Seven years ago last Tuesday, The Emerald podcast was born. This episode reflects on the journey of the podcast so far and gives hints of what's to come, all through the prism of the number 7, which is — to say the least — a mythically important number. The myths often iterate in cycles and families of seven—seven swans, seven dwarves, seven ravens, and seven gates of the underworld. In many traditions, seven represents the completion of a cycle and the beginning of a new one. In Ayurveda, in order for something to be fully embodied, it must pass through seven dhatus, or tissue layers. In many traditions, initiates pass through a journey of seven stages. This recurring 'journey through seven' is not just arbitrary, it is a reflection of nature itself, which often repeats in cycles of seven. The ancients saw seven at play in the architecture of the cosmos, in the musical scales and the spectrum of light and in a world that they saw as expressing through seven cosmic layers. The vision of seven as a number of threshold, passage, and reconnection can be understood through the numerical and geometric attributes of seven itself, which displays strange characteristics not found in any other number. Featuring Nivedita Gunturi singing the seven-note scale progressions of Hindustani and Carnatic music, and excerpts of beloved stories of seven, this episode is a celebration of seven years of The Emerald, and a preparation for what's to come. 

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The dragon, or serpent, in myth and story, is the coiling, spiraling power of nature itself. And so, how cultures have treated the dragon depends a lot on how they view nature and how they view the world. Some have celebrated and honored the serpent power, some have sought to harness or direct it, others to contain or tame it, while some have labeled it as chaos and sought to subdue and slay it. The history of the Western world's relationship with dragons and serpents is fraught, and Western mythic tradition is rife with monstrous serpent beings that are vilified as 'evil'.  How does this primal undulant power come to be seen as 'evil'? As author Veronica Strang explains, it has to do with how human beings interact with forces we cannot control. With the rise of large scale societies, forces outside the civilizational order — floods, unpredictable weather, and movements of the water cycle — became labeled as 'chaos.' Whereas once 'chaos' signified primal oceanic generativity, chaos became seen as wanton disorder, and in Western tradition, a polarity forms between that which is stable and eternal and good that which is shifting and changing and undulant and evil. This dichotomy — this fundamental misunderstanding of the nature of stability and movement, of boundary and flow — informs the entire history of the Western world and is still playing itself out across the sociocultural, political, and spiritual spectrum today.  In traditional systems, this power is not dichotomized but is met with deep protocol, in which it is understood that the dragon-serpent power is not to be vilified, nor is it to be invoked without caution. For in relational polytheistic systems, there may be serpent powers that are helpful and those that aren't, and there may be powers that require deep preparation before they are met. So the dragon-serpent asks us — what does it mean to be in real relationship with that which is awesome, powerful, and potentially dangerous? How do we treat... the dragon? Featuring interviews with author Veronica Strang, Nyoongar Elder Noel Nannup, Shipibo professor Eli Sanchez Pakan Meni, and Mythosomatic practitioner Eve Bradford and featuring music from Victor Sakshin, Travis Puntarelli, Jeunae Elita, and Marya Stark, enjoy this spiraling journey that concludes our exploration of THE DRAGON. 

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Dragon lore is everywhere in global mythology — no matter what continent you live on, the land you inhabit holds dragon story, and quite possibly was shaped by dragons, or has sleeping dragons in it. Such dragons have captured human imagination across hundreds of cultures and thousands of years. But the dragon is much more than a category of fantastical beast.  In many traditions the world-dragon, or world-serpent, is creator, land-shaper,  present in the water cycle and in weather systems and in the vast temporal cycles of the cosmos itself. More deeply, the dragon is related to kinetic power — to all that moves in spirals. So the coils of the dragon draw us in to a deep discussion of the fundamental energetic power of a cosmos whose basic movements are serpentine —  coiling and releasing, gathering and dispersing, shedding and regenerating — one sinuous energy that is also multifaceted. This power is paradoxical — it creates and destroys, it births and it devours. Like the world itself, it is beautiful and it is terrifying. So this power is met in vastly different ways — with awe and reverence, and with fear and suspicion. How a culture views dragons says a lot about how they view... the world. For the dragon is the primal power of creation, and to explore dragon story is to explore how human beings have interacted with the world and its powers, its cycles and convolutions, across cultures and generations. Discussions on the world-dragon have deep relevance at a time when socio-historical power patterns are repeating, and forgotten monsters waking, and old power structures crumbling and new ones rising. At stake are questions of how we as human beings treat vast, monstrous, beautiful, paradoxical, primal powers. Featuring interviews with Nyoongar Elder Noel Nannup and Shipibo Professor Eli Sanchez Pakan Meni and original music from Victor Sakshin, Jeunae Elita, Travis Puntarelli, Charlotte Malin Collins and Marya Stark, this episode asks us to stare deep into the eyes of the flashing, feathered, scaled, fractal power at the heart of creation itself. Enter.... THE DRAGON. 

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There is a weight to modern existence — perhaps you've felt it. In a world in which social and environmental crises only seem to be deepening and our familial, communal and spiritual support systems are steadily crumbling, individuals are buckling under the weight. This weight is not simply metaphorical. When the web of relationships that traditionally hold human culture together is fractured, then sociocultural, ecological, and even cosmic burdens are funneled to individuals to carry. We often try to tackle these burdens on our own — but they are far too big for one person to bear. Traditional cultures, by contrast, tend to be constructed around networks of support — not only in their sociocultural and spiritual systems, but in their understanding of a cosmological and ecological mandala of animate forces, gods and goddesses and spirit helpers that literally bear weight. So animate traditions invoke various weight bearers, from turtles to elephants to the great mother goddess herself — who is known as the 'support' of everything that is. Such figures invite us into a deeper vision of support that is not generated or borne by us alone and that requires that we rethink the human role in the web of life. In such relational visions, people are not gods. They have responsibilities to the web of life, but they are not responsible for bearing everything. The tendency of the modern individualist mind to put itself at the center of the cosmos and try to bear universal burdens on its own has roots that go back to the creation story that lives at the heart of western history, a story that imbues individual beings with the greatest burden of all — the burden of salvation. If we look closely this unconscious burden is still at play everywhere, across the social and political spectrum, in wellness narratives and psychotherapeutic narratives, and even in the stories we tell about how it's our imperative to 'save the world.' Perhaps it's time to unpack this deeply rooted burden and regrow it as something else. Featuring a beautiful telling of the story of Sky Woman by Mohawk Chief Beverly Cook, and original music from Beya, Balladir, Olivia the Bard, Hummbbugggg, Victor Sakshin and Marya Stark, This episode dives deep into the roots of the cosmic burdens that individuals in modern culture bear, and explores what it means to redistribute the burden as we find cosmic, ecological, and communal support.

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In times of rising frustration over the state of nations, times of personal, ecological, societal, and planetary impasse, when cycles of senseless suffering seemingly repeat themselves over and over, and all the global upheaval still isn't bringing about change... in times when stuck energies need to move and forces that have been restrained for generations long to break free, the myths offer visions of roarers, bellowers, trumpeters, and conch-blasters. These movers and shakers do more than release pent up energy. They awaken, they transform, and they announce the transition from one world to the next. So the howling storm gods of the Vedas "move the immovable" and the Goddess herself trembles the worlds with her cosmic roaring laughter and ushers in a new age. But the roar of the goddess is not just the roar of speaking truth to external powers — it is also an internal reckoning, a moment of reconciliation that takes place within us — a recognition of all those places in us that have gone dormant and need waking and all those old patterns that need to be shaken free. As bodies try to somatically process and metabolize the times we are living in, sometimes we need a good mother roar.... and we can learn much from traditions that harness the power of uttered sound to invoke help, to guard against intrusion, to dispel negative forces, and to carry us into states of deeper connectivity. Ready yourself for roars and bellows, trumpets of judgement, announcing angels, and a deep dive into the Norse Ragnarok myth with Rune Rasmussen of the Nordic animism channel. Because sometimes you gotta go full apocalyptic to meet the energy of the times. Featuring music from (and an interview with) Sakha songstress Snow Raven, songs, yelps, bellows, and shrieks from Marya Stark and Travis Puntarelli, appropriately doomy guitar from Sunny Reinhardt, and angelic calls from Jeunae Elita, this episode is designed to MOVE STUCK ENERGY, and then ultimately to channel it in creative and life-affirming ways. Listen loud and shake it free. 

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In times of rising frustration over the state of nations, times of personal, ecological, societal, and planetary impasse, when cycles of senseless suffering seemingly repeat themselves over and over, and all the global upheaval still isn't bringing about change... in times when stuck energies need to move and forces that have been restrained for generations long to break free, the myths offer visions of roarers, bellowers, trumpeters, and conch-blasters. These movers and shakers do more than release pent up energy. They awaken, they transform, and they announce the transition from one world to the next. So the howling storm gods of the Vedas "move the immovable" and the Goddess herself trembles the worlds with her cosmic roaring laughter and ushers in a new age. But the roar of the goddess is not just the roar of speaking truth to external powers — it is also an internal reckoning, a moment of reconciliation that takes place within us — a recognition of all those places in us that have gone dormant and need waking and all those old patterns that need to be shaken free. As bodies try to somatically process and metabolize the times we are living in, sometimes we need a good mother roar.... and we can learn much from traditions that harness the power of uttered sound to invoke help, to guard against intrusion, to dispel negative forces, and to carry us into states of deeper connectivity. Ready yourself for roars and bellows, trumpets of judgement, announcing angels, and a deep dive into the Norse Ragnarok myth with Rune Rasmussen of the Nordic animism channel. Because sometimes you gotta go full apocalyptic to meet the energy of the times. Featuring music from (and an interview with) Sakha songstress Snow Raven, songs, yelps, bellows, and shrieks from Marya Stark and Travis Puntarelli, appropriately doomy guitar from Sunny Reinhardt, and angelic calls from Jeunae Elita, this episode is designed to MOVE STUCK ENERGY, and then ultimately to channel it in creative and life-affirming ways. Listen loud and shake it free. 

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POWER is on the mind these days, as the world grapples with shifting global power dynamics, old powers crumbling, new ones rising, and archaic power paradigms resurfacing… Yes, issues of power run rampant and discussions on power are front and center. But like everything else in modern discourse, the discussion on power has been decontextualized. Power is seen as an abstract bodiless force that governs from above, or an arbitrary human construct that is either relentlessly pursued or seen as 'bad' and flattened entirely. Traditional animate systems hold a very different vision of power, in which power is a tangible presence, a living breathing force inherent to the structure of nature itself.  Within this vision there is the recognition of a greater power that operates in cycles and spirals of creation and destruction, and to which all temporal powers are beholden. When the existence of this power is acknowledged, then human beings can architect their ritual and social systems to be in alignment and harmony with it. In the absence of recognition of this power, human beings settle for the crudest, most obvious vision of power — the power to seize and force and control. These 'obvious' powers have come to dominate our vision of power. Yet the world is shaped by a multitude of powers, some silent and invisible. Every small power in the mandala of powers has its role to play in the overall web of power, and perhaps a complete vision of power means recognizing the power of the less obvious things, and cultivating those powers that slowly shift and repattern the more obvious powers. This means recognizing first and foremost that power is real and tangible, and that the structures and harmonic architecture of nature itself reveals much about what it means to construct systems that can honor it, call it, receive it, hold it, and pass it on. Featuring contributions from Nyoongar writer, storyteller and researcher Jack Mitchell, Hawaiian cultural practitioner Kanani Aton, and Living Sanskrit's Shivani Hawkins, with music by Althaea, Victor Sakshin, Marya Stark, and Travis Puntarelli. Let's take a deep dive into... the ***POWER***

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Tricksters and culture disruptors populate global mythology. From Loki to Coyote to Èṣù and Hermes, they bend rules, cross boundaries, commit deliberate and unintentional offenses and generally mess with established orders. Yet they are often seen as indispensable to these orders — they are renewers and cultural innovators and often pave the way for great change. So in many cultures, Tricksters, despite their shenanigans, are seen as sacred. In modern society, we have no such ritualization of cultural disruption. Trickster is relegated to the margins. So when Trickster comes along these days, he tends to upend everything. Sometimes, we welcome that change — it’s a wonderful thing when Trickster shows up and topples the gods that we want toppled. It’s a lot more disconcerting when it’s our gods being toppled. And ultimately… Trickster isn’t on our side. He’s the mythic embodiment of the other side.  From ritualized mockery in Ancient Greece to the Merry Pranksters to Ol’ Dirty Bastard to the Capitol riot, this episode explores how a society acts in relation to its own dirt…and how, when Trickster is not honored by keeping a society fed and renewed, he shows up in darker ways.  Warning: This episode contains explicit subject matter — because that’s how Trickster rolls.

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We live in times of individual, sociocultural and planetary crisis, exacerbated by rising divisions between people. How have humans historically navigated such times of crisis? Yes, we've organized, taken action, and responded as we've been called to respond. But we have also deepened our connection to the greater cosmos, through songs and poems and rituals of devotion, through crying out to a beloved universe whose workings remain a mystery but to whom we feel intimately and inextricably connected. In times when we are raw and situations are precarious, many poets tell us, the breath of life is closer than ever. So we have sung aloud to source, and honored the emotional intricacies of our relationship with a beloved world whose turnings can be maddening, painful and often beyond our control. Singing to the beloved in this way isn't about blissing out and bypassing, it's about finding a practice that honors the depth and emotional texture of our experience of a paradoxical world and that matches the intensity of the times we're living in. For the wounds of these times cannot simply be addressed through rational analysis and diagnosis, nor can they be addressed only with the short-burning flame of outrage. We need a deeper resourcing.  At a time of a profound pan-societal longing for meaning and sacredness, connecting to the cosmos as beloved and seeing the sacred in every phase of the beloved's waves has deep implications for how we resource and replenish ourselves, how we align our movements to the actual ebbs and flows of the natural world, and how we begin to heal the divided sociocultural space between us. Featuring a conversation with Dr. Omid Safi and music by Leah Song, Chloe Smith, Duncan Wickel, Jeunae Elita, Marya Stark, Sidibe, Serena Bixby, Forest Sun, Haley Young and others, this episode of The Emerald podcast encourages us to pause for a moment in the midst of all the great world-turning events and remember and connect to the living, breathing, source of it all. Just... for a moment.

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There’s a lot of cultural clutter these days around 'The Goddess.' She appears everywhere, her many names are invoked free of context in a hundred thousand ways. She’s what? An empowerment tool. An archetype. A self-help course. A political symbol. Something that is invoked to bring more creative energy or material abundance into our lives.  Something that, in an individualistic modern world, always seems to have a whole lot to do with us. Yet the goddess, traditionally, is much more than this. She is the animating power of the universe itself, felt in bodies, realized in states of deep conjunctive rapture, accessed through ritual protocols, alive in trees and stones and living geography, alive in song, alive in the myths and stories of her, alive in sound, alive in longing, alive in trance, alive in the states of consciousness realized by those who feel her. This devotional episode honors the goddess as the animating power of creation, drawing on her texts, her myths, her songs, and on personal experiences of journey to her sacred seats to evoke her as a living presence rather than as a conceptual abstraction. With songs and slokas from special guest Nivedita Gunturi. 

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