The pair of composers team up and craft wild and dreamy sounds for Hulu's ‘Nine Perfect Strangers’.

It’s been a long time since we interviewed composer BRIAN TYLER about his work, but he’s done a lot since 2016. Over the years, we’ve had lively and insightful conversations about some of his standout scores: Rambo, Teenage Mutant Ninja Turtles, Iron Man 3, Now You See Me, The Expendables 3, and Criminal.On this episode we go full speed into a discussion about F9 and the entire FAST saga.

STEPHANIE ECONOMU is a long-time collaborator of Golden Globe-nominated composer, Harry Gregson-Williams. She's making a name for herself with powerful sounds and themes. We talk about her work on the Netflix superhero TV series.

White Bear Public Relations specializes in PR and Event Promotion & Management in the Film, TV and Interactive Entertainment Industry. We chat with the team behind this amazing outfit.

Composer JOHN POWELL's music can really make you feel like you're flying. Today we journey to a galaxy far, far away to geek out over his score to 'Solo: A Star Wars Story'.

Composer ILAN ESHKERI's music always makes us smile and '47 Ronin', 'Black Sea' and 'The Snowman & The Snowdog' are recent standouts in his career. We've talked about those with him in the past, and today we dive deep into his work on BBC's nature doc called 'A Perfect Planet'.

ZACH ROBINSON, composer of shows like 'Cobra Kai' and 'Twisted Metal', talks to us about his personal project - the ultra groovy and synth-tastic D/A/D.

We speak with AMELIA WARNER about composing and some of her early acting days. Over the years, Amelia now finds strength, confidence and her emerging voice at the piano.

HOWARD BLAKE has always been a hero to us, so we were thrilled to speak to him about working with RIDLEY SCOTT, TONY SCOTT, QUEEN and his everlasting music to 'The Snowman'.

NICK URATA, founder and front man of the influential band DeVotchKa, has found a knack for scoring films like 'Little Miss Sunshine', 'Ruby Sparks' and 'The True Adventures of Wolfboy’.