There has never been anyone like Russian impresario Serge Diaghilev.

 

The Russian impresario shook up the dusty world of ballet, making it the centre of the avant garde in the early part of the twentieth century, especially in Paris where the premieres of L’Apres Midi ‘D’un Faune and the Rite of Spring caused shock and scandal.

 

Born in a provincial backwater, Diaghilev made his way to St Petersburg with ambitions as a painter and composer, but failed at both. Eventually he discovered that his talents were more curatorial and, after bringing Russian art to Paris, he returned with The Ballets Russes, a troupe of brilliant dancers, including Nijinski, and gorgeous sets and costumes, taking the city by storm.

 

Collaborating with artists like Picasso and Stravinsky, Diaghilev changed the face of dance forever. He defined the word impresario in a unique way, discovering talent, finding the money to stage lavish productions and generating huge audience excitement, in a dizzying feat of risk-taking and flair.

 

In this episode, British cultural critic Rupert Christensen discusses his book Diaghilev’s Empire, about the impact, influence and legacy of a larger than life individual who loved Russia but was condemned by history to a life in exile.

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