    phir yad hame aaye hain sawan ke wo jhule
    phir yad hame aaye hain sawan ke wo jhule
    woh bhul gaye hamko unhein
    hum nahi bhule unhein nahi bhule
    iss dard ke kanto ki chubhan jag uthi hai
    pardes mein phir yad e watan jag uthi hai

    iss shehar se achchha tha bahot
    apna wo ganv
    iss shehar se achchha tha bahot
    apna wo ganv
    panghat hai yahaan koi na
    pipal ki woh chhanv pipal ki wo chhanv
    pachchhim mein wo purab ki pawan jag uthi hai
    pardesh mein phir yaad e watan jaag uthi hai
    yun nind se wo jaan e chaman

    hum log sayaane sahi diwane hai lekin
    begane bahot achchhe hai
    begane hai lekin begane hai lekin
    begaano mein apno lagan jaag uthi hai
    pardesh mein phir yad e watan jaag uthi hai
    yun nind se woh jaan e chaman jaag uthi hai

    From https://www.hindigeetmala.net/song/yun_nind_se_vo_jaan_e_chaman.htm

    5 min
  • Is there an Indian way of knowing and theorizing in social sciences? 12th Webinar by the India Centre, FLAME University

    Alternative ontologies and epistemologies: Is there an Indian way of knowing and theorizing in social sciences? 

    In an “informal essay” (1989), poet, translator, and folklorist A. K. Ramanujam asks an intriguing question, "Is there an Indian way of thinking?” Taking inspiration from the celebrated essay, without any misconception of equivalent competence, I ask, Is there an Indian way of knowing and theorizing in social sciences? Ramanujan's answer was in the affirmative for an imagined India in the deep past but not for the post-colonial India of the present. The subtext of his argument was that in contemporary India, we do not have an Indian way of thinking capable of producing context-free theories with universal applications. Provocatively, Ramanujam suggests there are only Indian experiences but no thought. His analysis suggests that following a violent and subjugating encounter with the west, the Indian (or Vedic) way of thinking—rooted in a logic of chaos, context-dependent nature of truth, and a majestic celebration of ambiguity—was displaced by a bundle of inconsistent and contradictory ontologies and epistemologies. In this talk, I argue for ontological and epistemological pluralism possibilities in context-dependent ways of knowing. A pluralism in thinking gives rise to concepts and associated explications of alternative theories of society, cultures, polities, and economies. Context-dependent alternative understanding and explanations, which in a post-colonial sense challenge the hegemony of Eurocentrism in knowledge production. Using some examples, including from my earlier work on theorizing cultures of protests in Dhandak and Jan Andolan (2014), I discuss an Indian way of knowing and theorizing. 

    Bio: Anup Kumar is a professor of communication in the School of Communication, Cleveland State University. He completed his Ph.D. from the University of Iowa in 2008. He has published numerous articles in peer-reviewed communication and political science journals and is the author of Making of a Small State (2014). Before joining academia, he was a journalist, then an environmental activist, and before that, a chemist.

    1 hr 18 min
  • Gaadi bula rahi hai, 4th song in the Anand Bakshi series
    Lyrics of Gaadi Bulaa Rahi Hai Siti Bajaa Rahi Hai -
    Gaadi bula rahi hai, siti baja rahi hai
    gadi bula rahi hai, siti baja rahi hai
    chalnaa hi zindagi hai, chalti hi jaa rahi hai
    gadi bula rahi hai, siti baja rahi hai
    dekho vo rel, bachcho ka khel, sikho sabak javano
    dekho vo rel, bachcho ka khel, sikho sabak javano
    sar pe hai bojh, sine me aag, lab par dhuan hai jaano
    phir bhi ye gaa rahi hai, nagme suna rahi hai
    gadi bula rahi hai, siti baja rahi hai
    aage tufan, pichhe barsaat, upar gagan me bijali
    aage tufan, pichhe barsaat, upar gagan me bijali
    soche na baat, din ho ke raat, signal huaa ke nikali
    dekho vo aa rahi hai, dekho vo jaa rahi hai
    gadi bula rahi hai, siti baja rahi hai
    aate hai log, jaate hai log, paani ke jaise rele
    aate hai log, jaate hai log, paani ke jaise rele
    jane ke baad, aate hai yad, guzare hue vo mele
    yade bana rahi hai, yade mita rahi hai
    gadi bula rahi hai, siti baja rahi hai
    gadi bula rahi hai, siti baja rahi hai
    gadi ko dekh, kaisi hai nek, achchhaa bura na dekhe
    gadi ko dekh, kaisi hai nek, achchhaa bura na dekhe
    sab hai savaar, dushman ke yaar, sabko chali ye leke
    jina sikha rahi hai, marna sikha rahi hai
    gadi bula rahi hai, siti baja rahi hai
    gadi kaa naam, naa kar badnaam, patari pe rakh ke sar ko
    gadi kaa naam, naa kar badnaam, patari pe rakh ke sar ko
    himmat na haar, kar itazaar, aa laut jaae ghar ko
    ye raat jaa rahi hai, vo subah aa rahi hai
    gadi bula rahi hai, siti baja rahi hai
    sun ye paigaam, ye hai sangraam, jivan nahi hai sapnaa
    dariyaa ko faand, pavart ko chir, kaam hai ye uskaa apnaa
    ninde udaa rahi hai, jaago jaga rahi hai
    gadi bula rahi hai, siti baja rahi hai
    chalnaa hi zindagi hai, chalti hi jaa rahi hai
    gadi bula rahi hai, siti baja rahi hai
    From https://www.hindigeetmala.net/song/gaadi_bulaa_rahi_hai_siti.htm
    ---
    Support this podcast: https://anchor.fm/pankaj-jain/support
    7 min
  • Ye shaam mastani, 3rd song in the Anand Bakshi lyrics series

    Lyrics of Ye Shaam Mastaani, Madhosh Kiye Jae - ये शाम मस्तानी, मदहोश किये जाये

    ye sham mastaani, madahosh kiye jaye

    mujhe dor koi khiche, teri or liye jaye
    ye sham mastaani, madahosh kiye jaye
    mujhe dor koi khiche, teri or liye jaye

    dur rahati hai tu, mere paas aati nahi
    hotho pe tere, kabhi pyaas aati nahi
    aisaa lage, jaise ki tu, hansake zahar koi piye jaye
    ye sham mastaani, madahosh kiye jaye
    mujhe dor koi khiche, teri or liye jaye

    baat jab mai karun, mujhe rok deti hai kyo
    teri mithi nazar, mujhe tok deti hai kyo
    teri hayaa, teri sharam, teri qasam mere hoth siye jaye
    ye sham mastaani, madahosh kiye jaye
    mujhe dor koi khiche, teri or liye jaye

    ek ruthi hui, taqadir jaise koi
    khaamosh aise hai tu, tasvir jaise koi
    teri nazar, banake zubaan, lekin tere paigaam diye jaye
    ye sham mastaani, madahosh kiye jaye
    mujhe dor koi khiche, teri or liye jaye
    ye sham mastaani, madahosh kiye jaye
    mujhe dor koi khiche, teri or liye jaye

    From https://www.hindigeetmala.net/song/ye_shaam_mastani_kishore.htm

    5 min
  • Ye Jo Mohabbat Hai, 2nd song in the series of songs by Anand Bakshi

    Ye Jo Mohabbat Hai, 2nd song written by the great lyricist Anand Bakshi


    ye jo muhabbat hai, ye unaka hai kam

    mahabub ka jo, bas lete hue nam
    mar jae, mit jae, ho jae badanam
    rahane do chhodo bhi jane do yar ham na karege pyar
    rahane do chhodo bhi jane do yar ham na karege pyar

    tute agar sagar naya sagar koi le le
    mere khuda dil se koi kisi ke na khele
    tute agar sagar naya sagar koi le le
    mere khuda dil se koi kisi ke na khele
    dil tut jae to kya ho ajam
    ye jo muhabbat hai, ye unaka hai kam
    mahabub ka jo, bas lete hue nam
    mar jae, mit jae, ho jae badanam
    rahane do chhodo bhi jane do yar ham na karege pyar
    rahane do chhodo bhi jane do yar ham na karege pyar

    nazar kisi se na ulajh jae mai darata hun
    yaro hasino ki gali se mai guzarata hun
    nazar kisi se na ulajh jae mai darata hun
    yaro hasino ki gali se mai guzarata hun
    bas dur hi se kar ke salam
    ye jo muhabbat hai, ye unaka hai kam
    mahabub ka jo, bas lete hue nam
    mar jae, mit jae, ho jae badanam
    rahane do chhodo bhi jane do yar ham na karege pyar
    rahane do chhodo bhi jane do yar ham na karege pyar

    From https://www.hindigeetmala.net/song/ye_jo_muhabbat_hai_ye.htm

    5 min
  • Jis gali me tera ghar na ho, a classic song written by Anand Bakshi

    Jis gali me tera ghar na ho, a classic song written by Anand Bakshi 


    jis gali me teraa ghar na ho baalamaa

    us gali se hame to guzaranaa nahi
    jo dagar tere dvaare se jaati na ho
    us dagar par hame paav rakhanaa nahi

    zindagi me ka_i ragaraliyaan sahi
    har taraf muskuraati ye galiyaan sahi
    khubasurat bahaaro ki kaliyaan sahi
    jis chaman me tere pag me kaate chubhe
    us chaman se hame phul chunanaa nahi
    jis gali me teraa ghar na ho baalamaa

    aa ye rasame ye kasame sabhi tod ke
    tu chali aa chunar pyaar ki odh ke
    yaa chalaa jaaugaa mai ye jag chhod ke
    jis jagah yaad teri sataane lage
    us jagah ek pal bhi thaharanaa nahi
    jis gali me teraa ghar na ho baalamaa

    From https://www.hindigeetmala.net/song/jis_gali_me_teraa_ghar_na_ho.htm


    5 min

About The Discover India Podcast by Professor Pankaj Jain: Bhārat Darśan

From the publisher's feed

Bhārat Darśan: The Discover India Podcast is about Indian Culture, Indian classical music, Sustainability, Hindu/Buddhist/Jain Studies, Film Studies, and Diaspora Studies. Episodes also include presentations at various conferences and webinars. Dr. Pankaj Jain is the Director of The India Centre and the Head of the Department of Humanities and Language at FLAME University.

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