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J.R.R. Tolkien wanted his work to be taken seriously. But his magnum opus The Lord of the Rings was unlike most of great literature of the mid-20th century, which was modernist or tackled the great issues of the day. And wasn't The Hobbit a children's book? The critics wondered, is this sequel supposed to be serious literature for adults? But there was a group of people who took Middle-earth very seriously and pushed this cult classic into the mainstream -- they just weren't the people Tolkien had expected. Wheaton College professor Michael Drout, Gary Lachman ("Turn Off Your Mind: The Mystic Sixties and the Dark Side of Aquarius") and Ethan Gilsdorf ("Fantasy Freaks and Gaming Geeks") explain how and why Tolkien became a folk hero to the counter-culture -- whether he liked it or not. ***This is the first in a six-part series on Magic and Fantasy***Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit podcastchoices.com/adchoices
By Eric Molinsky | Daylight Media4.8
19901,990 ratings
J.R.R. Tolkien wanted his work to be taken seriously. But his magnum opus The Lord of the Rings was unlike most of great literature of the mid-20th century, which was modernist or tackled the great issues of the day. And wasn't The Hobbit a children's book? The critics wondered, is this sequel supposed to be serious literature for adults? But there was a group of people who took Middle-earth very seriously and pushed this cult classic into the mainstream -- they just weren't the people Tolkien had expected. Wheaton College professor Michael Drout, Gary Lachman ("Turn Off Your Mind: The Mystic Sixties and the Dark Side of Aquarius") and Ethan Gilsdorf ("Fantasy Freaks and Gaming Geeks") explain how and why Tolkien became a folk hero to the counter-culture -- whether he liked it or not. ***This is the first in a six-part series on Magic and Fantasy***Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit podcastchoices.com/adchoices

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