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Composer Graham Reynolds recently scored Richard Linklater’s HIT MAN, starring Glen Powell and Adria Arjona, which is now available to stream on Netflix. Called “the quintessential modern composer” by the London Independent, Austin-based composer-bandleader- improviser Graham Reynolds records and performs music for film, theater, dance, rock clubs, and concert halls. Notable credits include Happy Jail (Netflix), Stop Hitting Yourself (Lincoln Center Theater), Out of Her Mind (BBC), POE / A Tale of Madness (Ballet Austin), and a multi-year commission from Ballroom Marfa, The Marfa Triptych, culminating in his Creative Capital Award winning project Pancho Villa from a Safe Distance.
Director Chris Nelson's latest film, REUNION, is coming out on June 28 on digital across all major platforms. The film is a take on the classic “whodunnit” mystery set during the aftermath of a twenty-year high school reunion when an obnoxious popular student is murdered and his former classmates are left to figure out who among them is responsible.
Music Supervisor Maggie Phillips discussed her work on FX's Fargo and Max’s Our Flag Means Death.
She is also the music supervisor on Netflix’s mini-series All the Light We Cannot See; Hulu’s adaptation of best-selling novel Black Cake; Paramount+’s mini-series Fatal Attraction; The CW’s Walker; Apple TV+’s High Desert; Amazon Prime’s Bosch: Legacy; and Upload. Her upcoming projects include Amazon Prime’s mini-series’ Blade Runner: 2099; and FX’s Alien.
Some of her notable past credits include FX’s Kindred and Snowfall; Hulu’s The Great, The Dropout and Normal People; Sam Esmail’s psychological thriller Leave the World Behind; Matthew Lopez and Ted Mawler’s adaptation of Casey McQuiston’s best-selling novel Red, White & Royal Blue; Starz’ Gaslit; Hulu's Rosaline; Apple TV+’s Shining Girls; and For All Mankind; Raven Jackson’s All Dirt Roads Taste of Salt; Shawn Levy’s Netflix sci-fi film The Adam Project; HBO Max’s Somebody Somewhere; and more.
Sarah Hicks is a orchestral conductor who has guest conducted for some of the most iconic symphony orchestras including the Philadelphia Orchestra, Chicago Symphony Orchestra, San Francisco Symphony, Cleveland Orchestra, Boston Pops, and of course, Los Angeles’s own LA Philharmonic both at the Hollywood Bowl and the Walt Disney Concert Hall.
From the publisher's feed