THE DROPOUT cinematographer, Michelle Lawler, shares her unique opportunities and challenges while filming on location for the hit Hulu series about Elizabeth Holmes and Theranos.

Michelle and Go Creative Show host, Ben Consoli, discuss how character development affects cinematography, using 200 astera tubes to light an office, tips for creating eyelights, and so much more.

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What you will learn in this episode

• Cinematography appeal to THE DROPOUT (01:57)
• How reality can affect cinematography (06:00)
• The role of a pilot cinematographer (09:14)
• Using 200 astera tubes to light an office (11:43)
• How character development motivates cinematography (20:20)
• Why Cooke lenses are so good (26:30)
• Using Leica lenses to create a modern look (30:18)
• Shooting on stage vs. shooting on location (37:19)
• Using very intentional camera movement (40:30)
• Limited lighting options for office interiors (46:50)
• Using a pizza box bounce for eyelights (48:53)
• Cramming 5 weeks of prep for 4 episodes (54:19)
• And more!

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Show Links

• THE DROPOUT IMDb
• THE DROPOUT trailer
• THE DROPOUT on Hulu
• Leica Summilux-C Lenses

Follow Our Guest

• Michelle Lawler’s IMDb
• Michelle Lawler’s Instagram

Follow Ben Consoli

• BC Media Productions
• BenConsoli.com
• Twitter
• Instagram 

Follow Connor Crosby (producer)

• Ignition Visuals' website
• Ignition Visuals' Instagram

Follow Dave Siegel (sound mixer)

• Dave Siegel's website