The Frontline Club

The Tim Hetherington Trust invites you to celebrate the lives of Tim Hetherington and Chris Hondros with a review of new work by friends, colleagues and others who are continuing the mission to share important stories powerfully told.

April 20th marks the fourth anniversary of the mortar attack that took Tim and Chris’ lives. Tonight’s program will demonstrate their living legacy with an array of new work that will stimulate and provoke in the style we came to expect from them. Starting with Tim’s earliest experiments in multimedia the evening will unfold to show projects recently completed and work still in progress by recognised names and emerging talent, accompanied by discussion of how to harness the media for more effective communication.

Topaz Adizes, filmmaker, will talk about some astonishing film projects that he was developing with Tim in 2011 and how his creative work has since evolved.

Paul Halliday, friend and collaborator with Tim during his time with The Big Issue and now a lecturer at Goldsmiths College, will introduce the forthcoming “Urban Encounters” festival at Tate Britain and how Tim’s work will find a place nearly 20 years on.

Geoff Johnson, artist, curator and studio partner with Tim in the 90’s will talk about “Manorism” a current exhibition of international graffiti art and will describe the discussions behind Tim’s Liberian war graffiti and its continuing relevance.

Eline Jongsma & Kel O’Neill, winners of the inaugural Visionary Award from the Tim Hetherington Trust, will talk about their practice that is evolving to include filmmaking, interactive media and virtual reality media.

Guy Martin, photographer, friend and thinker will show some current work and discuss it in the context of contemporary documentary practice. How has Tim’s thinking influenced the picture and how is it developing?

Daniel Meadows, Tim’s teacher at the Centre for Journalism Studies at Cardiff University will recount his last phone conversation with Tim which re-inspired his commitment to training and the importance of basic principles even as the industry changes.

We expect a provocative evening of images, ideas and words so please come to listen and share as we look back a their lives and forwards to what’s coming next.

Days after the September 11 attacks, a CIA Predator in Afghanistan executed the world’s first lethal drone strike. The technology used had been nurtured and developed by the agency for almost a decade, with the aim to monitor targets and take lethal action instantly.

Since then, remotely-piloted aircraft have played a critical role in America’s global counterterrorism operations and have been deployed in conflicts in Afghanistan, Iraq and Libya. They are also used in a secret war, a war that the American government insists is legal, in which drones scour the skies of Yemen, Pakistan and Somalia in search of militant and terrorist targets.

The CIA claims that its armed drones are ‘the most precise weapon ever invented,’ but what is the true cost? In a new book, Sudden Justice, investigative journalist Chris Woods explores the secretive history of the United States’ use of armed drones. He will be joining us to explore that history and the key role they play on today’s battlefields and in covert targeted killings.

Chris Woods is a widely-published investigative journalist who specialises in conflict and national security issues. A former senior BBC Panorama producer, he has authored some of the key investigations into covert US drone strikes and their true effects. He was recently awarded the Martha Gellhorn Journalism Prize for his work.

Chaired by Mark Urban, diplomatic and defence editor for BBC Two’s Newsnight. He is the author of several books including Big Boys’ Rules: The SAS and the Secret Struggle Against the IRA, The Tank War and Task Force Black: The explosive true story of the SAS and the secret war in Iraq.

Days after the September 11 attacks, a CIA Predator in Afghanistan executed the world’s first lethal drone strike. The technology used had been nurtured and developed by the agency for almost a decade, with the aim to monitor targets and take lethal action instantly.

Since then, remotely-piloted aircraft have played a critical role in America’s global counterterrorism operations and have been deployed in conflicts in Afghanistan, Iraq and Libya. They are also used in a secret war, a war that the American government insists is legal, in which drones scour the skies of Yemen, Pakistan and Somalia in search of militant and terrorist targets.

The CIA claims that its armed drones are ‘the most precise weapon ever invented,’ but what is the true cost? In a new book, Sudden Justice, investigative journalist Chris Woods explores the secretive history of the United States’ use of armed drones. He will be joining us to explore that history and the key role they play on today’s battlefields and in covert targeted killings.

Chris Woods is a widely-published investigative journalist who specialises in conflict and national security issues. A former senior BBC Panorama producer, he has authored some of the key investigations into covert US drone strikes and their true effects. He was recently awarded the Martha Gellhorn Journalism Prize for his work.

Chaired by Mark Urban, diplomatic and defence editor for BBC Two’s Newsnight. He is the author of several books including Big Boys’ Rules: The SAS and the Secret Struggle Against the IRA, The Tank War and Task Force Black: The explosive true story of the SAS and the secret war in Iraq.

Days after the September 11 attacks, a CIA Predator in Afghanistan executed the world’s first lethal drone strike. The technology used had been nurtured and developed by the agency for almost a decade, with the aim to monitor targets and take lethal action instantly.

Since then, remotely-piloted aircraft have played a critical role in America’s global counterterrorism operations and have been deployed in conflicts in Afghanistan, Iraq and Libya. They are also used in a secret war, a war that the American government insists is legal, in which drones scour the skies of Yemen, Pakistan and Somalia in search of militant and terrorist targets.

The CIA claims that its armed drones are ‘the most precise weapon ever invented,’ but what is the true cost? In a new book, Sudden Justice, investigative journalist Chris Woods explores the secretive history of the United States’ use of armed drones. He will be joining us to explore that history and the key role they play on today’s battlefields and in covert targeted killings.

Chris Woods is a widely-published investigative journalist who specialises in conflict and national security issues. A former senior BBC Panorama producer, he has authored some of the key investigations into covert US drone strikes and their true effects. He was recently awarded the Martha Gellhorn Journalism Prize for his work.

Chaired by Mark Urban, diplomatic and defence editor for BBC Two’s Newsnight. He is the author of several books including Big Boys’ Rules: The SAS and the Secret Struggle Against the IRA, The Tank War and Task Force Black: The explosive true story of the SAS and the secret war in Iraq.

Born to a poor immigrant family in Philadelphia in 1912, Eve Arnold became a photographer by chance. She was a 38-year-old housewife living in Long Island when she enrolled in a six-week photography course which led to her groundbreaking photo essay on black fashion models in Harlem, and later to her becoming the first woman to join Magnum Photos.

In a career that spanned most of the latter half of the twentieth century, she captured intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, and documented the lives of migrant workers, disabled veterans, and civil rights activists in the US and against apartheid in South Africa.

Eve Arnold

In the first volume of a major new series of illustrated biographies of Magnum photographers, journalist Janine di Giovanni traces the life and achievements of Eve Arnold. She will be joining us in conversation with documentary photographer Susan Meiselas, to share the story and show the work of one of the most accomplished photojournalists of the twentieth century.

Janine di Giovanni is the award-winning Middle East editor of Newsweek and a contributing editor to Vanity Fair. She knew Eve Arnold personally and considered her a mentor of sorts. Di Giovanni’s books include Ghosts by Daylight, Madness Visible and The Place at the End of the World: Essays from the Edge.

Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. She is the author of Carnival Strippers, Nicaragua, Kurdistan: In the Shadow of History, Pandora’s Box and Encounters with the Dani. She has co-edited two collections: El Salvador, Work of 30 Photographers and Chile from Within. She is currently the president and acting executive director of the Magnum Foundation.

Born to a poor immigrant family in Philadelphia in 1912, Eve Arnold became a photographer by chance. She was a 38-year-old housewife living in Long Island when she enrolled in a six-week photography course which led to her groundbreaking photo essay on black fashion models in Harlem, and later to her becoming the first woman to join Magnum Photos.

In a career that spanned most of the latter half of the twentieth century, she captured intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, and documented the lives of migrant workers, disabled veterans, and civil rights activists in the US and against apartheid in South Africa.

Eve Arnold

In the first volume of a major new series of illustrated biographies of Magnum photographers, journalist Janine di Giovanni traces the life and achievements of Eve Arnold. She will be joining us in conversation with documentary photographer Susan Meiselas, to share the story and show the work of one of the most accomplished photojournalists of the twentieth century.

Janine di Giovanni is the award-winning Middle East editor of Newsweek and a contributing editor to Vanity Fair. She knew Eve Arnold personally and considered her a mentor of sorts. Di Giovanni’s books include Ghosts by Daylight, Madness Visible and The Place at the End of the World: Essays from the Edge.

Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. She is the author of Carnival Strippers, Nicaragua, Kurdistan: In the Shadow of History, Pandora’s Box and Encounters with the Dani. She has co-edited two collections: El Salvador, Work of 30 Photographers and Chile from Within. She is currently the president and acting executive director of the Magnum Foundation.

Born to a poor immigrant family in Philadelphia in 1912, Eve Arnold became a photographer by chance. She was a 38-year-old housewife living in Long Island when she enrolled in a six-week photography course which led to her groundbreaking photo essay on black fashion models in Harlem, and later to her becoming the first woman to join Magnum Photos.

In a career that spanned most of the latter half of the twentieth century, she captured intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, and documented the lives of migrant workers, disabled veterans, and civil rights activists in the US and against apartheid in South Africa.

Eve Arnold

In the first volume of a major new series of illustrated biographies of Magnum photographers, journalist Janine di Giovanni traces the life and achievements of Eve Arnold. She will be joining us in conversation with documentary photographer Susan Meiselas, to share the story and show the work of one of the most accomplished photojournalists of the twentieth century.

Janine di Giovanni is the award-winning Middle East editor of Newsweek and a contributing editor to Vanity Fair. She knew Eve Arnold personally and considered her a mentor of sorts. Di Giovanni’s books include Ghosts by Daylight, Madness Visible and The Place at the End of the World: Essays from the Edge.

Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. She is the author of Carnival Strippers, Nicaragua, Kurdistan: In the Shadow of History, Pandora’s Box and Encounters with the Dani. She has co-edited two collections: El Salvador, Work of 30 Photographers and Chile from Within. She is currently the president and acting executive director of the Magnum Foundation.

Born to a poor immigrant family in Philadelphia in 1912, Eve Arnold became a photographer by chance. She was a 38-year-old housewife living in Long Island when she enrolled in a six-week photography course which led to her groundbreaking photo essay on black fashion models in Harlem, and later to her becoming the first woman to join Magnum Photos.

In a career that spanned most of the latter half of the twentieth century, she captured intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, and documented the lives of migrant workers, disabled veterans, and civil rights activists in the US and against apartheid in South Africa.

Eve Arnold

In the first volume of a major new series of illustrated biographies of Magnum photographers, journalist Janine di Giovanni traces the life and achievements of Eve Arnold. She will be joining us in conversation with documentary photographer Susan Meiselas, to share the story and show the work of one of the most accomplished photojournalists of the twentieth century.

Janine di Giovanni is the award-winning Middle East editor of Newsweek and a contributing editor to Vanity Fair. She knew Eve Arnold personally and considered her a mentor of sorts. Di Giovanni’s books include Ghosts by Daylight, Madness Visible and The Place at the End of the World: Essays from the Edge.

Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. She is the author of Carnival Strippers, Nicaragua, Kurdistan: In the Shadow of History, Pandora’s Box and Encounters with the Dani. She has co-edited two collections: El Salvador, Work of 30 Photographers and Chile from Within. She is currently the president and acting executive director of the Magnum Foundation.

In 2000, Srdja Popovic was one of the leaders of the Serbian nonviolent resistance group Otpor! that helped topple Slobodan Milošević. Then in 2003 he decided to use his experience to help pro-democracy activists around the world, teaching them how to bring down a dictator.

From the streets of Egypt to New York, Popovic teaches a toolkit of resistance, promoting the use of non-violence to achieve political and social goals.

In his new book, Blueprint for Revolution, Popovic documents his own journey from Belgrade rock kid to revolutionary leader, as well as sharing the stories of the many revolutionaries he has met along the way.

He will be joining us in conversation with Steve Crawshaw, director of the office of the secretary general at Amnesty International and co-author of Small Acts of Resistance, to share his story and the ingenious ways in which non-violent resistance has achieved its means around the world, from Occupy Wall Street to Tahrir Square, and from Nelson Mandela to Harvey Milk.

PopovicSrdja Popovic is a Serbian biologist, political activist and executive director of the Centre for Applied Nonviolent Action and Strategies (CANVAS). As the director of CANVAS, Popovic has consulted with revolutionary activists from countries including Egypt, Syria and Tunisia. The PRIO tipped him to receive the Nobel Peace Prize, Wired listed him as one of 50 people who will change the world and he was one of the World Economic Forum’s Young Global Leaders for 2013.

In 2000, Srdja Popovic was one of the leaders of the Serbian nonviolent resistance group Otpor! that helped topple Slobodan Milošević. Then in 2003 he decided to use his experience to help pro-democracy activists around the world, teaching them how to bring down a dictator.

From the streets of Egypt to New York, Popovic teaches a toolkit of resistance, promoting the use of non-violence to achieve political and social goals.

In his new book, Blueprint for Revolution, Popovic documents his own journey from Belgrade rock kid to revolutionary leader, as well as sharing the stories of the many revolutionaries he has met along the way.

He will be joining us in conversation with Steve Crawshaw, director of the office of the secretary general at Amnesty International and co-author of Small Acts of Resistance, to share his story and the ingenious ways in which non-violent resistance has achieved its means around the world, from Occupy Wall Street to Tahrir Square, and from Nelson Mandela to Harvey Milk.

PopovicSrdja Popovic is a Serbian biologist, political activist and executive director of the Centre for Applied Nonviolent Action and Strategies (CANVAS). As the director of CANVAS, Popovic has consulted with revolutionary activists from countries including Egypt, Syria and Tunisia. The PRIO tipped him to receive the Nobel Peace Prize, Wired listed him as one of 50 people who will change the world and he was one of the World Economic Forum’s Young Global Leaders for 2013.