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Part 2 of Rebecca's conversation with ethnomusicologist Chris Washburne, author of Sounding Salsa: Performing Latin Music in New York City, and professor at Columbia University. This episode discusses salsa's evolution away from the Cuban son, the ways it became a symbol of pan-Latin identity, and the different ways Celia Cruz and La India navigated the genre's heteronormative gender politics.
Songs played:
La Murga, Willie Colon and Hector Lavoe
La Negra Tiene Tumbao, Celia Cruz
Ese Hombre, La India
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Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
By Rebecca Bodenheimer5
3131 ratings
Part 2 of Rebecca's conversation with ethnomusicologist Chris Washburne, author of Sounding Salsa: Performing Latin Music in New York City, and professor at Columbia University. This episode discusses salsa's evolution away from the Cuban son, the ways it became a symbol of pan-Latin identity, and the different ways Celia Cruz and La India navigated the genre's heteronormative gender politics.
Songs played:
La Murga, Willie Colon and Hector Lavoe
La Negra Tiene Tumbao, Celia Cruz
Ese Hombre, La India
Send us Fan Mail
Support the show
You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!
If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts
Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

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