To wrap up Season 5, of the podcast Alex and Jonathan talk about another one of the hard-working directors of Hollywood's Golden Age, William Wyler. We're looking at four of his post-war films, The Best Years of Our Lives (1946), Roman Holiday (1953), Ben-Hur (1959), and The Collector (1965) and discussing how Wyler's war experience helped him craft intimate drama involving veterans, his iconic deep-focus visual style, and the extensive range of genres he was able to work in.

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Today Alex and Jonathan ask "How did Billy do it?" as we dive into the work and career of Golden Age director Billy Wilder through his films Sunset Boulevard (1950), Stalag 17 (1953), Sabrina (1954), and The Apartment (1960). We discuss the way Wilder turns a mirror back on Hollywood, the influence Ernst Lubitsch and early Hollywood had on his filmmaking, and his constant pushing of the envelope against the censors of the time.

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One of the masters of world cinema, Japanese director Masaki Kobayashi, is the focus of today's episode as Alex and Jonathan talk through his epic trilogy The Human Condition I: No Greater Love (1959), The Human Condition II: Road to Eternity (1959), and The Human Condition III: A Soldier's Prayer (1961), as well as his stylistic ghost story anthology Kwaidan (1964). We discuss the cultural implications of making The Human Condition, the trajectory of Kobayashi's career, and his use of tradition and style in Kwaidan.

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From skateboard videos to high-budget science-fiction drama, today Alex and Jonathan track the career of Spike Jonze through his feature films Being John Malkovich (1999), Adaptation. (2002), Where the Wild Things Are (2009), and Her (2013). We talk about the building of themes and structure in meta filmmaking, what makes interesting protagonists, and the variety of projects and opportunities that Jonze contributes to.

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The combined creative talents of Phil Lord and Christopher Miller is one of the biggest forces in the animation industry at the moment, so today Alex and Jonathan take a look at four films they have had a hand in bringing to the big screen: Cloudy with a Chance of Meatballs (2009), 21 Jump Street (2012), The Lego Movie (2014), and Spider-Man: Into the Spider-Verse (2018). We discuss how Lord and Miller use their knowledge of popular story tropes to create comedy, what makes comedy age well or not, and what's in store for the duo in the future.

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One of the greatest physical performers of recent filmmaking, Jackie Chan is the focus of today's discussion as Alex and Jonathan look at Drunken Master (1978), Police Story (1985), Police Story 3: Supercop (1992), and The Foreigner (2017). We talk about Jackie Chan's journey finding his on-screen persona in the wake of Bruce Lee, the innovation and dedication that he put into his craft of acting and stunt performance, and the legacy he leaves on cinema even as his career isn't quite over.

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Alex and Jonathan take to the open seas today and follow the films and life of French explorer and documentarian Jacques Cousteau. We're talking about his documentaries The Silent World (1956), World Without Sun (1964), Voyage to the Edge of the World (1976), and the more recent biopic of his life The Odyssey (2016). We discuss the early foibles of Cousteau's adventures, the trail he blazed for modern conservationism, and his lasting impact on modern science-focused  entertainment.

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Highlighting one of the most innovative animation studios producing content today, Alex and Jonathan look at the four feature films produced by Irish studio Cartoon Saloon: The Secret of Kells (2009), Song of the Sea (2014), The Breadwinner (2017), and Wolfwalkers (2020). We discuss the unique art style, the various cultural influences, and the ongoing work and legacy of Cartoon Saloon.

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Travelling back to the Golden Age, Alex and Jonathan take a look at one of the early masters of the budding film medium, Ernst Lubitsch, through his films Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943). We discuss Lubitsch's history as a German immigrant before WWII, the way he made films dealing with controversial subject matter during the Production Code, and the lasting influence of the Lubitsch Touch.

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13:55 – Ninotchka

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We all know those movies that are so bad you just have to watch them, and today Alex and Jonathan are talking through the history of these terribly good films with Plan 9 From Outer Space (1957), Birdemic: Shock and Terror (2010), Sharknado (2013), and The VelociPastor (2018). We discuss the role intention plays in the final product of art, different approaches to a limitation of resources, and what draws us to bad movies in the first place.

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For more information, visit the blog: https://thefilmlings.wordpress.com/2021/03/31/sobaditsgood