In the episode 006 of the High Point podcast, we had the pleasure to visit Claire Appleby and Jon Morgan from the Theatres Trust at the Criterion Theatre which is in the middle of the West End in London.
(Note: apologies if you can hear the tubes passing by and the building works. We tried to edit the episode the best we could to reduce their noise.)
In Part 1, Claire & Jon
introduce themselves, we go through a
theatre quiz and then talk about the
Theatres Trust in general and how they
support theatres in the UK including:
the structure of the organisation.
being the national advisory body for theatres in the UK.
their role as statutory consultee in the planning system. Last year, they commented on 20 pre-applications, 155 planning applications and 85 listed building consents.
providing high level design advice to theatre owners (and even sometimes bringing architects, theatre operators or project managers to comment)
their sources of revenues.
how they lobbied for the Agent of Change, which is a new law that give new developments the responsibility to mitigate their noise impact on existing noise sensitive areas, premises and other receptors.
contributing to the Technical Standards for Places of Entertainment with the Association of British Theatre Technicians (ABTT)
working with other specialist organisations and bodies to support theatres.
We also talked a little bit about rehousing, upgrading or respacing seats.In Part 2, we discuss about the financial and sustainability aspects of theatres including:
the positive economic impact venues have on their surrounding areas. examples: wolfenstone theatres had a positive impact before the venue even opened and after Chester Story house opened a 15% increase in footfall was observed in the town centre (and it is directly attributable to the venue).
using theatres to get people into town centres.
we discuss Section 106: a Local Authority can ask a developer to provide facilities as a pay off for the impact created (examples are given for Streatham Hill Theatre and Theatre Peckham).
working with Local Authorities and developers.
getting the right theatre consultants and architects on projects.
gentrification and minimising it.
inclusion and making places & events more affordable.
the Green Book to help theatres be more sustainable.
the importance of retrofitting buildings
creating or redevelopping front of house areas to increase the revenues.
making theatres financially viable.In Part 3, we discuss about the Theatres at Risk initiative and saving theatres in UK including:
the goal of Theatres at Risk: raising awareness of the theatres most at risk or under threat in the UK.
this year (2022), 38 buildings are on the register.
how the Theatres Trust helps theses theatres.
what is the rating system.
Hulme Hippodrome (see also the Save Hulme Hippodrome, the local campaign group).
Unfortunate case studies including The Futurist theatre in Scarborough and Dudley Hippodrome.
Happy case studies: Morecambe winter gardens and Burnley Empire.
why councils may not want to support the renovation of local theatres.
The Public Works Loan Board allowing councils to borrow money at more favourable interest rates. Bradford Live benefitted from this.In Part 4, we mainly discuss about the support provided by the Theatres Trust to theatres in the UK including:
generally, theatres could only achieve maximum 40-50% capacity.
support was done through workshops, campaining, lobbying, etc.
The Rapid Intervention for theatres that went bust (examples: Mayflower Theatre in Southampton and the Artrix Arts Centre in Bromsgrove).
Raising £2,5 M.
setting up a reopening fund.
having to stay 100% capacity as an organisation.
the cultural recovery fund. and the last questions ending the episode.
New parts and episodes are released every Monday at 8:00 (UK time).