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The Embassy Lark is a Radio Comedy series broadcast from 1966 to 1968 as a spin-off from The Navy Lark . It was written by Lawrie Wyman and starred Frank Thornton and Derek Francis. It was produced by Sir Alistair Scott-Johnston. Three series, of 13, 14 and 15 episodes, were made.
The show was set in the British Embassy in the fictional country of Tratvia and was concerned with the various (mis)adventures of the British Ambassador Sir Jeremy Crichton-Buller (Francis) and his First Secretary Henry Pettigrew (Thornton) as they tried to keep smooth relations between Tratvia, Whitehall and the other Embassies (China, the USSR and the U.S.). Plots included a sudden requirement to hold a multinational concert in Tratvia with a major hydro-electric contract going to the best entertainment, a boundary dispute over oil fields and numerous examples of the Tratvian authorities attempting to get as much money or services from the Embassy staff as possible. Although written as a broad farce and straight-ahead sitcom, there was thus an undercurrent of xenophobic satire also present. Tratvia was an absolute monarchy, ruled by the fat and greedy, but always very sly, King Hildebrand III. Although never specifically located, Tratvia seems likely to have been a loose parody of the Balkans.
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VISIT https://audioshows.e-junkie.com for more Downloads
The Embassy Lark is a Radio Comedy series broadcast from 1966 to 1968 as a spin-off from The Navy Lark . It was written by Lawrie Wyman and starred Frank Thornton and Derek Francis. It was produced by Sir Alistair Scott-Johnston. Three series, of 13, 14 and 15 episodes, were made.
The show was set in the British Embassy in the fictional country of Tratvia and was concerned with the various (mis)adventures of the British Ambassador Sir Jeremy Crichton-Buller (Francis) and his First Secretary Henry Pettigrew (Thornton) as they tried to keep smooth relations between Tratvia, Whitehall and the other Embassies (China, the USSR and the U.S.). Plots included a sudden requirement to hold a multinational concert in Tratvia with a major hydro-electric contract going to the best entertainment, a boundary dispute over oil fields and numerous examples of the Tratvian authorities attempting to get as much money or services from the Embassy staff as possible. Although written as a broad farce and straight-ahead sitcom, there was thus an undercurrent of xenophobic satire also present. Tratvia was an absolute monarchy, ruled by the fat and greedy, but always very sly, King Hildebrand III. Although never specifically located, Tratvia seems likely to have been a loose parody of the Balkans.
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