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This mix captures the moment when dub music stepped out of the smoky analog haze of the 1970s and into the sharper, more expansive sound of the 1980s. The heart of roots reggae still beats through every rhythm, but the tools had changed — studios were now running 16- and 24-track machines, early digital delays, and lush rack reverbs that gave engineers new dimensions to explore.
From Scientist – Morning Glory to Aswad – Dub Fire, the mix moves through the transition from Kingston’s deep, hand-mixed roots to London’s emerging studio culture, where producers like Dennis Bovell – Dubbers Dub, Singers and Players – Kunta Kinte, and Dub Syndicate – Pounding System reshaped the sound for a new generation.
You’ll hear the dub evolution unfold - the heavy analog basslines of Black Uhuru – Puffed Out and Sly & Robbie – The Dub Of Gold meet the experimental layers of New Age Steppers – Aggro Dub Version and African Head Charge – Breeding Space, where ambient textures and early digital effects redefine what “space” in music could mean.
By the time UB40 – One In Ten – Dub Version and Linton Kwesi Johnson – Victorious – Dub appear, dub had become global — a bridge between Jamaica’s roots and the UK’s post-punk, electronic, and experimental scenes. It’s a sound both grounded and futuristic: deep bass, heavy atmosphere, and echoes that seem to reach beyond time itself.
Scientist – Morning Glory
Aswad – Dub Fire
Black Uhuru – Puffed Out
Dub Syndicate – Pounding System
New Age Steppers – Aggro Dub Version
Dennis Bovell; The Dub Band – Dubbers Dub
Singers And Players – Kunta Kinte
Sly & Robbie – The Dub Of Gold
African Head Charge – Breeding Space
Aswad – Shining Dub
Linton Kwesi Johnson – Victorious – Dub
Creation Rebel – Creation Rebel
UB40 – One In Ten – Dub Version
Sheriff Lindo and The Hammer – Dub House of Horrors
By Dubmatix5
66 ratings
This mix captures the moment when dub music stepped out of the smoky analog haze of the 1970s and into the sharper, more expansive sound of the 1980s. The heart of roots reggae still beats through every rhythm, but the tools had changed — studios were now running 16- and 24-track machines, early digital delays, and lush rack reverbs that gave engineers new dimensions to explore.
From Scientist – Morning Glory to Aswad – Dub Fire, the mix moves through the transition from Kingston’s deep, hand-mixed roots to London’s emerging studio culture, where producers like Dennis Bovell – Dubbers Dub, Singers and Players – Kunta Kinte, and Dub Syndicate – Pounding System reshaped the sound for a new generation.
You’ll hear the dub evolution unfold - the heavy analog basslines of Black Uhuru – Puffed Out and Sly & Robbie – The Dub Of Gold meet the experimental layers of New Age Steppers – Aggro Dub Version and African Head Charge – Breeding Space, where ambient textures and early digital effects redefine what “space” in music could mean.
By the time UB40 – One In Ten – Dub Version and Linton Kwesi Johnson – Victorious – Dub appear, dub had become global — a bridge between Jamaica’s roots and the UK’s post-punk, electronic, and experimental scenes. It’s a sound both grounded and futuristic: deep bass, heavy atmosphere, and echoes that seem to reach beyond time itself.
Scientist – Morning Glory
Aswad – Dub Fire
Black Uhuru – Puffed Out
Dub Syndicate – Pounding System
New Age Steppers – Aggro Dub Version
Dennis Bovell; The Dub Band – Dubbers Dub
Singers And Players – Kunta Kinte
Sly & Robbie – The Dub Of Gold
African Head Charge – Breeding Space
Aswad – Shining Dub
Linton Kwesi Johnson – Victorious – Dub
Creation Rebel – Creation Rebel
UB40 – One In Ten – Dub Version
Sheriff Lindo and The Hammer – Dub House of Horrors

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