Paying our respects to lyricist, truth-teller, and style icon Dory Previn (1925-2012). Previn was an accomplished songwriter for film and TV for years before pivoting to the spotlight as a cult-famous singer-songwriter in her 40s. We deep dive into her writing and the way she translates emotion and experience into song, detouring to talk mental health advocacy, Valley of the Dolls, Catholicism, and more. As a wise man (Sarah Bachman) once said, you will love Dory Previn if you've ever really snapped. Hop on into the Gorgon Revelator 240 Coupe with us, we're blasting "Twenty-Mile Zone"....

Detroit music writer and film buff Ana Gavrilovska joins us on our podcast time machine to revisit the 2013 Coen Brothers' anti-biopic Inside Llewyn Davis. We discuss the film's moody representation of the Greenwich Village folk scene and the flattened renderings of its women, the protagonist's "bleak circle of failure," and the hero's journey of the cat Ulysses—and consider where it ranks on our "golden dulcimer" scale of folk music films. 

Catch us ugly crying in the car to the late great Karen Dalton! We chat about who and how she was “in her own time”: a sublime, confident folk musician and interpreter who made everything she played—trad, pop, blues—sound like a Karen Dalton song. Also a renowned cooker of beans, apparent Michael Hurley adapter, and early feminist who liked hangin out with weird people (Cheech Marin among them). 

We also welcome our new “sponsor,” the shadowy yet inventive Peppermill Goose Farm and Chemical Manufacturing Plant. 

They’re Back and They’re PISSED: The Female Bob Dylan Season 2!

*New Bits & Rants*

*New Female Bob Dylans*

*New Corporate Sponsor*

Put on the kettle, grab that heirloom quilt and pull it up over your head cause it’s time for ROUND 2!  Episode 1 drops 9/29

We're back to review the new Dylan biopic A Complete Unknown (**SPOILER ALERT**). We discuss Hollywood-ifying the cultural and political tensions of Dylan going electric, who's represented, misrepresented (Toshi Seeger, Alan Lomax) & left out entirely (Jean Ritchie, Harry Smith), Timothée Chalamet's press tour, and our yearning for the Nosferatu of the folk revival.

In our last official episode of the season, we celebrate the brilliant, iconoclastic life of singer, guitarist, and activist, Odetta. We talk interpreters & inheritors, Black music & Black history, and Odetta's role as a connector between the folk revival & the civil rights movement. We also redeem theater kids and confess our brushes with Unitarianism.

Our Last Waltz Thanksgiving Special! While Sophie rests her voice, our friend Kana Zink steps in to help us rate the performances in Martin Scorsese's documentary of The Band's 1976 farewell show on a scale from "superior" to "madness or genius?" We also discuss Levon Helm's thousand yard stare, visit Garth Hudson's mulch factory, and consider the correlation (or causation?) between V-neck depth and ego.

We bring one of our favorite songwriters and theme song artist Lou Turner on the pod to discuss Joni’s road album Hejira and Lou’s not-on-the-road album Microcosmos (2022). We also talk Nashville’s weird music underbelly, try hard troubadours, and that Wolf Eyes side project “Crazy Labrador.”

Round two of our own personal Joni Jam. Hissing of Summer Lawns - Hejira - Don Juan’s Reckless Daughter corridor, confronting Joni’s blackface and redface, collaborations with Jaco Pastorius and Larry Klein, streaming-era gripes, and sitting through Brandi to hear Joni.

An on-the-ground recap of last night’s Joni Mitchell & The Joni Jam show at the Hollywood Bowl from someone who was really there, man.