In the first ever Filmography Bonus Episode, Reece and Bjorn discuss their respective top 10 favourite films released in 2024.

Reece and Bjorn wrap up their Paul Schrader season with the second part of their rankings from least to most favourite.

Reece and Bjorn compare notes on Schrader's films, ranking them from least to most favourite.

Reece and Bjorn are joined with very special guest and fellow former Queen Video clerk Adam Trozzolo for a deep dive into Paul Schrader final entry in his late period "man in a room" trilogy, starring Joel Edgerton as a reformed Neo-Nazi (surprise, surprise) seeking redemption through love.

Reece and Bjorn discuss Paul Schrader's 22nd picture, "The Card Counter," the second in the so-called "man in a room" trilogy, starring Oscar Isaac as a gambler with a very dark past.

Reece and Bjorn discuss Paul Schrader's comeback picture, starring Ethan Hawke as the most Schrader-esque of protagonists, a priest suffering a crisis of faith. A 180-degree-turn from his last film, "First Reformed" is a provocative and deeply moving meditation on love, guilt, grief, and God (but way more entertaining than that suggests).

Reece and Bjorn take a deep dive into Paul Schrader’s wildest picture, his second collaboration with Nic Cage (doing his best Bogart) in the bonkers 2016 neo-noir, Dog Eat Dog, featuring a gleefully unhinged supporting turn from Willem Dafoe., and based on (most of) a novel by Edward (Mr.Blue) Bunker.

Reece and Bjorn are joined by returning special guest and noted Cage-o-holic Mark Hanson to discuss the first of two Schrader / Nic Cage pictures, 2014's CIA spy thriller, Dying of The Light, as well as Schrader's own bootleg cut, "Dark."

Reece and Bjorn discuss (and disagree on!) Paul Schrader's divisive, self-financed Bret Easton Ellis collaboration, "The Canyons," starring Lindsay Lohan and pornstar James Deen in a story about sex, jealousy, and murder.

Reece and Bjorn discuss Paul Schrader’s 2008 psychological drama starring Jeff Goldblum as a Holocaust survivor struggling to hold onto his sanity after suffering unspeakable loss and humiliation at the hands of Willem Dafoe’s Nazi officer.