The Editor's Cut

Action, comedy, drama, romance, horror and thriller – Jinmo Yang's outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY to the thriller/comedy PARASITE. Whether working on or off set Mr. Yang is truly a master of his artform.

Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang for an in-depth conversation about the craft of Picture Editing.

Watch Jinmo's short film BANG.

As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them? The editors of some of the most binge-worthy shows reflect on how their work landed in this time and place, what the stories meant to audiences, and how that affected their process during a pandemic.

In today's episode we hear from Amy E Duddleston, ACE, Wandy Hallam Martin ACE, CCE, Laura Zempel and Stephen O'Connell.

This panel was moderated by the wonderful Christopher Donaldson, CCE.

Today's episode is part 2 of a 6 part series covering EditCon 2021 that took place virtually in February 2021.

Michelle Tesoro, ACE, is a master of drama, intrigue and suspense. From FRINGE to THE NEWSROOM, Michelle's work shows a range of storytelling techniques.

Paul Day, CCE, and Michelle Tesoro, ACE, discuss Michelle's work, including her most recent feat of editing an entire mini-series, THE QUEEN'S GAMBIT.

Today's episode is part 1 of a 6 part series covering EditCon 2021 that took place virtually in February 2021.

Working from home: has Covid-19 changed the collaboration dynamic forever, or are we just waiting to head back into the office? Stephen Philipson, CCE, and D. Gillian Truster, CCE, kick things off by sharing stories of rolling with the punches in 2020, and reflecting on how the job of editing may or may not change when the pandemic finally ends.

In today's episode Sarah Taylor chats with Brian James Taylor. Brian is a retired chartered accountant and also happens to be Sarah's Dad. Sarah and Brian talk about all things tax. He shares the same wisdom that helped Sarah succeed in her freelance career with all of you!

This episode is the master series that took place on October 18, 2020 with the editors from the Netflix mini-series UNORTHODOX - Gesa Jäger and Hansjörg Weißbrich.

Released in spring 2020, Unorthodox became one of the most popular titles on Netflix immediately after its premiere. With millions of views around the globe, this mini-series received rave reviews and eight Primetime Emmy Award nominations, culminating in a win for director Maria Schrader (Outstanding Directing for a Limited Series). This talk focused on the collaboration between the series' two editors, and their journey in making the project a success.

This master class was moderated by Sandy Pereira.

Today's episode is the masterclass that took place at the Calgary International Film Festival on September 26th, 2021 with the editors from Ghostbusters: Afterlife - Dana Glauberman, ACE and Nathan Orloff.

Dana E. Glauberman, ACE is an award-winning Film Editor known for her work on critically-acclaimed projects including JUNO, UP IN THE AIR, and THE MANDALORIAN. She has garnered recognition for her craft, receiving five ACE Eddie Award nominations, a BAFTA Award nomination, a Primetime Emmy Award nomination, and three "Editor of the Year'' accolades. GHOSTBUSTERS: AFTERLIFE will be Glauberman's seventh feature film partnership with director Jason Reitman. She is currently working on Disney+'s THE BOOK OF BOBA FETT.

Nathan Orloff is an editor who has worked in various positions in post production before cutting for Jason Reitman on TULLY. He's been to a galaxy far, far away… and where no one has gone before. With his latest feature, he's busted ghosts one frame at a time with GHOSTBUSTERS: AFTERLIFE. Nathan recently finished PLAN B, a critically-acclaimed comedy for Hulu that championed diverse stories and voices, both on and off the screen.

In today's episode Sarah Taylor chats with Gregory Pang. Gregory is a lawyer, registered trademark agent and notary public who has been practising since 2009 in the areas of business and intellectual property law.

In 2013 he started his company RedFrame Law. Before his law career, Gregory worked in film and television for 5 years in various roles, and now counts film and television production companies among his clientele. He also co-hosts the podcast Legal Cut Pro.

Gregory and Sarah talk about all things contracts/deal memos, stock licensing protocol and what to do if we don't get paid!

Today's episode is the online master series that took place on October 13th, 2020. In conversation with Terilyn Shropshire, ACE. She provides an in-depth look at her stellar career and her collaborations, which include a 20-year working relationship with director Gina Prince-Bythewood, as well as with notable directors Kasi Lemmon, Catherine Hardwicke, Vondie Curtis-Hall, and Ava DuVernay.

From feature films (THE OLD GAURD, MISS BALA, THE SECRER LIFE OF BEES, LOVE & BASKETBALL, EVE'S BAYOU) to network television (WHEN THEY SEE US, Marvel's CLOAK & DAGGER, SHOTS FIRED, and QUANTICO) Terilyn has had a hand in crafting some of the most revered stories on screen.

This talk was moderated by filmmaker V.T. Nayani.