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This episode we profile actor Bae Doona, focusing on career highlights with exclusive audio from an interview with the actor herself. Meanwhile film critic, producer and KoBiz English editor Pierce Conran tells us How he got into easternFlicks!
00:32 - Introduction
In this bumper edition episode, writer, curator and filmmaker Jasper Sharp joins James and Andrew to select some highlights from the BFI's Japan 2020 season. A celebration of over 100 years of Japanese Cinema, including titles from Third Window Film and Arrow Video. While in a very connected way, our very own Kaj van Zoelen tells us How he got into easternFlicks!
BFI's Japan 2020 is currently available on BFI Player and continues throughout the year.
This episode's timecodes
00:00:32 - Introduction
With the UK and many parts of the world under lockdown, or just coming out of it, this episode we take a look at South Korean films you can watch for free, or at least 'free-ish', following on from the phenomenal popularity of Parasite. Hangul Celluloid's Paul Quinn joins us to give recommendations from the Korean Film Archive's YouTube channel, while our very own Roxy scours the depths of Netflix, Amazon Prime and finds some gems, despite the bizarre search results!
This episode's timecodes
00:32 - Introduction
We continue with the second of our two-part celebration of Hong Kong comedy, as Andrew, James and Stephen bring the chat right up to date. Maja picks her favourite as well, while Podcast On Fire's Kenneth Brorsson tells us How he got into easternFlicks!
This episode's timecodes
00:32 - Introduction
We thought we could all do with a laugh right now, so in a two-part special we celebrate Hong Kong comedy! Stephen joins James and Andrew once again to pick out some of our favourites over the years, from Stephen Chow's mo lei tau, to the spooky and martial art comedies. Podcast On Fire's Kenneth Brorsson picks out one of his favourite scenes, while our own Lu Yin tells us How she got into easternFlicks!
This episode's timecodes
00:32 - Introduction
In another standalone special from Maja and Kaj, they report back on Amsterdam's CinemAsia Film Festival. No one knew it at the time, but it was one of the last festivals to go ahead for what might be a while. How things have changed in a month. They discuss Lee Sang-geun’s fun blockbuster Exit, Diao Yinan's The Wild Goose Lake, Arden Roz Condez's John Denver Trending and Lou Ye's latest Saturday Fiction.
00:32.250 - Introduction to CinemAsia Film Festival and Exit
This episode we move away from timely releases to focus on one of James' favourite film series of all time: the notorious Guinea Pig video series from Japan! We also pick out Park Hoon-jung's The Witch: Part 1. The Subversion and the second season of Kingdom for you to binge-watch, while Hangul Celluloid's Paul Quinn tells us How he got into easternFlicks.
00:11.500 - Introduction and the Guinea Pig films
Stephen joins us for an in-depth discussion about all things King Hu, while the Director of Culture Division at the Taipei Representative Office's Dr Chen Pin-Chuan puts his legacy in context and Niina tells us why you should watch Raining In The Mountain. Japan Times film critic Mark Schilling tells us How he got into easternFlicks. James reports back about Berlinale 2020, and Ant has a pick for us. What is it? Listen to find out!
In this jam-packed episode, Ant Gates joins Andrew and James to get all lovey-dovey about Takashi Miike's First Love, but as we look forward to the new rerelease of the One Missed Call trilogy, we wonder if this was the slushy feelings we were thinking of? Continuing the J-Horror theme, Niina Doherty gets very excited about Takashi Shimizu's Howling Village, while we reminisce about The Grudge and the good old days of Asian horror. Maja and Kaj report back on the International Film Festival Rotterdam, featured in full on the previous special report podcast. Meanwhile, Third Window Film's Adam Torel tells us How he got into easternFlicks...
In a special standalone episode, Maja Korbecka and Kaj van Zoelen chat through some highlights from the 2020 International Film Festival Rotterdam.
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