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To begin Music Education Basics, we’re going to talk about a primary component of music teaching and learning and something you may not immediately think of as being the first step in the teaching process: listening and responding.
In the introduction last week, I talked about the Music Learning Theory and the idea that learning music is a lot like learning how to speak a new language.
When you learned how to speak your native language, you probably didn't start with reading; you spent time listening to others speak the language around you, soaking it up, exploring how to create sound yourself, and eventually, imitating them.
It’s so important to build listening and responding into your teaching, because, while it's vital at the beginning of musical development, it’s something we come back to over and over again as we learn.
Everyone can learn from opportunities to listen and respond to music, at all stages of musical development, something I explain more in this lesson.
For show notes, click here.
Looking for the workbook? You’ll find it inside the learning platform, ready to download. Sign up for free access >>
Resources mentioned:
The Art of Music Teaching & Learning — A comprehensive online course for music educators in all types of settings. It's kind of like getting a mini-music education degree in only 8 weeks.
Joey Blake and Bobby McFerrin Vocal Improvisation
Dalcroze Eurhythmics Exercises video demonstration
Continuous Rhythm Canon video demonstration
By Ashley Danyew4.9
2020 ratings
To begin Music Education Basics, we’re going to talk about a primary component of music teaching and learning and something you may not immediately think of as being the first step in the teaching process: listening and responding.
In the introduction last week, I talked about the Music Learning Theory and the idea that learning music is a lot like learning how to speak a new language.
When you learned how to speak your native language, you probably didn't start with reading; you spent time listening to others speak the language around you, soaking it up, exploring how to create sound yourself, and eventually, imitating them.
It’s so important to build listening and responding into your teaching, because, while it's vital at the beginning of musical development, it’s something we come back to over and over again as we learn.
Everyone can learn from opportunities to listen and respond to music, at all stages of musical development, something I explain more in this lesson.
For show notes, click here.
Looking for the workbook? You’ll find it inside the learning platform, ready to download. Sign up for free access >>
Resources mentioned:
The Art of Music Teaching & Learning — A comprehensive online course for music educators in all types of settings. It's kind of like getting a mini-music education degree in only 8 weeks.
Joey Blake and Bobby McFerrin Vocal Improvisation
Dalcroze Eurhythmics Exercises video demonstration
Continuous Rhythm Canon video demonstration

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