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Part 1 of All Bones Considered: Laurel Hill Stories #081: Laurel Hill - In the Beginning
Inspired by the allegory of Old Mortality, Laurel Hill was founded in 1836 by John Jay Smith and other reform-minded citizens as a response to overcrowded urban graveyards and changing attitudes toward death and memorialization. Modeled after rural cemeteries like Paris’s Père Lachaise, Laurel Hill emphasized scenic landscaping, remembrance, and inclusivity for various religious and social groups, although early regulations still reflected social prejudices. The founders established distinctive rules, invested in prominent sculptures and monuments, and promoted the cemetery through “celebrity corpses” and innovative designs by architects such as John Notman. Laurel Hill’s development mirrored broader trends in American burial practices, the rural cemetery movement, and the expansion of non-sectarian spaces for commemoration and education, while also sparking debates about the relationship between beauty, solemnity, and social class in cemetery culture.
By Joe Lex5
5151 ratings
Part 1 of All Bones Considered: Laurel Hill Stories #081: Laurel Hill - In the Beginning
Inspired by the allegory of Old Mortality, Laurel Hill was founded in 1836 by John Jay Smith and other reform-minded citizens as a response to overcrowded urban graveyards and changing attitudes toward death and memorialization. Modeled after rural cemeteries like Paris’s Père Lachaise, Laurel Hill emphasized scenic landscaping, remembrance, and inclusivity for various religious and social groups, although early regulations still reflected social prejudices. The founders established distinctive rules, invested in prominent sculptures and monuments, and promoted the cemetery through “celebrity corpses” and innovative designs by architects such as John Notman. Laurel Hill’s development mirrored broader trends in American burial practices, the rural cemetery movement, and the expansion of non-sectarian spaces for commemoration and education, while also sparking debates about the relationship between beauty, solemnity, and social class in cemetery culture.

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