The Feel Sessions by Robert Oleysyck

The Feel Sessions by Robert Oleysyck

By Robert OleysyckMusic
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The Feel Sessions by Robert Oleysyck episodes

  • Episode 84: The Feel Sessions 084: Seoul Searching (1996 Flashback Remastered)

    1996, The progressive house movement was exploding, evolving into something even bigger, inspiring dance floors and listeners around the world.  
    These were styles I fully embraced.

    That February, Utopia started on the Las Vegas Strip.  A month later, I became the full time main room resident DJ, starting an incredible 5 year journey through legendary music and a lifetime of unforgettable memories.

    Not long before, Joe Cancino, aka, DJ Grover, told me about a new record pool called Balance.  Soon after his endorsement, I was added to this select roster of only 40 hand picked DJs in North America.  

    We received exclusive promos and test pressings from underground dance and electronic labels throughout the UK, Europe, America, and Australia.
    Balance was everything…

    Hooj Choons, Perfecto, Bedrock, Baroque, Distinctive, Hope, Hook, Renaissance, Vapor, Glow, XVX, and countless other labels pushing boundaries and showcasing sonic artistry.

    At the same time, I was reporting a weekly chart to Billboard Magazine, one of only 100 DJs in North America, whose charts were compiled into the weekly Dance Club Songs chart.

    With those two prestigious positions, and memberships in a few other great record pools, vinyl records were delivered to my doorstep every single day - for years!  On top of that, I was buying and collecting music like mad - a faithful vinyl junkie.   

    This gave me incredible access to the freshest new music, before it even hit shelves, and the means to share it, not only with the Las Vegas scene, but around the globe with my mix tapes and radio shows, both online and terrestrial.

    Then came a mix tape that changed everything - Seoul Searching.
    A nod to the city of my birth, and a play on words that captured my inner journey as much as the sound.

    Although I had been producing mix tapes by the hundreds… 
    giving them away, and mailing them to record stores nationwide, 
    this one was pivotal, as it led to my very first out of state booking.  

    The promoter, Ryan Rushing, flew me out to headline a modest underground party at The Root in Boulder Colorado.  
    Along with my growing notoriety with Utopia, that gig grew my career by leaps and bounds, 
    and I began playing in Colorado several times a year, and soon, I was getting booked all over the US and Canada.

    As I remastered this mix, I was transported to a place and time where the music was fresh and exhilarating, beautiful and intense, epic yet pensive.

    Reflecting on my life’s journey through the lens of a DJ, it’s filled with amazing moments, and just as many challenges, losses, and lessons along the way.  
    Moments that can’t be conveyed in words or images… you just have to listen to these sonic vignettes… and feel them.  
    This was my form of expression, communicating joy, and sharing love.

    After all, music is one of the strongest uniting forces in the universe.  
    It transcends borders, cultures, and language…
    It dissolves boundaries, inspires connection, and has the power to heal.
    Music speaks directly to the soul.

    Opening with “Are You Out There” by Crescendo on Full Frequency Range Recordings, this is Seoul Searching.

    •••••
    So, as I say farewell to my record collection this weekend, I just wanted to thank everyone for all the years of love and support.  I hope you enjoyed this journey through space and time, and found some joy and inspiration… now pass it on.

    1 hr 36 min
  • Episode 83: The Feel Sessions 083: Live At The Spirit Utopia Celebration (240404)

    Think back to some of your most cherished and fondest memories. 
    Take a moment.

    Where were you?  Who was there?  What were the sights, sounds, and smells?

    We all have them… special memories that shaped who we were, and who we were to become, especially in our twenties, probably the most formative of years.  
    For so many, including myself, some of the most treasured memories are those of Utopia.

    In the spring of 1996, a unique conjunction took place… 
    An alignment of time, space, and people, that would create a movement that broke the mold.  
    A movement based on love, spirituality, and equality… grounded in music, and imbued with endless positivity that would eventually transcend space and time.

    Without question, these were the times of our lives…
    A spiritual awakening for many, and a coming of age.

    However, after an amazing four year run, it didn’t really have an ending… there was never a concrete conclusion or resolution, a final scene if you will.  It just faded away… dissolved… 
    and many of us simply drifted apart to follow our own paths.
    Sure, it evolved and transformed gradually over those years, transitioning from Utopia to Club Utopia, but regardless of how much of a contrast there was from the start to the finish, the spirit was always there, an essence that continues to live on as a flame of inspiration in all of us.  

    There’s so much to be said about this topic, but if you know, you know, and if you were there, you were a part of something truly magical that brought so many people together.

    A few weeks ago, another alignment took place that sparked a reunion with the founders and some of the central figures involved in Utopia, some of which hadn’t seen each other in over 20 years.  The catalyst for this was to celebrate Guylene’s 50th birthday, one of the original flower girls, and a core member of the family.  Gino and Yvonne, Vickie & Miguel, Mike, Matthew, David, Kimberley, Leslie, Michelle, Dana,Dario, Doug, and myself, as well as many of the extended family of club goers were in attendance, and yes, emotions ran high and there were tears of joy.

    It’s hard to find the words to fully describe all the love I felt from seeing you all again, with so many fond memories and positive emotions coursing through my being of all the beautiful souls that I’ve been blessed to have had such special times with… experiences old and new that I will always cherish as the best of times. 
    Tears roll as I feel so much joy as well as regret for not keeping you all in my life for so long, but I know that’s about to change. 
    It’s amazing to reflect upon the fact that something we were a part of so long ago eternally cements us together in a bond that transcends space and time. 
    I love you all so very much, and I’m endlessly grateful for such a wonderful week. 

    So, this is the set I played, featuring mostly classics and remixes from that era, especially breaks, cause we all know that Guylene loves breaks… but so do I.

    On deck, 
    BT, Azzido da Bass, Electroliners, Basement Jaxx, Three Drives on a Vinyl, DJ Jean, Brainbug, Plastikman, Dario G, Green Velvet, Uberzone, and Sarah McLachlan.  

    What you’ll hear in the beginning is the original recording from a video of Guylene portraying “Spirit Utopia” that played during one of those epic nights.  It’s a fascinating window that reveals what it was like back then, and what the creative visionary forces were all about.

    Thanks for tuning in, and I hope you all find some joy and inspiration.  

    2 hr 25 min
  • Episode 82: The Feel Sessions 082: Trona Encounter

    I was recently asked to play a small invite only desert party, and as you know, there’s nothing like the drive of necessity to spark inspiration, so I dove in, and prepared.  

    This is the set I played at that party, and it’s mostly breaks.  Yes, I said it, breaks!
    There’s a bunch of hot new remixes of 90’s classics, including 808 State, Massive Attack, Pete Lazonby, Chakra, and the Xpansions.  
     
    For me, one of the highlights of this mix is Warsaw, a track from Sultan + Sheperd's new album called “Something, Everything” and it’s a  killer return away from cheesy EDM, and back to tasteful electronic dance music, which is why I fell in love with them in the first place. 
    You’ll find that right at the 68 minute mark.

    Then I turn towards some recurrent progressive and tech.  It’s almost 3 hours long, so prepare yourselves!

    Up first, it’s a unique oldie from Orbital, Kein Trink Wasser.  I don’t know what that means, but the persistent piano line sure is fun.

    As always, thanks for tuning in, and I hope you find some joy and inspiration.  Take care.







    3 hr 5 min
  • The Feel Sessions 081: Voyager

    I recorded this mix earlier this year, and as some of you know, it premiered on DJ Sense’s YouTube Channel, Casa Del Soul / VidMixxTV as a full length video. It took me over 50 hours to shop, gather, organize, produce, and edit the video to this mix, so if you haven’t checked it out, you an find it on my YouTube channel, Robert Oleysyck Creations - https://www.youtube.com/watch?v=ez-vQ9oam04. I promise you won’t be disappointed. It’s a journey through space and time, so that’s why I call it “Voyager.”

    Part of the reason that I haven’t been keeping up with this podcast is because I’ve really been working on re-inventing myself, as I think many people are doing in these uncertain times. What’s my new re-incarnation gonna be, you might ask? 

    I’m currently in a re-branding phase, pivoting to a creative agency that handles photography, filming, video production and editing, audio engineering and voice over… an all-in creative solution so to speak. So I’ve been gearing up, training and practicing, especially with video. I’ve already started some personal passion projects in this regard, so stay tuned to my social media for new content, including brand videos, travel videos, and especially, time lapses.

    Instagram is where I’m most active, so if you’d like to keep up with my creative effrots, follow me at https://www.instagram.com/robertoleysyckcreations

    Remember, The Feel Sessions is available wherever you get your podcasts, so please subscribe, tell your friends and share the vibes. 
    If you enjoy the show, please consider rating or leaving a review on Apple Podcasts, iTunes, or your podcast app, as it really helps!
    Thanks. https://tinyurl.com/ybn7778x

    And, I’d love to hear from you! If you have any suggestions for topics you’d like me to discuss, favorite tracks, or just to say hi, get in touch at [email protected]. 

    As always, I hope you find some joy and inspiration, and especially now, a sonic escape.
    Enjoy.

    Tiempo de Maldad - Danser Sans Fumer (Inclan Remix), 
    Andreas Balicki - Circles (Sascha Cawa Remix), 
    Rufus Du Sol - Underwater (Adam Port Remix), 
    The Checkup & Deeleegenz - My Kingdom (Original Mix), 
    Menshen - Mynta (Original Mix), 
    Gavin Froome f. Golden Ears - Don’t Come Home (The Revenge Mix), 
    Bedouin - Wastelands (Original Mix), 
    Navar - You Find (Extended Mix), 
    Navar - You Find (Dmitry Molosh Remix), 
    Yotto - Chemicals (Original Mix), 
    Baile - Amae (Sasha Fabric2099 Mix), 
    Maceo Plex f. Paradigm Shift - Mutant Pulse, 
    Remake - Blade Runner (Maceo Plex Renaissance Remix), 
    Township Rebellion - Monocloque (Original Mix), 
    Henry Saiz & Cora Novoa - Golden Dawn (Brynjolfur Dream Mix), 
    Tilt f. Paul van Dyk - Rendezvous (Orkidea Remix), 
    Libra presents Taylor - Anomaly: Calling Your Name (Ferry Corsten Remix)


    1 hr 57 min
  • The Feel Sessions 080: Flashback: Carbon 002 (2002)

    In the previous episode, I talked about how progressive house had turned to a darker, somewhat ominous sound in the early 2000’s. Throughout my DJ career, I’ve seen the ebbs and flows of underground music shift through various phases of vibrations, often reacting with an opposite pull to what’s happening in the more mainstream music environments of the time. 

    For this partciular period from around 2001 through 2006… let’s call it the “Delta Heavy” phase, named after Sasha & Digweed’s Delta Heavy Tour. Characterized by moody vibes, dark textures, atonal sounds, trippy effects, narrative style vocals, tribal tones, and driving, heavily percussive rhythms, I honestly loved this period of underground progressive house. You can hear many of these influences in today’s Techno, Progressive House, and Tech House productions.

    This mix was meant to compliment and contrast the more mainstream appraoch of Carbon 001, which, if you refer back to Episode 79, was intended to be a crossover mix in an attempt to bridge the gap between the mainstream and the underground.

    One of the tracks that never left my crate during this era, was Pablo Gargano’s “Gangsta” on EVE recordings UK, because it used an infamous sample from the movie, “Goodfellas.”

    The Feel Sessions is available wherever you get your podcasts, so please subscribe, tell your friends and share the vibes. 
    If you enjoy the show, please consider rating or leaving a review on Apple Podcasts, iTunes, or your podcast app, as it really helps!
    Thanks. https://tinyurl.com/ybn7778x

    And, I’d love to hear from you! If you have any suggestions for topics you’d like me to discuss, favorite tracks, or just to say hi, get in touch at [email protected]. 

    So, remastered, and slowed down a few notches, here’s Carbon 002. 

    As always, I hope you find some joy and inspiration, and especially now, a sonic escape.

    Enjoy.

    Rigby & Oliver - Human, 
    Piece Process - Adrenalin, 
    John Debo - Rising, 
    Mike G - Bellslut, 
    Fatal - Turn of Time, 
    Lexicon Avenue - Why R U Here, 
    Pablo Gargano - Gangsta, 
    Solar Stone - Seven Cities, 
    DKMA - The Rocket, 
    Red Moon - Lucky, 
    Paper Nation - Watersnake, 
    Samaya Painters - Wasteland

    1 hr 23 min
  • The Feel Sessions 079: Flashback: Carbon 001 Crossover (2002)

    The year was 2002, and by this time, the HipHop takeover was in full swing. The hey days of the rave scene and the global house music movement had seemed to peak, at least in terms of its’ mainstream appeal. But, there were still many of us trying to keep it viable in a crossover nightclub environment. 

    Back then, the glory days of Utopia were gone, with venues like The Drink, and the brand new Rain at the Palms taking over. The struggling C2K nightclub in the Venetian was primed for a takeover, and that’s exactly what we set out to do. My Aussie friend Adam Ward and I laid out plans to transform the space into a haven for those of us still craving to have house music properly represented in a large Vegas venue, and we named the night “Carbon.” Yeah, we were trying to get fancy and philosophical, because Carbon is the common element found in all known life forms, so we thought it would be a good name that had layers of meaning behind it.

    By this time, progressive house was beginning to take a darker and more minimal stance, and you could say that this movement was ultimately represented by Sasha & Digweed’s “Delta Heavy” tour, which, for those of you who were around back then, had a stop in Vegas, at the very same venue… C2K.

    Personally, I loved this sound, but as underground dance music often does, it had evolved into a backlash against what was happening in the mainstream music environment at the time, and proved to be too much of a stretch, and unpalatable for the casual underground dance music fan.

    So, we tried to come up with a blend of mainstreamy and underground dance music that would appeal to a wide audience, playing crossover house music, discohouse, and remixes, while going deeper into progressive as the night went on. We even incorporated live performance acts, like a guy doing Tai-Chi on stage! But, alas, timing is everything. The landscape and conditions just weren’t right. The musical zeitgeist had moved on, at least in terms of hosting a dance music only night in a large space.

    The Feel Sessions is available wherever you get your podcasts, so please subscribe, tell your friends and share the vibes. 
    If you enjoy the show, please consider rating or leaving a review on Apple Podcasts, iTunes, or your podcast app, as it really helps!
    Thanks. https://tinyurl.com/ybn7778x

    And, I’d love to hear from you! If you have any suggestions for topics you’d like me to discuss, new favorite tracks, or just to say hi, get in touch at [email protected]. 

    So, here we go with my flashback mix, Carbon Crossover 001, recorded from vinyl on May 15th, 2002, featuring Full Intention, Modjo, Deep Swing, remixes of No Dobut and Garbage, plus an awesome Lighthouse cover from the 80’s that I had forgotten about, “Hey Little Girl”
    Up first, it’s AB Boulevard’s “Point of View” followed by Moony’s “Dove”, right here, on the feel sessions.

    As always, I hope you find some joy and inspiration, and especially now, a sonic escape.

    Enjoy.

    AB Boulevard - Point of View
    Moony - Dove
    Full Intention - I’ll Be Waiting
    Solaris - Sunshine
    Usher - You Don’t Have To Call
    Modjo - Lady
    C-Mos - Calling All Cars
    Gerardo - Americana
    Deep Swing - In The Music
    Greenhouse - Caravan
    Mathias Ware - Hey Little Girl
    No Doubt - Hella Good
    Garbage - Cherry Lips


    1 hr 23 min
  • The Feel Sessions 078: Live at Fetish & Fantasy Halloween Ball

    In this episode, I talk about what I've been up to this past summer, including my experience as the Music Director for Spiegelworld's Atomic Saloon Show, photography in Scotland, and my video production pursuits.

    Tonight's mix is from my recent show at the Fetish and Fantasy Halloween Ball, in The Joint at the Hard Rock Hotel, Las Vegas.

    My goal for this set was to enhance the Halloween vibe, and create a haunting, moody and driving soundstage, a perfect setup for some menacing Tech House, Techno, and Progressive, on a big, proper sound system, with some recent bangers, and dashes of classic remakes, including Underworld, the Blade Runner theme, Nightmare from Brainbug, and a couple of unforgettable sample layers.

    So, I’d love to hear from you! If you have any suggestions for topics you’d like me to discuss, new favorite tracks, or just to say hi, get in touch at [email protected]. 

    The Feel Sessions is available wherever you get your podcasts, so please subscribe, tell your friends and share the vibes. If you enjoy the show, please consider rating or leaving a review on Apple Podcasts, iTunes, or your podcast app, as it really helps!
    Thanks. https://tinyurl.com/ybn7778x

    On deck, I’ve got Hot Since 82 f. Jem Cooke, the classic Timo Maas Remix of “Dooms Night” by Azzido Da Bass, some D-Nox & Beckers, Tube & Berger, Olivier Giacomotto, and Noir.

    Up first, it’s the killer “Dinamo” track by Birdee.

    As always, I hope you find some joy and inspiration.

    Birdee - Dinamo (Robert Oleysyck IntroEdit Remaster), 
    Azzido Da Bass - Dooms Night (Timo Maas Remix), 
    Trancesetters - Roaches (Peace Division Remix) (Sample Layer), 
    Giom - Love/Hate (Lonely Boy Black & White Mix), 
    Hot Since 82 f. Jem Cooke - Buggin’, 
    Justin Massei - Nothing Can Hide (Dave Seaman Remix), 
    Township Rebellion - Monocloque, 
    Pete Lazonby - Sacred Cycles (Adam Beyers/Bart Skills/Layton Giordani Renaissance Remix), 
    Underground Sound of Lisbon - So Get Up (Acapella), 
    Remake - Blade Runner (Maceo Plex Renaissance Remix), 
    Underworld - Born Slippy (Andrew Meller Reincarnation Remix), 
    Cassim - Dances with Wolves (Chus & Ceballos Remix), 
    Olivier Giacomotto & Noir - Reste (Raxon Remix), 
    Brainbug - Nightmare (Pleasurekraft Remix), 
    Tube & Berger - International Corporate Motherfuckers (Original Mix), 
    Xiaha Troden - Mira Negra (D-Nox & Beckers Remix), 
    Disclosure f. Aluna George - White Noise (Sample Layer), 
    Adrian Hour - Love Something, 
    Golden Girls - Kinetic (Prok & Fitch Golden Shower Remix)

    1 hr 29 min
  • The Feel Sessions 077: Chris Sterio Interview & Guest Mix

    I’ve got something a bit different today, a live interview and guest DJ mix with my friend and fellow house music soldier, Chris Sterio, a DJ, Producer, and Record Label owner from the Isle of Man in the UK.

    Chris is the one man wrecking crew behind the label Soundscapes Digital, who released my latest EP, Le Buone Vibrazione, which is out now on iTunes, Beatport, Traxsource, and Spotify.

    https://www.beatport.com/release/le-buone-vibrazioni/2533419

    So, Chris was here in Las Vegas during one of his recent tour stops, and I had a chance to sit down and chat with him during this live interview, and stick around for his special guest set. Enjoy.

    Robert Oleysyck - Indigo, 
    Evotone - Lapis Lazuli, 
    Evotone - Unsta, 
    Evotone - Butterflies, 
    Downgrooves & Chris Sterio - One World (Ostinato remix), 
    Sean McClellan & Chris Sterio - Alternate Avenues (Harmon Ikka remix), 
    GuyRo - Camping in Kashmir (Matter remix), 
    TasZ - Where's That Cue Ball Going, 
    TasZ - Still Here, 
    Slighter & Chris Sterio - An End To The Beginning (Visitor Seven remix)

    All tracks on Soundscapes Digital
    https://www.beatport.com/label/soundscapes-digital/35282

    2 hr 5 min
  • The Feel Sessions: Episode 076: Flashback: The Funky Ezekiel (1995)
    Let’s set the stage… The year was 1995 and I was the resident DJ at the Palladium, probably the biggest nightclub Las Vegas has ever seen, and I was also playing part time at the legendary Shark Club. I had an Apple Macintosh Performa 630, Bill Clinton was in office, I had my very first cell phone, a Motorla m300 flip complete with an extending antenna and a bulky battery, and eBay was first launched.

    At the time, I had a Sclat 8 DJ mixer by Spanish manufactuer Ecler, an exquisite full size 19” rack mounted mixer that featured a modular console build, 110 mm faders and a whopping 16 inputs. I still have this mixer in storage by the way! Plus a Pioneer AV Receiver hooked up to some janky JBL home theater speakers where I had replaced the tweeters with horns, and three dual cassette decks so I could record and dub copies. I think they were made by Pioneer or JVC. Remember, this was about 5 years before I would start using Pro Tools. All this was assembled in my bedroom on a set of garage style shelving units that I got at Home Depot.

    Breakbeat was a dominant part of the underground electronic music landscape, and since Pulp Fiction was a huge part of the pop culture zeitgeist, it was only natural that I used Samuel L. Jackson’s infamous Ezekiel 25:17 speech from the soundtrack as an intro… hence the name of the mix, The Funky Ezekiel.

    Recorded on the highest bias metal cassette tape I could buy at the time at Tower Records, I had to do multiple takes to get the intro to line up with the big snare on the first track just the way I wanted it. And, since this was before I was using any kind of digital audio editor, if I fucked up, or if the mix wasn’t up to my perfectionist nature, I had to start all over, which I often did.

    At the time, I was living in a vintage house near the Stratosphere, and one of my roommates was Greg Ryan, the founder of Scope, an alternative monthly magazine newspaper that would later evolve into The Las Vegas Weekly. He’s the one who turned me on to Adobe Illustrator. I would buy blank, white, high bias cassette tapes, cassette cases, and Avery cassette labels, all in bulk. I then created the artwork for my mixtapes, printing out the cassette stickers and J-cards. By the way, special thanks to Greg for giving me my start in Graphic Design. I would crank these tapes out by the hundreds, giving them out to everyone, and eventually mailing them out, which in turn led to my first out of town DJ booking in Denver. More on that on another episode when I feature Seoul Searching, a mix from 1996.

    Featuring a bevy of tracks that defined the early to mid 90’s West Coast Breaks scene from artists like The Bass Bin Twins, Jedi Knights, Hard Hop Heathen (aka Omar Santana), Josh Wink (only known as Wink at the time,) and The Chemical Brothers! Hell, The Chemical Brothers weren’t even The Chemical Brothers back then. They were first known as The Dust Brothers. Naming themselves after the production duo famous for their work with The Beastie Boys, once they started to get international recognition, Tom Rowlands and Ed Simons were forced to change their name after objections were filed by The Dust Brothers themselves.

    A Big part of the West Coast Breaks scene and underground house music in general at the time, was Acid, that unique, squelchy, alien sound produced by the infamous Roland TB-303. And without going into a dissertation about Roland, this Japanese manufactuer’s 808 and 909 drum machines are staples of many music genres today, including Dance and Hip Hop.

    Music was produced and mixed quite differently back then, and there are limitations to how much bass and bottom end a vinyl pressing will handle. Engineers, even to this day, have to master for vinyl differently than digital, as too much bass can literally skip the needle out of the groove! But, since we’re in the digital domain here, I remastered the mix, giving it a lot more bottom end, and a touch of sheen on the tops, using the UAD Neve 1073 EQ, the Virtual Tape Machine by Slate Digital, and the Waves L3 Ultramaximizer.

    One of the descriptive terms I touched on earlier is breaks, which is short for breakbeat. So, what is a breakbeat? Well, most house music is written in a 4/4 time signature, in fact, the vast majority of music that we’re familiar with in the Western world is 4/4. But specifically to house music, there’s a variant that’s sometimes known as four to the floor, which means that there’s a kick drum on every beat of the measure… four kicks, in four beats which is a measure.

    Breakbeats on the other hand, in it’s simplest form, only have 2 kicks in a measure, on the downbeats, 1 and 3, alternating with the snare on the 2 and 4 counts. Now, there are tons of variations and syncopations, but that’s the basic framework.

    Now, house music is typified by a 4/4 beat, it’s one of the defining characteristics of the genre… that relentless thump that pushes the energy forward. And like I talked about in episode 74, it’s also the foundation of Disco, which is really where the four on the floor beat was first popularized, and then somewhat carried through in 80’s New Wave, reflecting the movement towards electronic beats. Not that it wasn’t used before at all, but if you listen back to the history of recorded music, it’s all about breakbeats… everything from Jazz, Big Band, Country, Soul, Motown, Funk, Classic Rock, Pop, Hip Hop, Grunge, Metal, and Top 40. And genres like freestyle, triphop, and drum & bass are defined by breakbeats.

    But, since electronic music draws on so many genres and structures, why not incorporate breaks into the house music landscape? Breaks are funky! They just make you wanna sway your hips and shake yer ass, right?!

    Samuel Jackson - Ezekiel 25:17 (Pulp Fiction Soundtrack),
    Tales From The Woodshed Vol 2 - Brainclag [Cloak & Dagger UK],
    XCalibur - Higher [Orbit Transmissions US],
    Dust Brothers - DustUp Beats [Junior Boy’s Own UK],
    Rebirth - Go Off [Bassex US],
    Bass Bin Twins - Untitled Track 2 [BassBin Records],
    Hard Hop Heathen - Ohterior Motive [Tricked Out US],
    Anoesis - Trouble Down Groove [DFusion US],
    Hard Hop Heathen - Free Bass [Tricked Out US],
    Pizzaman - Sex On The Streets [Pulse8 US],
    Bass Bin Twins - Untitled Track 1 [BassBin Records],
    Bitin’ Back - She’s Breaking Up [Fokus US],
    Earth Trance Interlude - Lunatrick [Silent US],
    Wink - Higher State of Consciousness [Strictly Rhythm US],
    Jedi Knights - Intergalactic Funk Transmission [Clear UK],
    Stella Getz - Dr. Love [Mega UK],
    Mindwarp - Too [Stress UK]

    As always, I hope you find some joy and inspiration.
    1 hr 38 min
  • The Feel Sessions: Epsiode 075: Celebrating 100,000 Downloads
    It's a hallmark occasion, and although I’ve been doing this show for much longer, The Feel Sessions as a podcast officially turned 8 years old recently. Filled with over 130 hours of content and well over 3 times that in logged production hours, I’m extremely proud to announce that this very show now has over 100 thousand downloads! Damn people!!

    To all of my loyal listeners, fans, followers and subscribers, I give you a warm, heartfelt, and sincere thank you. I appreciate each and every one of you for your support, kind words, and spending some of your valuable time with me on my musical and personal journey, and although I can’t see you, I can feel your smiling faces and love coming back to me through the wires. People like Reann, Tanya, Terry, Sarah, Adam, Chad, Danny, Vanessa, Jen, Ira, Jeff, and so many more wonderful boys and girls out there … I wish I could give a shout out to each and every one of you, and give you a big fat hug too.

    I hope I’ve given you a sonic escape, a bit of insight, and maybe a few laughs… but most of all, joy and inspiration. Humbly, I’m grateful to be in all of your orbits. Right on!

    So, there’s a huge misconception out there that Djing is easy. They might say things like, “you’re just pressing buttons,” or “oh, you get to play music for a living, how fun!” And while these statements are partially true, I’m here to tell you that when done properly, it’s NOT easy. There’s a lot of hard work, time and dedication that goes on in the background, in preparation for what we do as DJs that’s hidden under the surface and behind the scenes.

    One of the biggest jobs for a DJ is taking on the role of a librarian - a curator. Obtaining, downloading, buying, sifting, collecting, classifying, organizing, tagging and integrating new music is a massive undertaking! And keeping track of so much music to be able to recall it at a moment’s notice is the ultimate goal.

    Now, I definitely take things to another level, A) because of my background music service company, Auratunes, where I provide custom playlists for businesses like restaurants, bars, and retail stores, and B) because I’m just a nerdy freak that loves to get super granular on details. But believe me, all that work and preparation pays off.

    Sometimes, I get tracks that may not work in the context and flow of one of my DJ sets right now. But I’ll classify and tag them with descriptive terms that will help me find them in the future, especially because it’s hard to recall each and every track by artist and title alone.

    Tagging the comments field with adjectives and adverbs that I can search for in the meta data, like melodic, chunky, funky, moody, thick, light, tight, breaks, lazy, aggressive, sexy, proggy, uplifting, deep… you get the idea, or even including what instruments or sounds that are used in a track, like saxophone, rhodes, arpy, 303, 808, 16th hats, full vocals, etc., lays the groundwork and foundation for future DJ sets when the mood strikes or circumstances arise.

    Here’s a tip for all you DJ’s out there. Try to come up with descriptions that are unique, so that those tags are easier to find when doing a search. These can be contractions, acronyms, or even made up words that don’t normally occur.

    For example, let’s say I’m searching my library for progressive house. Well, the words progressive and house will probably show up in other fields that you may not be interested in seeing, like the album or title. But, if you shorten it and eliminate the space between the words into proghouse, it will narrow your search to exactly what you’re looking for. We all think differently, so it’s all about organization and coming up with a system that makes sense for you.

    Today’s mix is a perfect example of all of this behind the scenes work. While some of these tracks are brand spanking new, half of them are a few if not several years old… I might not have discovered them until recently, or I might have been storing them in my physical and mental library, ready to put ‘em on deck when it suited the vibe, sound, and programming placement I’m feeling at the time. So, I’ve assembled a a little journey starting off with breaks and then progressing into nudisco and house tracks that lend themselves to a chunky breakbeat type of vibe… with some old and some new, featuring samples of Blondie, The Notorious B.I.G., Janet Jackson, and even Herb Alpert. And then, as an added bonus (I was in the moment and feeling the mix), I top it all off with some of my all time favorite progressive jams from what I think is one of the glorious periods of Progressive House, the mid to late 2000s, with Satoshi Tommie, Arno Cost, Dinka, and Sebastien Leger.

    If you’re interested in my voice over services for commercials, narration, business or documentaries, please visit www.robertvox.com

    Coming up, a tasty dreamy gem by Be Svendsen called Andromeda, which I just can’t get enough of at the moment, and a laid back, funky remix of a classic by Sound 5 called The Hacienda Must Be ReBuilt. Later in the show, we’ll hear from Discotron, Dr. Packer, Jay-J, Miguel Migs, Lisa Shaw, Birdee, and one of my top ten favorite producers of all time, Spirit Catcher.

    Right now, it’s a fresh, updated version of an epic 1999 monster, Greece 2000 by Three Drives On A Vinyl. All you Utopia heads will definitely remember this one. Remixed by Sebastian Davidson & Melosense, it morphs this trance classic into a cool, modern chill-out track that sounds great at a wide variety of tempos, and it’s definitely one of the best remixes of this track, ever.

    So, I hope you enjoy the show, and as always, I hope you all find some joy and inspiration.

    Three Drives On A Vinyl - Greece 2000 (Sebastian Davidson & Melosense Extended Remix),
    Be Svendsen - Andromeda,
    Sound 5 - The Hacienda Must Be ReBuilt (Cosmic Me Remix),
    Jay C - Fab Freddy Said (Peter Horrevorts Remix),
    Discotron - Slicker Than You Average,
    Spirit Catcher f. Mr Renard - Final Call,
    Jean Bacarreza, Base On - Back 2 Basicz,
    Paul Harris - Glow of Love (Giom Remix),
    Jay-J & Sean Bass - Be Good (Jay-J's Shifted up Mix),
    Monte - You Should Know,
    Lisa Shaw f. Miguel MIgs - Falling (Miguel Migs Salted Vocal),
    Miguel Migs - Down To It,
    Birdee f. Steee Downes - Your Power,
    NTEIBINT - I Do,
    Club 84 - Sophie (Michael Cassette Mix),
    Satoshi Tommie - Glow (Spirit Catcher Remix),
    Arno Cost - Cyan,
    Dinka - My Love Will Surround You,
    Arno Cost & Norman Doray - Apocalypse (Sebastien Leger Remix),
    1 hr 53 min

About The Feel Sessions by Robert Oleysyck

From the publisher's feed

A mix show by legendary Las Vegas DJ, Robert Oleysyck, featuring emotive music, outstanding programming, and dynamic mixing from a variety of progressive, house, and electronica music styles. …