The FADER’s Brandon Callender talks to Detroit rapper Babyface Ray about his city’s influence spreading across the country, taking the long road to success, and how he views his artistic evolution.

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With her fifth album, ‘And In The Darkness, Hearts Aglow,’ arriving Friday, Weyes Blood joins The FADER’s Raphael Helfand for a discussion of invasive algorithms, astrology scams, and avoidant attachment styles.

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The FADER’s Jordan Darville talks to Coco & Clair Clair about their newfound commitment to songwriting, transcending TikTok, and the road from Atlanta house parties to sell-out crowds across the country.

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Westside Gunn talks working with RZA and Goo Goo Dolls, discusses unannounced forthcoming Griselda projects, and gives Armani Caesar her flowers in conversation with FADER contributor Son Raw.

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Fred tells The FADER’s Salvatore Maicki why he’s ready to pivot from documenting life via dance music, what he’s learned from working with Brian Eno and Four Tet, and where he’s headed next.

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Carly Rae Jepsen opens up to Alex Robert Ross about the awkwardness of Zoom songwriting sessions, fighting through loneliness while hundreds of miles from family, and writing a love letter to the songwriter who unknowingly convinced her to stick with music in the first place.

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The FADER’s Salvatore Maicki catches up with Swedish dance-pop diva Tove Lo for a wide-ranging conversation about going indie, sampling Hot Butter’s “Popcorn,” and the wild nights that shaped her new album, ‘Dirt Femme.’

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WILLOW is, as she told The FADER’s Gyasi Williams-Kirtley a few weeks weeks before the new record’s release, in her villain era. She also opens up about detachment, growing pains, her new recording process, and how sparks of neon energy helped her pushed through the black void of heartbreak.

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Slipknot’s seventh studio album, ‘The End, So Far,’ drops Friday. On the eve of the record’s release, frontman Corey Taylor gave David Renshaw his takes on true crime, political division, and ‘The Sopranos.’

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In honor of releasing his third album, ‘demon time,’ Mura Masa tells The FADER’s Salvatore Maicki about the demons that got him to where he is, the lessons PinkPantheress taught him about songcraft, and everything he’s still got up his sleeve.

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