"Roadside" directed by Jakob Owens and Ryan Alexander is in The Screening Room. This short film is a great example of how to be creative with a camera and two subjects, and make it interesting.

THE SCREENING ROOM:

theindiefilmplace.com/screeningroom

FACEBOOK and TWITTER:

@IndieFilmPlace

Set design is something that is often overlooked in micro productions. It doesn't take much to make a set pop with great color and contrast. Let's chat about it.

THE SCREENING ROOM:

theindiefilmplace.com/screeningroom

FACEBOOK and TWITTER:

@IndieFilmPlace

Does everything in your story make sense? There are obvious things that should make sense, but everything doesn't have to. Not everything in life makes sense, so let's bring some real life into your story.

SCREENING ROOM:

theindiefilmplace.com/screeningroom

FACEBOOK and TWITTER:

@IndieFilmPlace

Filmmaker Lin Oeding's short film "Interpretation" is a lesson in utilizing minimal locations, and properly framing shots for the characters.

The Screening Room:

theindiefilmplace.com/screeningroom

Like and Follow The Indie Film Place on Facebook and Twitter:

@IndieFilmPlace

The Indie Film Place Screening Room is a place for short films by

filmmakers who are getting out there and making something happen.

This is a place for the Indie Film Community to show support of one

another.

The Screening Room:

theindiefilmplace.com/screeningroom

If money was a non issue, we would get any camera and/or gear, and lighting we wanted. Well as indie filmmakers cash is more often than not, very much an issue. Therefor we need to find the best bang for our buck. This episode is in response to a listener question. "What is the best camera I can get for under $1000.00?

Check out the new screening room for short films at The Indie Film Place.

SCREENING ROOM:

theindiefilmplace.com/screeningroom

Like and Follow on Facebook and Twitter:

@IndieFilmPlace

Sometimes inspiration seems like it's always there. Sometimes it feels like we have to look for it. Let's chat about how to be inspired.

If you are asking yourself "How do I become a filmmaker", you have already taken the first step in making it happen. Although there is no one absolute method, the first thing to do is grab a camera and shoot something.

Our dream is our hope. It's more than a wish, our dream is a living thing. When a dream dies, a part of the dreamer dies as well. Keep the dream alive.

Ideas don't always work for a particular project, character, or story. What do we do when that happens? Give up on it? You birthed it, so it has to live somewhere.