Luna pulls into a rest stop outside Truth or Consequences, New Mexico, just past three in the morning. The diner is empty except for a waitress who's been working the same shift for forty years and a man in a booth by the window who never orders anything. He's there every night, she says, always the same booth, always watching the highway. Luna sits down across from him. He tells her a story about a bus driver who found something on the road that changed everything. When Luna goes back to her bus, the man is gone, and the waitress says he's been dead for ten years. The coffee is cold. The highway is dark. And Luna has a passenger she didn't pick up.

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A late-night run to Point Pleasant, West Virginia, in the dead of winter. Luna picks up a single passenger outside the Mothman Museum — a boy of maybe twelve, soaking wet, clutching a toy spaceship. He claims he's waiting for his father, who disappeared in the TNT area twenty-two years ago. The boy has the exact date. The exact face from the museum photos. Luna makes the mistake of checking the back seat after she drops him off. The story is about the weight of a promise made to someone who shouldn't exist — and the damp spot on the upholstery that won't dry.

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On a rain-slicked October night in 2019, Luna pulls her Greyhound into the nearly empty lot of a 24-hour diner just outside Elko, Nevada. A woman in a white dress boards with no luggage and no ticket. She asks Luna two questions: 'How far does this go?' and 'Do you ever stop feeling like something is watching you?' The conversation that follows weaves through 300 miles of two-lane blacktop, past a rest stop that doesn't appear on any map, and ends with a handprint on the inside of a window that shouldn't exist. Luna tells you about the passenger she still dreams about — and what she found in the diner's lost and found three weeks later.

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