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In his autobiographical sketch, A Mingled Chime, British conductor Thomas Beecham offered this assessment of British composer Ethel Smyth: “Ethel Smyth is without question the most remarkable of her sex that I have been privileged to know,” and added that he admired her “fiery energy and unrelenting fixity of purpose.”
Born in 1858, Smyth became a composer against her family’s wishes, and it took dogged determination to get her large-scale choral and operatic works performed in an era when most in the music business did not take female composers seriously. That was before they met Smyth, who convinced legendary conductors like Arthur Nikisch, Bruno Walter and Beecham, who realized her music had merit.
Smyth’s opera The Wreckers had its premiere performance in Leipzig on today’s date in 1906 and was championed in England by Beecham, who thought it her masterpiece. It remains, wrote Beecham in 1944, the year of Smyth’s death, “one of the three or four English operas of real musical merit and vitality written in the past 40 years.”
Ethyl Smyth (1858 - 1944) The Wreckers; Soloists and BBC Philharmonic; Odaline de la Martinez, cond. Conifer 51250
By American Public Media4.7
176176 ratings
In his autobiographical sketch, A Mingled Chime, British conductor Thomas Beecham offered this assessment of British composer Ethel Smyth: “Ethel Smyth is without question the most remarkable of her sex that I have been privileged to know,” and added that he admired her “fiery energy and unrelenting fixity of purpose.”
Born in 1858, Smyth became a composer against her family’s wishes, and it took dogged determination to get her large-scale choral and operatic works performed in an era when most in the music business did not take female composers seriously. That was before they met Smyth, who convinced legendary conductors like Arthur Nikisch, Bruno Walter and Beecham, who realized her music had merit.
Smyth’s opera The Wreckers had its premiere performance in Leipzig on today’s date in 1906 and was championed in England by Beecham, who thought it her masterpiece. It remains, wrote Beecham in 1944, the year of Smyth’s death, “one of the three or four English operas of real musical merit and vitality written in the past 40 years.”
Ethyl Smyth (1858 - 1944) The Wreckers; Soloists and BBC Philharmonic; Odaline de la Martinez, cond. Conifer 51250

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