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Join us as we discuss Todd Phillips’ defense of cinema, Joaquin Phoenix's performance & masqueraded details, unreliable characters, politically based v. baseless, society creates villains, the crippling DC tether, the bad actors’ perspective, consenting to express, the big break, plot twists, the visuals & score, the notebook, and call to action v. cry for help. Please enjoy.

Joker (2019)

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Join us as we discuss David Ayer’s plotless film, the neglected better angle, anti-heroes & villains, confusion & boredom, poor character setup, the Will Smith problem, the justification of the premise, the action & dancing, superhero homework, CGI & editing, the best Joker, and the ending. Please enjoy.

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Join us as we discuss Tim Burton’s exercise in performing without intent, milquetoast gentrification, boring films, time & place, chaotic focus, antiquated but charming, writing & humor, the Achilles Heel, the Juice man, production design & feeling cheap, co-existing & family, Charles & Lydia, the lack of character & meta nod at the lousy, forced texture & dynamics, the introduction, effects & stop-motion, the end, and the problem with the Maitlands. Please enjoy.

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Join us as we discuss Tim Burton’s family film, partaking in the fun, death bringing family together, abundant characters & meaningless threads, neglected narratives & priorities, static characters & Dolores, Jeremy & plot catalyst, stop-motion & style to make a point, soul train & production design, Bob, and dreams. Please enjoy.

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Join us as we discuss Mel Stuart’s confectionate adaptation, worship & corporatism, subdued performances, damaged by design, the lack of Charlie & point, a performance remembered film, Grandpa Joe, representation v. cartoon, the boat scene, the religious journey, the bubble scene, the soundtrack, make-up & dress, Wonka’s office, and the ending. Please enjoy.

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Join us as discuss Bong Joon-ho’s exercise in Darwinian Social Selection, Tilda Swinton, Bongisms, the messaging & plot, natural inequalities, the problem & solution, biblicals, destruction by design, the train & first class, Wilford & mother nature, the classroom scene, the torch, what doesn’t work, cinematography, props & sets, and the ending. Please enjoy.

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Join us as we discuss Christopher Nolan’s dissection of storytelling, the taboo of revealing too much, fine art v. commercial art, the two-part narrative structure, cinematography & blocking, symbolism & parallels, requested rewatch, the knot, an exposé of fraud, and production design. Please enjoy.

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