Enneagram expert Suzanne Stabile joins us to explain the ins and outs of this ancient spiritual formation tool. We do a deep dive on what makes a Nine and how they relate with the world. Plus, the results of Bracketology 2018! 

In the wake of the 2016 election, the state of Evangelicalism is under debate. A new book wonders whether Evangelicalism is worth fighting for. Professor and contributor Karen Swallow Prior returns to the show to talk about why she's still Evangelical - and what the future of the movement could look like. Plus, a game you won't see coming.

It's that time of year again! Find out who made it to the StoryMen final game in our annual pop culture bracket. Then, YOU get to pick the winner!

America's prison system is deeply broken. Can the Church be a voice of hope and healing? Dominique Gilliard offers a powerful vision of restorative justice that seeks to heal the wrongs our prison industrial complex has inflicted on our culture. 

How does a Christian conduct business in a way that's biblically faithful? After all, Jesus never had a 401k. Moses didn't have a search committee. Professor Alec Hill joins us to explore how we find ethics in Scripture... and bring them into the modern business world.

Writing and publishing guru Jane Friedman joins us to talk about the business side of writing. Plus, what do you do when you hate your book cover?

Scholar and theologian Elaine Storkey joins the StoryMen to summarize her answer to the question, "Why are humans so violent towards women?" Based on a lifetime of research and exploration, Dr. Storkey has a powerful vision for how the Church can be an agent of healing.

Dancer Aesha Ash invites the StoryMen into the world of the Swan Dreams project. How is she using the beauty of dance to bring hope, smash stereotypes and inspire kids of all colors and backgrounds?

Star Wars artist John DiBiase joins us to talk about the art of a galaxy far, far away. Plus, a deep dive into Christian music and a surprise hijacking.

Film Critic Josh Larsen joins the StoryMen to explore how we read movies as persons of faith. What's the difference between having a conversation with a film and colonizing it? How do films express deep human longing?