Join us as we discuss Disney’s latest science fiction outing, the weakest link John David Washington, where was our emotional climax, world building v. challenging, the tech, commercials & PSAs in film, why is there a conflict, destiny & self-aware evolution, bizarre ending & boss fights, the heaven angle, lame reluctant father figures, and Alphie. We hope you enjoy.

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Join us as we discuss the worst high profile film to release in 2023, Snyderisms, boardroom pitch-esk, shooting only for the trailer, Disney dodged a bullet, the audacity to PLAN a director’s cut upon initial release, filmmakers following through, out of control cinematography & that weird fuzzy vignette, what is Zack’s top 50 favored films, Resident Evil energy, slow-mo on crack, can we get more from that robot, weird party setup, re-inventing storytelling, lousy characters & motives, predator v. prey, why should I care, what is the threat of our party, Kai’s allegiance, bad video game adaptations, the model conspiracy, the CW/Resi/Meg/DC web, tech & life, toy lightsaber fight scenes, and Zack Synder is just the coolest director. We hope you enjoy.

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Who knew Inception was a heist film, what is Cobb & Ariadne’s relationship, what is Ariadne’s purpose, would you rather a Jiminy Cricket or an audience surrogate, is this bad dialogue, how is less is more in the imagination, was Mal even real or was she the product of loneliness, how did Cillian steal the show, why are we thoughtlessly letting trauma slip in, was it all just a dream, what’s with these truly bizarre instances, did you know Christopher Nolan is not an action sequence director, where’s the sense of urgency, how about those cool visuals, can I show you my totems, what’s with that ending, what happens when a film is sterile, why is this film so obsessed with linearity, what do dads dream about, why is this film so loved, why would you watch a film multiple times. We hope you enjoy.

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Join us as we discuss a scenario which involves dreaming, where does this film take place, pseudo-structuralist films, how does this film make you feel, the symbolic importance of Nicholas Cage, is the zebra self-aware, the initiation of a meme, cancel culture & injustice, provocation, the gymnasium scene & cowardice, flavors of cynicism, demographics & the propagation of thought, corporatism, virality & sickness, and Cage’s makeup. We hope you enjoy.

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Join us as we discuss the completely accurate period piece about the man, the myth, the legend – Wolfgang Amadeus Mozart – along with the wear and tear of the 1980s, truly unbelievable sets & dress, making sense of the progressiveness & does it make cinematic sense, unreliable perspectives in film, the bulletproof setup for a borderline psychotic take on the late-story of Mozart, a story told through confession, interpretable finales, sensual scenes & holy relics, a sense of humor & tight writing, flattering a film, what a film asks of you, hidden modernity, and a surrealistic remake.

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Join us as we discuss Bradley Cooper's redemption, crafting characters, Lenny's perspective of Felicia’s perspective, objective v. subjective, exercising restraint, memoir pitstop storytelling, exclusionists v. expression, dressing to impress, humanizing & the intricacies of marriage, the heroes in life, summer songs, the crescendo intro & understanding the power of cinematography, finding an objective angle, filmmakers going above and beyond, ADR & lifting behind the curtain, the last act, and bookend parallels. We hope you enjoy.

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Join us as we discuss Bradley Cooper's directorial debut, what's wrong with this film, the candy man himself, Lady Gaga needs to pick a lane, being too ambitious, obsessive close-ups & overstating the muted emotion, where's the mess, lazy romance, uneven characters, losing focus when the route is clear, Bobby & Jack, meaningless suicide, the shallowest of performances and messaging, Ally's sort of self-centeredness, the deeper meaning, the other iterations, and some of the good. We hope you enjoy.

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Join us as we discuss Timothée Chalamet & psychoticism, wholesome films & not so wholesome agendas, Tom Holland, set design, what's with the magic, illiteracy, cartoon flavors & performances, Noodle & loneliness, stellar soundtrack, and the terrible inclusion of Oompa Loompas. We hope you enjoy.

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Join us as we discuss the Grinchie ends and outs

and what Christmas is all about.

Does anywho argue for the Grinch?

Is the there any stench?

The hills where we die

just in nigh,

for the Christmas spirit,

but what does that merit?

Reimagined, commentary,

understated, momentary,

Capitalism, animation,

jury duty, Illumination,

all drive a nation.

But what of that Grinch hygiene?

He isn't all that mean.

Albeit a fickleness,

I mean it, an introduction sickness.

Colored in drab, Howard.

Max's heart so outward.

The Grinch only desires connection,

not only through affection,

sometimes by clowning,

but always ends up bowing.

That's one thing about those!

All the noise, noise, noise,

noisey performances,

and a tinge conformances,

but what about that Seuss,

full of stories only to boost.

Merry Christmas Dr. Seuss,

We love you, you old obtuse.

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Join us as we discuss what is this movie, abrupt endings, the competing flavors of strangeness, self-imposed alienation, what is wrong with Julia Roberts, Mahershala Ali's character, the nonsensical tension between Ruth & Amanda, stating the obvious, satire through reflection, casting agents gone wild, the racist & the title, meta-messaging, the Obamas & Satan, overstated cinematography, disaster movie season, a measure of insanity, perspective, victims of modernity, scenes of spectaclism, the deer & the artifice of society, physical media & our reliance of digitality. We hope you enjoy.

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