The FADER’s editorial director Alex Robert Ross talks to Destroyer's Dan Bejar about about the villain in his songs, how his drive towards the gallows mirrors that of both Scott Walker and Tom Waits, and his frustrating inability to break out of his craft.

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The FADER’s Jordan Darville talks to Blanck Mass about how pandemic isolation informed his score for Tony Snow's Ted K, the necessary sensitivity for making a film about a real-life monster, and his favorite film composers.

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The FADER’s Brandon Callender catches up with Fly Anakin to talk about growing up in Richmond, learning from Max B and Ghostface, and the leap forward that he’s taken on his new album Frank.

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Raphael Helfand talks to the inimitable Jenny Hval about her new album Classic Objects, the separation of art and self, and her new puppy Cleo.

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Alex Robert Ross talks to Tamara Lindeman, a.k.a. The Weather Station, about the pain of broken political promises and the daunting task of fitting global themes into the quiet, personal songs of her new album How Is It That I Should Look At The Stars.

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The FADER's Raphael Helfand sits down with Sasami Ashworth to talk about System of a Down, Japanese water spirits, and the making of her new album Squeeze.

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The FADER's Editorial Director Alex Robert Ross talks to Catherine Elicson and Randall Coon of Empath about slowing things down, chopping up horror samples on their new album Visitor, and touring as an indie band in 2022.

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The FADER’s Raphael Helfand sits down with Animal Collective’s Panda Bear and Deakin to discuss the group’s creative ebbs and flows, the Music Box Village in New Orleans, and how the Grateful Dead influenced their new album Time Skiffs.

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The FADER’s Salvatore Maicki catches up with glitchy dreampop artist yeule to discuss the evolution of their persona, collaborating with Japanese artist Tohji, and the synesthetic elements that informed the creation of their new album Glitch Princess.

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